Camber of Commerce Building in Chapinero / Daniel Bonilla Arquitectos

Architects: Daniel Bonilla Arquitectos
Location: Bogotá, Bogota, Colombia
Design Team: Daniel Bonilla, Juliana Lozano, Pedro Pulido, Seir Amaya, Alexander Roa, Adriana Hernández, Álvaro Acosta, Mauricio Morales, Oscar Montenegro, David Córdoba, Juan Andrés Díaz
General Management: Gerencia de proyectos Cámara de Comercio
Project Area: 11436.0 m2
Project Year: 2009
Photographs: Rodrigo Dávila, Sergio Gómez

Students: Alejandro Méndez, Alejandra Torres, Giancarlo Mainero, Carolina Andrade
Structural Design: MQ Ingeniería ltda
Soil Survey: LFO Ing. de suelos
Acoustic Design: AVI consultores
Bio Climatic Consultant : Agustín Adarve

From the architect. The urban

The project is proposed under the question of how a public building located in an anonymous corner of the city can provide urban life. We thus formulate a siting where the floor plan tilts to build an artificial topography, creating an interesting dynamic with the traditional space of the platform and producing an urban balcony that adds to many public accesses in ascent or descent.

The content

The program is broken down between operating and support areas, comprising: a circulation and operational support volume, that serves to connect the levels and provide complementary technical areas to the building. A volume or flexible prism serves to accommodate the activities. It is conceived as a space capable of absorbing infinite changes in the future. An interstitial space, operational crack or “atrium”, which enhances the playful relationship between the two volumes. It is strategically functional by providing the entry of natural light and ventilation.

The envelope

The dominant mass is clad with an envelope of undulating plywood inspired by Kinetic Art, which produces visual distortion effects. An institutional semi-frame accompanies it, taken from the generic image of recent buildings constructed by the Chamber of Commerce in Bogota

The efficiency

The building includes pertinent rational solutions relating to energy consumption and sustainability, such as the use of passive means of ventilation, lighting and sun protection.

Edificio Camara De Comercio Sede Chapinero / Daniel Bonilla Arquitectos © Rodrigo Dávila
Edificio Camara De Comercio Sede Chapinero / Daniel Bonilla Arquitectos © Rodrigo Dávila
Edificio Camara De Comercio Sede Chapinero / Daniel Bonilla Arquitectos © Rodrigo Dávila
Edificio Camara De Comercio Sede Chapinero / Daniel Bonilla Arquitectos © Sergio Gómez
Edificio Camara De Comercio Sede Chapinero / Daniel Bonilla Arquitectos © Sergio Gómez
Edificio Camara De Comercio Sede Chapinero / Daniel Bonilla Arquitectos © Sergio Gómez
Edificio Camara De Comercio Sede Chapinero / Daniel Bonilla Arquitectos Plan
Edificio Camara De Comercio Sede Chapinero / Daniel Bonilla Arquitectos Second Floor Plan
Edificio Camara De Comercio Sede Chapinero / Daniel Bonilla Arquitectos First Floor Plan
Edificio Camara De Comercio Sede Chapinero / Daniel Bonilla Arquitectos Basement Floor Plan
Edificio Camara De Comercio Sede Chapinero / Daniel Bonilla Arquitectos Fourth Floor Plan
Edificio Camara De Comercio Sede Chapinero / Daniel Bonilla Arquitectos Fifth Floor Plan
Edificio Camara De Comercio Sede Chapinero / Daniel Bonilla Arquitectos Elevation
Edificio Camara De Comercio Sede Chapinero / Daniel Bonilla Arquitectos Elevation
Edificio Camara De Comercio Sede Chapinero / Daniel Bonilla Arquitectos Elevation
Edificio Camara De Comercio Sede Chapinero / Daniel Bonilla Arquitectos Elevation
Edificio Camara De Comercio Sede Chapinero / Daniel Bonilla Arquitectos Section

Camber of Commerce Building in Chapinero / Daniel Bonilla Arquitectos originally appeared on ArchDaily, the most visited architecture website on 19 Dec 2014.

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Studio Gang Behind Supertall Tower Planned for Chicago

The City of Chicago has officially linked Studio Gang Architects to the massive mixed-use “Wanda Vista” development planned to rise alongside the Chicago River. A trio of interlocking supertall towers, the $900 million riverfront project is expected to become the city’s third tallest building.

According to the Chicago Tribune’s Blair Kamin, the tallest part of the skyscraper will reach 1,148 feet and 88 stories, one story less than rumors originally indicated, stirring speculation that the final count has something to due with its Chinese developer and “eight” being considering a lucky number in China.


Sited along East Wacker Drive in the 28-acre Lakeshore East development, Wanda Vista will be comprised of a 250 room five-star hotel, 390 condominiums and around 9000-square-feet of retail space.

“This is huge,” said a spokeswoman for the mayor, according to the Chicago Tribune. “The mayor has put a significant amount of time and energy into ensuring that we open our arms and make this city for international businesses and international visitors.”

The City of Chicago and the tower’s Chinese developer Wanda Group plans for the project to break ground in 2016.

References: Chicago Tribune, Chicago Curbed, Chicago Business 

Studio Gang Behind Supertall Tower Planned for Chicago © City of Chicago
Studio Gang Behind Supertall Tower Planned for Chicago © City of Chicago
Studio Gang Behind Supertall Tower Planned for Chicago © City of Chicago, HANDOUT
Studio Gang Behind Supertall Tower Planned for Chicago © City of Chicago, HANDOUT
Studio Gang Behind Supertall Tower Planned for Chicago © City of Chicago

Studio Gang Behind Supertall Tower Planned for Chicago originally appeared on ArchDaily, the most visited architecture website on 19 Dec 2014.

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Baldridge Architects Office / Baldridge Architects

Architects: Baldridge Architects
Location: Austin, TX, USA
Area: 1450.0 ft2
Year: 2013
Photographs: Casey Dunn

From the architect. This project is a small urban infill renovation located in Clarksville, the only mixed use neighborhood in Old West Austin, Texas. The structure serves as the offices for Baldridge Architects, a small architecture studio in Austin. The 1450 square foot renovation sits in an unassuming location amidst a parking lot along the principal two-lane commercial street the runs through Clarksville. Originally a concrete masonry unit warehouse glommed on to the neglected 1960s building of a television repair business, the reinvented structure serves not only as the firm’s home but also as a redirection from the “soft modern” instincts that prevail in Austin’s residential neighborhoods, and from the trendy surfaces that characterize its restaurants and commercial establishments.

The project is small, comprising accommodations for ten designers, a conference room, kitchenette, bathroom and a materials library and lounge. In response to the image-driven pastiche predominating Austin’s current design landscape, the designers worked with a limited palette and a circumscribed footprint.  The result is a stark form clad in smooth white plaster, adorned only by the rhythm of its irregular expansion joints (chosen to incorporate and make sense of the various elevational data inherited form the adjoining TV repair building). A single 3’ by 12’ window/skylight, its glazing flush to the exterior plaster, marks the front façade, acting as dynamic living signage for the firm.

Below, a materials library and lounge are accessed through a separate door, accommodating the messier elements of the architectural practice.  A translucent awning covers the entries to the storage and to the rear entry of the adjoining business, allowing shelter from the elements and a space for its employees who often congregate beneath.  Enclosures fabricated from irregularly spaced painted steel tubes and expanded mesh separate the entry from the service core of the TV Repair and provide a space to organize, if not completely hide, its refuse.

The interior is rendered simply in white, accented with bold cumaru flooring and cantilevered mahogany shelves. Coordinated reveals and flush base detailing turn back into the 18” deep walls – the net result of the exterior uninsulated cmu structure – to create the subtle illusion that the walls float above a 4” datum. The compact and pragmatic layout, museum-smooth surfaces, coordinated alignments and silent detailing act as persuasive counterpoints to the square-footage and amenity driven instincts that often accompany architectural clients when they first consider their own projects.

The project was delivered with a limited budget and the members of the firm, which previously operated as a design-build concern, each contributed his or her skills to build the space. In its inauspicious context, the structure sits unapologetic and simple, precise but effortless, striking but obvious.

Baldridge Architects Office / Baldridge Architects © Casey Dunn
Baldridge Architects Office / Baldridge Architects © Casey Dunn
Baldridge Architects Office / Baldridge Architects © Casey Dunn
Baldridge Architects Office / Baldridge Architects © Casey Dunn
Baldridge Architects Office / Baldridge Architects © Casey Dunn
Baldridge Architects Office / Baldridge Architects © Casey Dunn
Baldridge Architects Office / Baldridge Architects © Casey Dunn
Baldridge Architects Office / Baldridge Architects © Casey Dunn
Baldridge Architects Office / Baldridge Architects © Casey Dunn
Baldridge Architects Office / Baldridge Architects © Casey Dunn
Baldridge Architects Office / Baldridge Architects Floor Plan
Baldridge Architects Office / Baldridge Architects Floor Plan
Baldridge Architects Office / Baldridge Architects Section
Baldridge Architects Office / Baldridge Architects Section
Baldridge Architects Office / Baldridge Architects South Elevation
Baldridge Architects Office / Baldridge Architects East Elevation

Baldridge Architects Office / Baldridge Architects originally appeared on ArchDaily, the most visited architecture website on 19 Dec 2014.

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The Age Of The Plastic Chimney: How Cookie-Cutter Homes Drove Me to Despair… And Away from the Profession

A UK architect berates the state of residential development across The Pond, and asks the question: How can we rock the status quo?

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Luxury 5-Bedroom Family Home Marrying Elegance and Technology

Villa Pruhonice by Jestico and Whiles Luxury 5 Bedroom Family Home Marrying Elegance and Technology

Located in a village near Prague in the Czech Republic, this luxurious five-bedroom family home is not only elegant and welcoming, but also eye-candy for tech-savy folk. Latest environmental design technologies were implemented by Jestico + Whiles to imagine and build the perfect family home for their clients. The amazing private luxury home known as Villa Pruhonice opens to the surroundings with a transparent south-facing facade shielded from direct exposure by balcony overhangs on the first floor and a cantilevered roof shading the private spaces upstairs. Cutting-edge intelligent home technologies and a showcase of  the owner’s impressive collection of cars make this custom home a fairy-tale piece of land built to exact specifications.

Villa Pruhonice by Jestico and Whiles 1 Luxury 5 Bedroom Family Home Marrying Elegance and Technology

Designed to merge indoor and outdoor living, the private luxury villa occupies 560 square meters. Ales Jungmann‘s photo lenses show us glimpses of this luxury family home. We see that the facade is decorated with light grey stucco and cement-based panels, while the interiors present a soothing mix of materials like marble, leather and timber. Awarded a high-level ‘A class’ European Energy rating, the luxury family home ” incorporates extensive smart features and uses the very latest technologies to allow the owners to control lighting, security and audio visual elements from their iPhones and iPads. Automatically optimized temperature control uses live data from the house’s weather station to provide maximum energy efficiency. ”

Villa Pruhonice by Jestico and Whiles 2 Luxury 5 Bedroom Family Home Marrying Elegance and Technology

According to the architects: “The entrance to the villa is through a wide glass doorway, with recessed, sumptuous leather seating and generous storage spaces. A direct view through the depth of the villa reveals the landscaped garden beyond, blurring the connection between indoor and outdoor spaces. As one enters the living room, a series of open-plan living spaces reveal the owner’s African artwork and are connected to a recessed, polished-lacquer finished library with a large fireplace. The kitchen and dining spaces are located next to the living room and designed to be a warm heart to the family home whilst providing the house with a contemporary feel. The hi-tech kitchen uses button-less technology and carbonated water runs directly from the kitchen tap.

One of the home’s show-stopping features is a natural oak staircase that connects the three levels of the house and appears to float in the naturally-lit triple-height space. Downstairs a gym and spa (featuring a state-of-art-sauna and Jacuzzi set in marble) offer beautiful views of the landscaped garden through large windows. Upstairs, bedroom and bathroom spaces look on to the south-facing garden and private terrace that features subtle LED lighting cleverly integrated within the rain-drip detail along the edge of the roof.”

Villa Pruhonice by Jestico and Whiles 3 Luxury 5 Bedroom Family Home Marrying Elegance and Technology Villa Pruhonice by Jestico and Whiles 4 Luxury 5 Bedroom Family Home Marrying Elegance and Technology Villa Pruhonice by Jestico and Whiles 5 Luxury 5 Bedroom Family Home Marrying Elegance and Technology Villa Pruhonice by Jestico and Whiles 6 Luxury 5 Bedroom Family Home Marrying Elegance and Technology Villa Pruhonice by Jestico and Whiles 7 Luxury 5 Bedroom Family Home Marrying Elegance and Technology Villa Pruhonice by Jestico and Whiles 8 Luxury 5 Bedroom Family Home Marrying Elegance and Technology Villa Pruhonice by Jestico and Whiles 9 Luxury 5 Bedroom Family Home Marrying Elegance and Technology Villa Pruhonice by Jestico and Whiles 10 Luxury 5 Bedroom Family Home Marrying Elegance and Technology Villa Pruhonice by Jestico and Whiles 11 Luxury 5 Bedroom Family Home Marrying Elegance and Technology Villa Pruhonice by Jestico and Whiles 12 Luxury 5 Bedroom Family Home Marrying Elegance and Technology Villa Pruhonice by Jestico and Whiles 13 Luxury 5 Bedroom Family Home Marrying Elegance and Technology Villa Pruhonice by Jestico and Whiles 14 Luxury 5 Bedroom Family Home Marrying Elegance and Technology Villa Pruhonice by Jestico and Whiles 15 Luxury 5 Bedroom Family Home Marrying Elegance and Technology Villa Pruhonice by Jestico and Whiles 16 Luxury 5 Bedroom Family Home Marrying Elegance and Technology Villa Pruhonice by Jestico and Whiles 17 Luxury 5 Bedroom Family Home Marrying Elegance and Technology Villa Pruhonice by Jestico and Whiles 18 Luxury 5 Bedroom Family Home Marrying Elegance and Technology Villa Pruhonice by Jestico and Whiles 19 Luxury 5 Bedroom Family Home Marrying Elegance and Technology Villa Pruhonice by Jestico and Whiles 20 Luxury 5 Bedroom Family Home Marrying Elegance and Technology Villa Pruhonice by Jestico and Whiles 21 Luxury 5 Bedroom Family Home Marrying Elegance and Technology

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Alessandro Mendini Awarded the European Prize for Architecture

Italian architect, philosopher, architectural theorist, visionary and design practitioner, Alessandro Mendini, has been selected to receive the 2014 European Prize for Architecture. Awarded annually by the European Centre for Architecture, Art Design and Urban Studies and The Chicago Athenaeum: Museum of Architecture and Design, the European Prize for Architecture aims to recognize “influential architects that have changed and challenged the direction of contemporary architecture today and who have blazoned a more humane and intellectual approach to architecture.”

“Not since Frank Lloyd Wright has the world seen a more theory-driven and profound-thinking architect than Mendini,” said Christian Narkiewicz-Laine, the Museum President of the Chicago Athenaeum, in a press release.

Medini was one of the early members of Studio Alchimia, and later he founded Atelier Mendini with his brother in 1989. His works range from architecture and urban planning to the creation of iconic objects, paintings and installations. Mendini was also heavily involved in architectural theory, making essential contributions to the critical analysis of “postmodern design” and “re-design” since the 1970s.

“Alessandro Mendini,” said Narkiewicz-Laine,  “is one of the rare, most iconic architects and architectural minds in the history of art and architecture and clearly within the profound ranks of Leonardo Da Vinci, Palladio, Alberti, and Ledoux. His philosophic thinking is more than original. He has pushed concept beyond the perimeters of the inventive, relentlessly searching, in a most non-compromising way, for the most essential design idea. And the results center on the most visionary and far-reaching of our times. In an era where architectural ideas are copied and duplicated worldwide faster than ‘viral,’ Mendini and his works remain singular, prophetic, and original with the unique finger print of nothing less than a genius architect.”

A formal ceremony will be held in Milan in January. Last year the European Prize for Architecture was awarded to Finnish Architect, Marco Casagrande, and previous award winners have also included Bjarke Ingels in 2010 and Norwegian firm, TYIN tegnestue Architects in 2012.

Alessandro Mendini Awarded the European Prize for Architecture originally appeared on ArchDaily, the most visited architecture website on 19 Dec 2014.

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Ultra-Modern Country House Design in Ukraine: Riba House

Riba House by SVOYA studio Ultra Modern Country House Design in Ukraine: Riba House

Located in Dnepropetrovsk, Ukraine, this ultra-modern country house was re-imagined by Ukraine based SVOYA Studio starting from the idea of adding insignificant changes to the space. A full-blown design challenge was born as the plans changed. The homeowner is fond of beautiful floors, so this became the starting point of re-decorating what later became known in the studio’s portfolio as the Riba House.

Keeping only the planning concept and some carpentry items, the design studio constructed a unique atmosphere just as their client requested:  modern and cozy. Placing the emphasis on the floors, designers decorated the spaces with balanced masculine and feminine elegance. A green wall lines the living space, creating a beautifully modern vertical aesthetic.

Riba House by SVOYA studio 1 Ultra Modern Country House Design in Ukraine: Riba House

“The main idea was based on the combination and the interaction of color, material and texture contrasts. Black gloss kitchen and a moss panel, bright polished marble and dark matte wood, prominency and perfect smoothness are harmonized with eco-design elements. The interior concept can be identified by architectural design element “izdereva”, created by “SVOYA studio” – three columns, where concrete is enchased in wood. Unusual combination looks very harmonious and reveals ideologically interconnection of natural origins and urbanism.”

SVOYA studio also designed this eclectic apartment with mirrors expanding the already tall space and this remarkable family apartment embellished with luminous vertical gardens, both in Dnepropetrovsk, Ukraine.

Riba House by SVOYA studio 2 Ultra Modern Country House Design in Ukraine: Riba House

Riba House by SVOYA studio 3 Ultra Modern Country House Design in Ukraine: Riba House

Riba House by SVOYA studio 4 Ultra Modern Country House Design in Ukraine: Riba House

Riba House by SVOYA studio 5 Ultra Modern Country House Design in Ukraine: Riba House

Riba House by SVOYA studio 6 Ultra Modern Country House Design in Ukraine: Riba House

Riba House by SVOYA studio 7 Ultra Modern Country House Design in Ukraine: Riba House

Riba House by SVOYA studio 8 Ultra Modern Country House Design in Ukraine: Riba House

Riba House by SVOYA studio 9 Ultra Modern Country House Design in Ukraine: Riba House

Riba House by SVOYA studio 10 Ultra Modern Country House Design in Ukraine: Riba House

Riba House by SVOYA studio 11 Ultra Modern Country House Design in Ukraine: Riba House

Riba House by SVOYA studio 12 Ultra Modern Country House Design in Ukraine: Riba House

Riba House by SVOYA studio 13 Ultra Modern Country House Design in Ukraine: Riba House

Riba House by SVOYA studio 14 Ultra Modern Country House Design in Ukraine: Riba House

Riba House by SVOYA studio 15 Ultra Modern Country House Design in Ukraine: Riba House

Riba House by SVOYA studio 16 Ultra Modern Country House Design in Ukraine: Riba House

Riba House by SVOYA studio 17 Ultra Modern Country House Design in Ukraine: Riba House

Riba House by SVOYA studio 18 Ultra Modern Country House Design in Ukraine: Riba House

Riba House by SVOYA studio 19 Ultra Modern Country House Design in Ukraine: Riba House

Riba House by SVOYA studio 20 Ultra Modern Country House Design in Ukraine: Riba House

Riba House by SVOYA studio 21 Ultra Modern Country House Design in Ukraine: Riba House

Riba House by SVOYA studio 22 Ultra Modern Country House Design in Ukraine: Riba House

Riba House by SVOYA studio 23 Ultra Modern Country House Design in Ukraine: Riba House

Riba House by SVOYA studio 24 Ultra Modern Country House Design in Ukraine: Riba House

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Rafting Bridge / Arhitektura d.o.o.

Architects: Arhitektura d.o.o.
Location: Celje, Slovenia
Architect In Charge: Peter Gabrijelčič
Architect: Denis Rovan, Navor d.o.o.
Year: 2014
Photographs: Miran Kambič

Construction Company: Navor d.o.o.
Ingeneers: Alojz Rovan, Gregor Planinšek, Gregor Gruden

From the architect. The new bridge for pedestrians and cyclists across Savinja replaced a former footbridge which was placed low over the river and posed a constant risk of flooding for the city.

The location of the new footbridge lies on the axis connecting the Museum square in front of the Central Library on the left bank, with the promenade in the town park on the right bank of the Savinja River. In a wider context the footbridge connects the medieval town center on the left bank with the town park on the right bank. On the right bank the existing footbridge connects to footpaths and bicycle paths running along Partizanska street, on the left bank it intersects Badovinčeva street and connects to the foot path along the Savinja embankment, and across the Museum square into the system of footpaths and bicycle paths throughout the town.

Due to the flood protection measures along the Savinja River, it was necessary to raise the level of the existing footbridge, raise the level of the flood protection dikes along the river, carry out a planning intersection of the  footpath and bicycle path connection to the town park and the Partizanska street. Such were the starting points, representing the context for planning the replacement of the Splavarska brv footbridge.

The new construction complements the iconography of existing spatial elements. It preserves the grace of the old town panorama and offers a cultural dialogue between the old and the new. Each era leaves a mark in the space with a new bridge. Therefore the decision on the choice of the bridge construction and thus its architectural and symbolic image was aimed at finding a long span object with the bridge beam as thin as possible. The bridge was to span the river in one leap. The new footbridge therefore will not compete with the ambiance of the town scenery by being extravagant or garish, but will complement it with a youthful elegance and boldness, which are made possible by using new technologies and knowledge.

BATTLE FOR CENTIMETERS

In designing the construction plans that would correspond to the above mentioned basic premises we encountered three seemingly irreconcilable obstacles. Firstly, the shores were extremely low (and of asymmetric heights) from which it was necessary to allow direct access to the bridge, secondly, the demand for a  greater height of the bridge contruction due to the flood risk of the river, and thirdly, the demand for a maximum 6% slope, allowing bridge crossing also to the disabled people. To achieve these goals we found an innovative construction design concept with a variable cross-sectional geometry of the bridge.

The result seems simple but is in fact a complex and dynamic spatial form, which can only be realized using up-to-date technology and computer-assisted designing. It is a visual language indirectly speaking about the time in which the object was built. The bridge is thus dematerialized with lyrically softened lines of its elements and the choice of light blue color (RAL-7035), which additionally takes away its tectonic quality. In this way it becomes an abstract idea, a symbol and a new icon of the town. Bridges in light colors give an airy, sunny and lightweight feel. In a desire to preserve the night panorama of the town, or rather, to retain an unobstructed view of the starry sky, the bridge lighting is provided only by LED lamps concealed under the fence ledge. The only exception being the discreet lighting of the bottom bridge span, itself of unique shape, thus creating a recognizable image also in the night panorama of the town. Pedestrian surface is designed similarly to a sailboat deck, slightly arched and protected from the river with a fence, giving it a nautical feel.

THE GEOMETRY OF THE BRIDGE

The footbridge is shaped as a slightly tense steel bridge beam with a varying cross section, which extends from Savinja embankment to the deepened Partizanska street in a single span of 73 meters, crosses the street in the span of 8 meters and lowers towards the level of town park in the shape of a spiral, which is 26 m high and 24 m wide. In the longitudinal section the steel beam has a varying height, rising from 70 cm at the bed on the left bank to 1.64 m at the crown of the structure in the middle of the river and is growing thinner towards the supporting walls along the Partizanska street, where it reaches the height of 70 cm again. From there the footbridge continues to the shape of the spiral, where the beam is only 30 cm high. At the end of the spiral a monolithic wedge-like concrete conclusion is made. The bridge beam cross section (a box structure made of thick steel sheets) is of trapezoid shape. It measures 3.30 cm on the upper side, while on the lower side its width varies depending on the characteristics of the longitudinal section and measures from 1.39 m at the crown of the bridge, to 2.95 m at the spiral. Due to the chosen geometry of cross sections the bridge will seem lighter than the usual beam constructions.

On the left bank the bridge is fastenedinto a heavy foundationon deep-seated piles, on the right bank it is fastened into a box-shaped AB frame, formed by two supporting walls along the Partizanska street and are placed on underlying concrete slab, lying above the found archeological level under the Partizanska street. Endingof the bridge in the park in the form of a spiral is supported by thin round steel columns joints.

Rafting Bridge / Arhitektura d.o.o. © Miran Kambič
Rafting Bridge / Arhitektura d.o.o. © Miran Kambič
Rafting Bridge / Arhitektura d.o.o. © Miran Kambič
Rafting Bridge / Arhitektura d.o.o. © Miran Kambič
Rafting Bridge / Arhitektura d.o.o. © Miran Kambič
Rafting Bridge / Arhitektura d.o.o. © Miran Kambič
Rafting Bridge / Arhitektura d.o.o. © Miran Kambič
Rafting Bridge / Arhitektura d.o.o. © Miran Kambič
Rafting Bridge / Arhitektura d.o.o. © Miran Kambič
Rafting Bridge / Arhitektura d.o.o. Floor Plan
Rafting Bridge / Arhitektura d.o.o. Floor Plan
Rafting Bridge / Arhitektura d.o.o. Section
Rafting Bridge / Arhitektura d.o.o. Section
Rafting Bridge / Arhitektura d.o.o. Section

Rafting Bridge / Arhitektura d.o.o. originally appeared on ArchDaily, the most visited architecture website on 19 Dec 2014.

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