‘Redesigning Detroit: A New Vision for an Iconic Site’ Winning Proposal / Davide Marchetti Architetto

'Redesigning Detroit: A New Vision for an Iconic Site' Winning Proposal / Davide Marchetti Architetto Courtesy of Davide Marchetti Architetto

Davide Marchetti Architetto shared with us his first prize winning proposal, titled ‘Minicity Detroit,’ for the Redesigning Detroit: A New Vision for an Iconic Site competition. Utilizing the surrounding urban fabric as the generator for a new vision of the city, their concept directly responds to the site and its place in the city by bringing the existing physical form and history into the site. More image and architect’s description after the break.

At the pedestrian level a new urban space is formed. It is conceived of as the extension of Woodward Avenue and provides a space for transition as well as an active urban core. Both above and below this elevated platform public event such as fairs, outdoor markets, music concerts and festivals are possible.

These existing conditions provide a framework for renewal. The design pulls the existing urban grid into the site to generate the driving axes of the scheme, allowing for a merging of both the historic city and its potential as a new addition to the Woodward Avenue corridor.

The high-rises extrude from this framework in the industrial red brick style seen throughout Detroit and Merchant Row. Merging the historic architectural language of the city with renewal, they rise and insert themselves as a new architectural addition to the Detroit skyline.

Architects: Davide Marchetti Architetto
Location: Detroit, Michigan, United States
Team: Davide Marchetti, Erin Pellegrino (AAP Cornell B.Arch.14)
Client: Rock Ventures LLC, Opportunity Detroit
Program: International design competition for a new urban development on the 92,421 sqft Hudson’s site
Site Area: 8,546 sqm
Status: International Design Competition, First Prize
Year: 2013
Photographs: Courtesy of Davide Marchetti Architetto

'Redesigning Detroit: A New Vision for an Iconic Site' Winning Proposal / Davide Marchetti Architetto Courtesy of Davide Marchetti Architetto
'Redesigning Detroit: A New Vision for an Iconic Site' Winning Proposal / Davide Marchetti Architetto Courtesy of Davide Marchetti Architetto
'Redesigning Detroit: A New Vision for an Iconic Site' Winning Proposal / Davide Marchetti Architetto Courtesy of Davide Marchetti Architetto
'Redesigning Detroit: A New Vision for an Iconic Site' Winning Proposal / Davide Marchetti Architetto cross section
'Redesigning Detroit: A New Vision for an Iconic Site' Winning Proposal / Davide Marchetti Architetto programmatic distribution diagram
'Redesigning Detroit: A New Vision for an Iconic Site' Winning Proposal / Davide Marchetti Architetto design process diagram

'Redesigning Detroit: A New Vision for an Iconic Site' Winning Proposal / Davide Marchetti Architetto originally appeared on ArchDaily, the most visited architecture website on 19 Jun 2013.

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6970+ Revitalization Project Proposal / Op.N

6970+ Revitalization Project Proposal / Op.N Courtesy of Op.N

Proposing a connective and activated public realm for the two blocks of Sixty Nine and Seventy in Salt Lake City, this design by Op.N focuses on three main strategies: connectivity, activation of open and residual spaces, and extension of use. While there are a number of formal connections to and from various parts of the site, a series of informal connection have also been created based on ease of movement and access, possessing an embedded intelligence which needs to be considered. More images and architects’ description after the break.

Salt Lake City’s growth and development is closely tied to its mining and industrial past, from the early days of the gold rush and mining activity to its current status as the largest industrial banking center in the United States. However, the city has tried in recent years to diversify its economic base to include services and tourism industries, as well as the creative sector. In doing so, various development projects have taken on the task of revitalizing the downtown and establishing SLC as not only a business center but also a cultural nucleus.

With a growing downtown population, a thriving business community, and a vibrant new retail core, the city is in many ways experiencing a renaissance. Our project presents an opportunity to unite the growing business/retail center and the enduring historic core of the city with an active cultural and creative nucleus that will enhance the metropolitan aspirations of the city. The site, as it currently stands, is dominated by office buildings, surface parking, and garages, which tend to engulf the more historic and cultural buildings of the area.

Connectivity

A new ground cover strategy visually stitches together the various circulation spaces into a cohesive and easily recognizable movement surface. In addition, the various informal paths and trajectories that exist within the site are formalized into safe, well-lit spaces for circulation.As a result, a major East-West trajectory emerges which connects the various cultural programs within the site together. This mid-block cultural corridor is regularly intersected by North-South connections, hence creating a porous system of urban circulation that not only connects the various disparate cultural buildings within the site, but also connects the site to its larger context.

In addition to the physical connectivity infrastructure, a new digital information system is introduced, creating a larger connection between the activities of the site, the city, and even the global flows of information. Info-Stations are placed in strategic locations at intersections, major public spaces, and along the cultural corridor, to provide WiFi hotspots as well as information regarding the events within the 69-70 site, ticketing services for these events, city-wide navigation maps, and interactive public transportation schedules. These info-stations and other urban equipment within the site (for seating, lighting, etc.) also provide mobile device charging capabilities through integrated solar panel energy generation. Together, the digital information system and the physical circulation spaces constitute a connective urban fabric that produces and reinforces internal and external connections.

Activation of Open and Residual Spaces

The 69-70 site features a large number of residual and undefined open spaces dominated by surface parking. 6970+stimulates the site by transforming these left-over areas into an active network of public spaces, which we call the cultural corridor. Optimizing the existing parking garages within the area minimizes surface parking, and the facades of parking garages are transformed into active surfaces by introducing green walls, media screens, art walls, and rock climbing walls. In addition,a main public plaza is introduced in each block.

The Regent Plaza (inspired in part by the current plans for the UPAC complex and the goal of transforming Regent St. into a retail corridor) is programmed as an open cultural space. Reflecting the cultural programming around the area, Regent Plaza can be used as an event space for film screenings (by utilizing the western wall of the parking garage on Regent St), outdoor concerts in the summer, and ice skating in winter.The Main Plaza is carved out of the back of the future building expected at the corner of 100 and Main streets, and creates a mid-block open space for small gatherings, weekend markets, or just a nice place to have lunch on a workday.

In addition, a series of mid-block passageways are introduced as semi-open and seasonal spaces, which can be programmed through a variety of cultural activities such as art shows, presentations, and other public gatherings. While their main task is circulation, these passages are imagined as pockets that can also be programmed.

Extension of Use

It is important to take into consideration the climatic conditions of SLC when designing open spaces in the city. Hence, the public realm envisioned for the 69-70 site makes use of various heating and cooling strategies to facilitate outdoor programming throughout the year. Heating is provided through in-ground steam valves that generate steam from the run-off water and melting snow to warm up smaller urban pockets, such as Main Plaza in the winter months, while mist poles create a playful cooling effect in Regent Plaza in the summer.

In effect, these microclimates extend the use of public spaces seasonally. Given the nature of the 69-70 site, and the cultural, entertainment, and dining oriented activities of the area, it is important to implement a strategy for the night-time activation of the site. In 6970+ this is done through a lighting strategy that creates a set of lively circulation spaces, as well as guiding the pedestrian traffic to specific locations of the site through in-ground lighting techniques.

The Active Surface

The three main strategies mentioned above are implemented through an Active Surface. Imagined as a container that facilitates a variety of temporal activities and events throughout the year, the Active Surface is defined by its spatial flexibility and operational diversity.As a concept, the Active Surface is imagined as a pixelated surface in which each pixel is programmable and responds to a local condition, be it climatic, programmatic or interactive. Pixels are easily interchangeable and create a dynamic and flexible structure for (re)organizing the site and its various design elements. The interaction among pixels generates a whole, which is greater than the sum of its parts by responding not only to specific local conditions but also to larger contextual issues of place making and ecological sensitivity.

In practice, the property of each pixel has been defined by introducing a set of variables. These variables include material properties (hard surface or vegetation) as well as operational and geometrical properties. The pixelation, therefore, transforms from a flat condition to three-dimensional form to incorporate a variety of urban equipments, some with singular uses, such as seating and lighting, and some with more complex operational capacities, such as structural support or micro-climate generation.

Material Strategy

The industrial history of Utah and SLC and their relationship to mining and stone quarries is reflected through the materiality of 6970+. The materials used in the design of 6970+ can be sourced locally from within Utah. The multicolored paving stones of the Active Surface (Limestone, Sandstone and Granite of various shades) are quarried within Utah, while the Corten cladding of the various urban equipment will be sourced from the iron mines of Utah and manufactured within the state. In addition, a new digital layer is added to this materiality through the integration of various information and communication technologies in the design of the urban equipment.

The information provided through this digital platform will communicate the events and happenings of the 69-70 site, and will be produced with the help of SLC’s creative firms. Coupled with renewable energy generation and reuse and recycling strategies for the runoff water collected from the site, this virtual materiality adds a new layer of intelligence to the material composition of 6970+. In essence, the materiality of 6970+ is imbued with the historical trajectory of SLC and its future as the creative core of Utah and a world-class city.

Architects: Op.N
Location: Salt Lake City, Utah, United States
Project Team: Ali Fard and Ghazal Jafari
Year: 2013
Photographs: Courtesy of Op.N

6970+ Revitalization Project Proposal / Op.N Courtesy of Op.N
6970+ Revitalization Project Proposal / Op.N Courtesy of Op.N
6970+ Revitalization Project Proposal / Op.N Courtesy of Op.N
6970+ Revitalization Project Proposal / Op.N Regent Plaza
6970+ Revitalization Project Proposal / Op.N Main Plaza
6970+ Revitalization Project Proposal / Op.N Main Street
6970+ Revitalization Project Proposal / Op.N plan
6970+ Revitalization Project Proposal / Op.N layers diagram
6970+ Revitalization Project Proposal / Op.N cultural path diagram
6970+ Revitalization Project Proposal / Op.N plaza use scenarios diagram
6970+ Revitalization Project Proposal / Op.N detail drawings

6970+ Revitalization Project Proposal / Op.N originally appeared on ArchDaily, the most visited architecture website on 17 Jun 2013.

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‘Redesigning Detroit: A New Vision for an Iconic Site’ Competition Entry / Various Architects

'Redesigning Detroit: A New Vision for an Iconic Site' Competition Entry / Various Architects Courtesy of Chung Whan Park, Terry Park, Jeong Jun Song, Hyuntek Yoon, Kyung Jae Yu

The mission in the proposal, titled ‘The Grand Opening,’ for the Redesigning Detroit: A New Vision for an Iconic Site competition is to create a vision for a 24/7 timeless, vibrant and walk-able urban neighborhood in downtown Detroit with a catalytic impact on the retail activities of Woodward Avenue Corridor.  Designed by Chung Whan Park, Terry Park, Jeong Jun Song, Hyuntek Yoon and Kyung Jae Yu, The Grand Opening will connect the different contexts of the existing urban settings and bring every hour of excitement, crowd and memorable identity to the street life of downtown Detroit. More images and architects’ description after the break.

Despite the declining population and activities of the downtown Detroit in past decades, recent influx of major cultural facilities, such as theaters and sports stadiums as well as major office headquarters and commercial programs have established optimistic progress that the downtown Detroit could flourish again.  Yet, the programs have not fully activated street life of downtown due to its limited hours of activity and nature of being inside, specifically the retails of Woodward Corridor.

The plan for The Grand Opening is to completely revitalize street life of downtown Detroit by filling the temporal gap of an existing cultural facilities and commercial district adjacent to the site and encouraging retail activities with timeless programs, including “the Arcade”, a Department Store, and an Art Gallery with extended hours of operation.  This plan will be facilitated by the physical advantages, such as proximity to the future light rail system on Woodward Avenue and existing monorail system.

The mixed-use development of The Grand Opening will transform the former J.L Hudson’s site, once one of the most vibrant retails, into a signature place for residing, working, employing, visiting, living, playing and investing in a vibrant community, as well as a gateway of connecting downtown Detroit and rest of the midtown Detroit, attracting every local residents and visitor to the New Downtown Detroit.

The site is located in between the commercial / business district on the south and the major cultural, arts district to the north. By contextually connecting the different characteristics and activities of each districts, and by bringing the different context into the site at the same time, the site will be filled with energy and excitement. The site is on Woodward Avenue, one of the most significant shopping alleys in downtown. While the site remains empty since the demolition, it is important to re-establish the urban corridor and strengthen the axis by filling the empty site with a facade that accommodates the scale and materials of the adjacent buildings facing Woodward Avenue.

The existing monorail and the newly proposed light rail system passing on the sides of the site  gives a great opportunity to directly bring people into the site, and creating a connection between the two transportation method will maximize the effect. Taking all these aspects into account, the proposed design is in a combined form of a dense urban block and a grand openings on either sides of the block creating a unique linkage and an urban room that will contain and spread out the energy and excitement in downtown Detroit.

The Components of The Grand Opening’s vision include:  1) Stimulate the retail activities and encourage foot traffics of Woodward Corridor by creating unique public arcade space with accommodation of maximum number of storefronts, merged directly from the Woodward Avenue to bring in more people and provide extended retail opportunities.  2) Extend hours of activities including kiosks, retails, gourmand dining, bar, seasonal events and festivities to provide unique shopping and gathering experience where people would want to spend more time during day and night.

3) Provide access to quality art and design workshops and public exhibition of collaborative works to the regional educational institutions, art communities, and visitors. 4) Restore the historical remembrance of the one of the most important retail corridor with massive flagship store and the icon for fashion, art and design. 5) Supply 253 housing with 20 percent of affordable units and 354,199 sf of class-A office spaces in countermeasure for current office and residential deficit of the downtown Detroit market, due to recent increase in the number of new employees and company headquarters. 

6) Maximize the rental revenue from office, residential, retail, and department by stationing them in their prime location by the function. 7) Node two major existing and proposed public transportation to bring the biggest crowd to the Hudson’s site and all of the downtown Detroit, and connecting downtown and midtown Detroit. 8) Minimize the risk by utilizing and reinforcing existing framework of urban context to bring economic development and potential future opportunities, rather than introducing new programs into the Hudson’s site.

'Redesigning Detroit: A New Vision for an Iconic Site' Competition Entry / Various Architects Courtesy of Chung Whan Park, Terry Park, Jeong Jun Song, Hyuntek Yoon, Kyung Jae Yu
'Redesigning Detroit: A New Vision for an Iconic Site' Competition Entry / Various Architects Courtesy of Chung Whan Park, Terry Park, Jeong Jun Song, Hyuntek Yoon, Kyung Jae Yu
'Redesigning Detroit: A New Vision for an Iconic Site' Competition Entry / Various Architects Courtesy of Chung Whan Park, Terry Park, Jeong Jun Song, Hyuntek Yoon, Kyung Jae Yu
'Redesigning Detroit: A New Vision for an Iconic Site' Competition Entry / Various Architects Courtesy of Chung Whan Park, Terry Park, Jeong Jun Song, Hyuntek Yoon, Kyung Jae Yu
'Redesigning Detroit: A New Vision for an Iconic Site' Competition Entry / Various Architects Courtesy of Chung Whan Park, Terry Park, Jeong Jun Song, Hyuntek Yoon, Kyung Jae Yu
'Redesigning Detroit: A New Vision for an Iconic Site' Competition Entry / Various Architects arcade level plan
'Redesigning Detroit: A New Vision for an Iconic Site' Competition Entry / Various Architects tower level plan
'Redesigning Detroit: A New Vision for an Iconic Site' Competition Entry / Various Architects mid level plan
'Redesigning Detroit: A New Vision for an Iconic Site' Competition Entry / Various Architects plan diagram
'Redesigning Detroit: A New Vision for an Iconic Site' Competition Entry / Various Architects diagram

'Redesigning Detroit: A New Vision for an Iconic Site' Competition Entry / Various Architects originally appeared on ArchDaily, the most visited architecture website on 16 Jun 2013.

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Taichung Cultural City Center Competition Entry / de Architekten Cie.

Taichung Cultural City Center Competition Entry / de Architekten Cie. Courtesy of de Architekten Cie.

The proposal for the Taichung Cultural City Center by de Architekten Cie. is composed of a well-defined system of voids as the museum and the library are designed as a flexible structure to be able to follow frequent changes in museum and library philosophy. Lifts and escalators are built into both buildings to provide an indubitable vertical communication and an evident orientation for future visitors. More images and architects’ description after the break.

Open and closed interiors are repetitively stacked on top of each other and are refined by bended floors and curved atria. It enables a variety of atmospheres from the dimmed daylight condition which is ideal for placing computer screens, video installations and spot-illuminated fine objects, to the transparent open-in-park-visual-integrated spaces for working, reading and exhibiting contemporary art pieces. The garden perimeter filters the relation between interior and exterior differently on each floor.

The energy consumption of buildings in Taiwan is characterized by their need for mechanical cooling and lighting. A smart building consists of a design that keeps direct sun light out but letting indirect daylight in and utilizes the environmental conditions of the site to its advantage. This building is positioned in such a way that it makes use of the local wind currents for cooling in combination with the recycling of rainwater to further reduce the structure temperature from the outside.

The remaining characteristics of this design are based on the sun path in Taiwan. At noon in the summer, the sun is positioned almost directly above the earth. And there is only direct sunlight penetration in the east and west facades in the morning and afternoon. For this purpose, the design proposes giant canopies oriented along the east and west axis.

In order to further reduce the sunlight penetration, a combination of vegetation and an outer skin made out of cloth is used to creates a buffer zone. The cloth on the east and west faced of the building is integrated with photovoltaic wires and serves as an energy generator for the building. The cloth on the north and south faced of the building serves as the drainage system for rainwater.

The energy consumption for lighting is reduced by the optimal use of natural light. The east and west sides of the building include cleverly designed daylight openings, allowing indirect sunlight to be reflected inwards. The east and west facades have a set back of a few meters which is wide enough to allow glass panels to be completely transparent. The artificial lighting system consists entirely of the latest energy saving technologies (LED) and efficient regulators, so that energy is consumed only in areas with human activities.

Architects: de Architekten Cie.
Location: Taichung, Taiwan
Project Architects: Branimir Medić & Pero Puljiz
Team: Lenka Rezbarikova, Maria Yandulova, Bozar Ben-Zeev, Fracesco Visco, Jarno Cammarota, Christina Chen
Taiwan Consultants: Prof Tseng
Sustainability Advisors: Antwan van Haaren (dgmr), Paul van Bergen (dgmr)
Year: 2013
Photographs: Courtesy of de Architekten Cie.

Taichung Cultural City Center Competition Entry / de Architekten Cie. Courtesy of de Architekten Cie.
Taichung Cultural City Center Competition Entry / de Architekten Cie. Courtesy of de Architekten Cie.
Taichung Cultural City Center Competition Entry / de Architekten Cie. Courtesy of de Architekten Cie.
Taichung Cultural City Center Competition Entry / de Architekten Cie. Courtesy of de Architekten Cie.
Taichung Cultural City Center Competition Entry / de Architekten Cie. Courtesy of de Architekten Cie.
Taichung Cultural City Center Competition Entry / de Architekten Cie. site plan
Taichung Cultural City Center Competition Entry / de Architekten Cie. -01 floor plan
Taichung Cultural City Center Competition Entry / de Architekten Cie. +00 main floor plan
Taichung Cultural City Center Competition Entry / de Architekten Cie. +01 floor plan
Taichung Cultural City Center Competition Entry / de Architekten Cie. +02 floor plan
Taichung Cultural City Center Competition Entry / de Architekten Cie. +03 floor plan
Taichung Cultural City Center Competition Entry / de Architekten Cie. +04 floor plan
Taichung Cultural City Center Competition Entry / de Architekten Cie. elevations
Taichung Cultural City Center Competition Entry / de Architekten Cie. section
Taichung Cultural City Center Competition Entry / de Architekten Cie. diagram 01
Taichung Cultural City Center Competition Entry / de Architekten Cie. diagram 02
Taichung Cultural City Center Competition Entry / de Architekten Cie. diagram 03
Taichung Cultural City Center Competition Entry / de Architekten Cie. concept sketch

Taichung Cultural City Center Competition Entry / de Architekten Cie. originally appeared on ArchDaily, the most visited architecture website on 16 Jun 2013.

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City Cultural Center Comeptition Entry / Williamson Architects

City Cultural Center Comeptition Entry / Williamson Architects Courtesy of Williamson Architects

Australia based Williamson Architects’ proposal for the City Cultural Center of Taichung, Taiwan aims to create a sculptural beauty that resurrects the romance of the architectural journey through a building. Driven by function, the building’s form is expressed in its own beauty to create not only a landmark public structure but also creating a catalyst drawing people and activity, beautifully connecting all strata of society. More images and architects’ description after the break.

The current trend for the vast majority of significant Architecture being produced today is to ‘jam-pack-it’ with ‘shock’ value.This we feel is only possible utilizing the vast array of computer and technology based graphic solutions called on by the architect when adequately illustrating their proposal.Williamson Architects’ main goal was to breaking this trend. The creation of an intimate passage through thresholds, textures, materials, light and sound, seamlessly combines to heighten the individual’s sensory experience.

The cultural center Is a public space, always open to the people of the city. The ground level can be occupied day and night and is an open link between the City, the convention center and the new Taichung Gateway Park. Open space expands & contracts between the plaza and the open undercroft. The plaza is defined by monumental walls of water, the city and sky. Water frames the new city icon, the Taiwan tower. The undercroft is defined by the mass of the building suspended above, and the landscape beyond.  The wall of water is a defining threshold between the city and the Parkland. The building sits quiet; suspended and weaving through the walls of water.

A Celebration of Light

The Plaza at night becomes an exciting new space. Up-lights in the water walls give a blue glow. Occasional bursts of colored light highlight controlled release of bubbles that create three-dimensional artwork as they travel upwards.  The water walls are a canvas for projected light shows & imagery. Above the museum, three-dimensional light sculptures are created with burst of mist and projected lights. Up-lights in the plaza create an invisible forest of light complimenting the lit-up forest of columns under the Library. Light dances within the floor of the water platform. The glow from within library radiates through the water wall, out into the plaza. Silhouettes of people in the library can be seen as they interact with the books.

The Water Wall

Moving through the water wall is a dynamic experience; active; monumental; visual; tactile and sensory. Pass through the water and space is compressed, the light quality changes and a panoramic view of the parkland landscape is framed by the building. This view is filtered through layers of lightweight columns. Your preconceived sense of order in a building is challenged. You experience the space is a journey of discovery, the landscape beyond revealing as you move through. You are invited into the building by an open stairway extending to the ground. You are drawn to find out what is within. The minimal building envelope belies the magnificent expansion & contraction of space within.

Architects: Williamson Architects
Location: Taichung, Taiwan
Project Team: Brad Williamson, Tim Woodfield, Anthony Counihan, Thomas Tsui
3 D Artist: Purple Cow Architectural Imagery (Peter Sand)
Year: 2013
Photographs: Courtesy of Williamson Architects

City Cultural Center Comeptition Entry / Williamson Architects Courtesy of Williamson Architects
City Cultural Center Comeptition Entry / Williamson Architects Courtesy of Williamson Architects
City Cultural Center Comeptition Entry / Williamson Architects Courtesy of Williamson Architects
City Cultural Center Comeptition Entry / Williamson Architects Courtesy of Williamson Architects
City Cultural Center Comeptition Entry / Williamson Architects Courtesy of Williamson Architects
City Cultural Center Comeptition Entry / Williamson Architects Courtesy of Williamson Architects
City Cultural Center Comeptition Entry / Williamson Architects site plan
City Cultural Center Comeptition Entry / Williamson Architects section 01
City Cultural Center Comeptition Entry / Williamson Architects section 02
City Cultural Center Comeptition Entry / Williamson Architects urban context diagram
City Cultural Center Comeptition Entry / Williamson Architects water wall diagram

City Cultural Center Comeptition Entry / Williamson Architects originally appeared on ArchDaily, the most visited architecture website on 14 Jun 2013.

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Can Ribas / Jaime J. Ferrer Forés

Can Ribas / Jaime J. Ferrer Forés © José Hevia

Architects: Jaime J. Ferrer Forés
Location: La Soledat, Palma de Mallorca, Spain
Architect In Charge: Jaime J. Ferrer Forés
Collaborators: Yolanda Ortega Sanz, María Alemany Perelló, Jaime J. Ferrer Forés, Yolanda Ortega Sanz, Talleres Cortada
Area: 287 sqm
Year: 2011
Photographs: José Hevia

Neighborhood revitalization and preserving the elements of industrial heritage are the aims of this urban project being undertaken in the La Soledat area of Palma, Majorca. Proposal is being developed in several stages after winning the open competition in 2005 and consisting in urban general development, public spaces and main square, industrial heritage restoration and future social housing.

Dedicated to the production of wool blankets, the Can Ribas factory was built in 1851 in the La Soledat neighborhood to the east of Palma. Located in an area outside the city walls, the military administration required the factory be built on a provisional basis, which manifests itself in the bays’ system of walls with pilasters and in the simplicity and rationality of the complex’s construction. In the 1970’s, after successive expansions and transformations, the factory’s obsolescence led textile production to be abandoned. There were also other highly significant changes around the La Soledat neighborhood which also created another barrier that further increased the neighborhood’s physical isolation.

With its organization as an enclosed area, the Can Ribas factory had become a barrier dividing the La Soledat neighborhood in two. The plan to restructure La Soledat seeks to open the industrial area to neighborhood. In 2003 the Special Plan for Interior Reform (PERI) drafted by Joan Busquets only the main bay, earmarked for housing a facility, and the chimney from the Can Ribas industrial complex were protected, and the bays affected by the plan for the new street were slated for demolition. In developing the project, however, the most valuable heritage elements have been recovered and will be integrated into the urban surroundings.

The incorporation of the middle bay, the steam pavilion and the wall of another bay enables recognition of the value of the industrial area shaped by different pavilions that were home to different stages of textile production. A system of openpublic spaces is thus structured by a concrete foundation, which serves to create a visual and physical connection between the new Brotad Street and the historic elements of the Can Ribas factory generating a richer, more complex public space

Can Ribas / Jaime J. Ferrer Forés © José Hevia
Can Ribas / Jaime J. Ferrer Forés © José Hevia
Can Ribas / Jaime J. Ferrer Forés © José Hevia
Can Ribas / Jaime J. Ferrer Forés © José Hevia
Can Ribas / Jaime J. Ferrer Forés © José Hevia
Can Ribas / Jaime J. Ferrer Forés © José Hevia
Can Ribas / Jaime J. Ferrer Forés © José Hevia
Can Ribas / Jaime J. Ferrer Forés © José Hevia
Can Ribas / Jaime J. Ferrer Forés Floor Plan
Can Ribas / Jaime J. Ferrer Forés Floor Plan
Can Ribas / Jaime J. Ferrer Forés Floor Plan
Can Ribas / Jaime J. Ferrer Forés Site Plan
Can Ribas / Jaime J. Ferrer Forés Detail
Can Ribas / Jaime J. Ferrer Forés Render
Can Ribas / Jaime J. Ferrer Forés Render
Can Ribas / Jaime J. Ferrer Forés Sketch
Can Ribas / Jaime J. Ferrer Forés Sketch

Can Ribas / Jaime J. Ferrer Forés originally appeared on ArchDaily, the most visited architecture website on 13 Jun 2013.

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City Cultural Center Competition Entry / Georges Batzios Architects + Sparch

Georges Batzios Architects + Sparch (Rena Sakellaridou and Morpho Papanikolaou) shared with us their proposal, titled ‘Calligraphic-scapes,’ for the Taichung City Cultural Center competition which stems from the origins of calligraphy. The rigorous transformation of knowledge, to be found in written language, is brought together with the poetic domains of art by means of calligraphy as the medium. As such, it brings together both the library and art museum into a new hybrid entity. More images and architects’ description after the break.

We asked: what is the relation of a library and an art museum? How do we create a new entity that is stronger, richer in its potential and more dynamic than two separate buildings? How do we add value to their programmatic co-existence?

We thought about the transformation that takes place by virtue of calligraphy from writing to art; strong and soft brushes create letters for the written word and art at the same time. We felt that calligraphy carried within the seed of how the two buildings would become one strong conceptual whole.Images of calligraphy in their elegant brushes and textured paper came to our mind.

Calligraphy, this ancient art of transformation of clear and precise geometric shapes and lines into letters and art through the conscious and elegant use of the brush, intervenes to transform the raw material of human understanding to written language and art.We decided to design the two buildings together in such a way that written knowledge and art are nested to each other, appreciated and experienced through the programmatic fluid space of a path of knowledge.

It all starts with the geometrical simplicity and formal rigor of the Library. Indeed, a Library is about knowledge. And knowledge requires rigor, while art appeals to both the intellect and the emotions. A Library is about its books and the people reading them, about book stacks and reading rooms. For us a Library is also a place of experimentation and fluidity, in the same way that knowledge is fluid and always changing. On the other hand, the storage of books needs to be efficient and to have the potential of expansion in the future, while access to the books needs to be immediate and multiple.

We design thus a Library in a reverse mode, one that exposes its hidden stacks: we place them to the exterior and we create the external boundary of the Library with them. We design a continuous flow of books, a flow of knowledge and transform this into a main feature of the library. An automated system, used up to now only for the backstage of big libraries, becomes in our proposal the feature that continuously transforms the external envelop of the building. Like a highly technological factory, the automated system creates a continuous flow, rich in possibilities: it can change to accommodate different colors, to shade the external double skin, to create patterns, to celebrate anniversaries.It generates a continuous movement of books, a continuous rearrangement of knowledge.

The external all glass double skin envelope of the Library stacks encloses in its geometrical simplicity the softly unwinding path that we design for the reading spaces. Open and multiple in its programmatic possibilities, this is the path of knowledge. The Museum is then transformed to a calligraphic mountain form.

The two buildings are nested to each other; they evolve from one another. The nested form starts form geometric simplicity and gradually is transformed to the calligraphic contours that shape the mountain.The path moves around the two peaks of the Mountain. Visually accessible and strong in its form, this is a Mountain that structurally supports the whole structure, strong and fragile at the same time as if made by unwinding strips of paper to remind us that calligraphy needs a medium to work on.

The hybrid double building becomes an architectural landscape that evolves from the rigorous geometrical formations of the Library shelves, a formal envelope that encloses the whole, to the unwinding path of the programmatic reading spaces, a path of movement and program that moves around the Mountain of the Art Museum. The ground becomes a continuous surface that folds and rises to form this Mountain with its two peaks that support the roof. The roof, as a natural landscape with reflecting pools and natural vegetation, is designed as a serene landscape that offers the passing birds a nest for a while in their trip to other places.

A large circular opening allows natural light, rain, fresh air to enter. Flows of people move around this big atrium. The large expansive ground surface is allocated to nature and flows of people, on sittings and areas for art. Between the two peaks a large passage is created, for people to move through on the ground level.

The building becomes a fusion between the environment, art and architecture, while nature invades and shapes the ground floor and the roof.

Architects: Georges Batzios Architects + Sparch (Rena Sakellaridou and Morpho Papanikolaou)
Location: Taichun, Taiwan
Architectural Team: Zou Qiang, Richard Sather, Christos Choudeloudis, Paris Manari
Local Architect: Enta Yang
Structural Engineer: Pagonis-Polichronopoulos-Kinatos Co.
Mechanical and Electrical Engineer: 3GEnergy
Landscape Designer: Shagik Berberian
Client: Taichung City Government
Surface Area: 60,000 m2
Budget: 90,000,000 USD
Year: 2013

City Cultural Center Competition Entry / Georges Batzios Architects + Sparch Courtesy of Georges Batzios + Rena Sakellaridou, and Morpho Papanikolaou (SPARCH)
City Cultural Center Competition Entry / Georges Batzios Architects + Sparch Courtesy of Georges Batzios + Rena Sakellaridou, and Morpho Papanikolaou (SPARCH)
City Cultural Center Competition Entry / Georges Batzios Architects + Sparch Courtesy of Georges Batzios + Rena Sakellaridou, and Morpho Papanikolaou (SPARCH)
City Cultural Center Competition Entry / Georges Batzios Architects + Sparch Courtesy of Georges Batzios + Rena Sakellaridou, and Morpho Papanikolaou (SPARCH)
City Cultural Center Competition Entry / Georges Batzios Architects + Sparch Courtesy of Georges Batzios + Rena Sakellaridou, and Morpho Papanikolaou (SPARCH)
City Cultural Center Competition Entry / Georges Batzios Architects + Sparch Courtesy of Georges Batzios + Rena Sakellaridou, and Morpho Papanikolaou (SPARCH)
City Cultural Center Competition Entry / Georges Batzios Architects + Sparch landscape
City Cultural Center Competition Entry / Georges Batzios Architects + Sparch roof
City Cultural Center Competition Entry / Georges Batzios Architects + Sparch floor plans
City Cultural Center Competition Entry / Georges Batzios Architects + Sparch facade system
City Cultural Center Competition Entry / Georges Batzios Architects + Sparch facade in motion
City Cultural Center Competition Entry / Georges Batzios Architects + Sparch structure
City Cultural Center Competition Entry / Georges Batzios Architects + Sparch concept

City Cultural Center Competition Entry / Georges Batzios Architects + Sparch originally appeared on ArchDaily, the most visited architecture website on 11 Jun 2013.

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City Cultural Center Competition Entry / TheeAe LTD.

Designed by TheeAe LTD., the main idea for their ‘Wooden Wave’ proposal for the Taichung City Cultural Center competition was driven by its elements in historical buildings which have had its form of curve, wooden structure, prolonged canopies and so on. In respect of the past architecture, they believe change or new is not a sole creation from nothing, but rather evolution from the past. More images and architects’ description after the break.

Designing the cultural center was a task to reveal what could be the image of modern and contemporary Taiwan Architecture. Cultural center is a good place to express the identity of the Taiwan. The overall geometry was created as if it follows the beauty of the nature. So, the ideas of the new cultural center have its beauty of extended and cantilevered canopy with the curved roof area.

Its style and materials are generated from the traditional elements as much as Taiwanese would easily find and feel comfortable with its usual elements in their past. Plus, as Taiwan is the place where very hot summer continues more than 5 months per year, the design of covered area is very much necessary in the region.

The inclined walls or upside down distorted pyramid walls will simply create enough shade for people to use the facilities underneath them and approach to the entrance area. Furthermore, its wooden curved façade is clad to the internal structure system to avoid the direct sunlight also the interior structure inclined each other to create unique spatial moments through its structure system. 

Architects: TheeAe LTD. (Woohyun Cho)
Location: Taichung, Taiwan
Site Area: 26,000 sqm
Construction Size: Level B2 – L5
Total Floor Area: 67,000 sqm
Building Cost: USD 80,000,000
Year: 2013

City Cultural Center Competition Entry / TheeAe LTD. Courtesy of TheeAe LTD.
City Cultural Center Competition Entry / TheeAe LTD. Courtesy of TheeAe LTD.
City Cultural Center Competition Entry / TheeAe LTD. Courtesy of TheeAe LTD.
City Cultural Center Competition Entry / TheeAe LTD. Courtesy of TheeAe LTD.
City Cultural Center Competition Entry / TheeAe LTD. Courtesy of TheeAe LTD.
City Cultural Center Competition Entry / TheeAe LTD. site plan

City Cultural Center Competition Entry / TheeAe LTD. originally appeared on ArchDaily, the most visited architecture website on 08 Jun 2013.

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