Fuyi River Housing Sales Center / Lab Modus

Architects: Lab Modus
Location: Taipei City, Taiwan
Project Team: Kevin Chang (Principal), Jeanne Lin (Designer)
Area: 600 sqm
Year: 2013
Photographs: Lab Modus

The curvilinear form, conceptualized from sea shell, provides a strong visual image to the neighborhood. The scheme consists of a three-story grey glazed volume and a sequence of double-curved white coated metallic panels.

This set of panels constantly shift both in width and pitch with a nonlinear rhythm to provide sunlight for interior space and as well to give perceptibility for users inside the building.

Giving maximum presence to the context, the overall massing of project applies advantage of the length of street front side to make a continuous extension to the back side of the project.

Fuyi River Housing Sales Center / Lab Modus © Lab Modus
Fuyi River Housing Sales Center / Lab Modus © Lab Modus
Fuyi River Housing Sales Center / Lab Modus © Lab Modus
Fuyi River Housing Sales Center / Lab Modus © Lab Modus
Fuyi River Housing Sales Center / Lab Modus © Lab Modus
Fuyi River Housing Sales Center / Lab Modus © Lab Modus
Fuyi River Housing Sales Center / Lab Modus © Lab Modus
Fuyi River Housing Sales Center / Lab Modus © Lab Modus
Fuyi River Housing Sales Center / Lab Modus © Lab Modus
Fuyi River Housing Sales Center / Lab Modus © Lab Modus
Fuyi River Housing Sales Center / Lab Modus © Lab Modus
Fuyi River Housing Sales Center / Lab Modus © Lab Modus
Fuyi River Housing Sales Center / Lab Modus © Lab Modus
Fuyi River Housing Sales Center / Lab Modus © Lab Modus
Fuyi River Housing Sales Center / Lab Modus © Lab Modus
Fuyi River Housing Sales Center / Lab Modus © Lab Modus
Fuyi River Housing Sales Center / Lab Modus Mezzanine Floor Plan
Fuyi River Housing Sales Center / Lab Modus First Floor Plan
Fuyi River Housing Sales Center / Lab Modus Second Floor Plan
Fuyi River Housing Sales Center / Lab Modus Elevation
Fuyi River Housing Sales Center / Lab Modus Section

Fuyi River Housing Sales Center / Lab Modus originally appeared on ArchDaily, the most visited architecture website on 09 May 2013.

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Tunghai University Learning Commons / YD Architects

Architects: YD Architects
Location: Taichung, Taiwan
Architect In Charge: Chun-Yen Chen
Design Principal: Jui-Ti Chen
Area: 1,500 sqm
Year: 2013
Photographs: Zhi-Tan Lin

Tunghai University has encountered decline of accessing the main library. In order to sustain the vitality of library, the interior of library building is required to be more welcoming, better suited to its diverse students and staff.

It is obvious that the definition of library has shift in the era when knowledge is accessed mainly through digital resources rather than printed materials. The model of the learning commons as a central element in design of library’s renovation offers an opportunity to transform the library’s role on campus from a provider of information to a facilitator of learning.

In response, the main floor of the library was largely renovated as a Learning Commons with a variety of study and tutorial spaces. The renovation of library space intends to bring students to study in group or individually. The learning commons offer comfortable furniture for both individual and group study, allow users to customize the environment to suit their needs, access to wireless networks and digital devices, multimedia labs and support. The Learning Commons will create experience with both dynamic, open spaces and more intimate, private working areas.

The renovation also aims to transform the library into a campus living room. It offers a variety of comfortable places to hang out. The library’s lobby is designed as a bookstore with colorful and movable armchairs. New arrival books are displayed as well as best sellers. A café is introduced in the library building with a footbridge providing free access to the campus.

Students can always find a cozy place whether they prefer to learn alone or in a group. Desks with multimedia devices, as well as movable armchairs are provided for diverse learning function. Several study rooms are placed as intimate corners in open area. Noise is now allowed in the library to encourage students to work together. It is expected to accommodate a shifting campus culture and a diverse program of services and events.

The upper floor of the library would be renovated further to accommodate various services such as writing center, career center, multimedia labs, information technologies help desk, etc. The library as learning commons would create a functional and dynamic experience for students in one central location.

Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects © Zhi-Tan Lin
Tunghai University Learning Commons / YD Architects Plan
Tunghai University Learning Commons / YD Architects Diagram

Tunghai University Learning Commons / YD Architects originally appeared on ArchDaily, the most visited architecture website on 23 Apr 2013.

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All That Glitters Is… Black And Faceted

This project won the 2013 Architizer A+ Jury and Popular Choice Awards in the office building high-rise category. See the full list of winners here. 

It appears a building can win praise from both discerning critics and the general public. The China Steel Corporation Headquarters, a formidable faceted tower that stands in sublime isolation, wowed our esteemed Architizer A+ Award jurors and our devoted fans, making it one of only 8 projects to nab the Jury and Popular Choice Awards in their respective categories.

So, what ideas were behind this black, geometric monolith? Taiwanese design atelier Artech conceived of the project as a skyscraper in a garden, both an iconic structure showcasing the structural abilities of Chinese steel and a neighborly addition to the bustling metropolis of Kaohsiung. Read more!

The large-scale project is set to become the centerpiece of a rapidly expanding commercial district. The building “is situated in an area adjacent to the port, where the largest urban development in Kaohsiung in recent years is taking place,” the architects explain. “This area will facilitate functions ranging from transportation, logistics, and trading to culture, recreation, and institution.”

The office tower is made up of four independent volumes that share a central core. The faceted geometry of the building’s four vertical tubes is determined by a 12.5-degree shift every eight floors. This dynamic geometry is made possible by the building’s steel skeleton. “The exterior mega-bracings span every eight stories, with their tiebacks forming terraces on every interval,” the architects explain. Moreover, the unique triangulated facade “allows for optimized natural lighting and ventilation that reduces heat-gain, minimizes energy consumption, and shields traffic noise in this warm urban climate.”

Congrats to Artech on their big win! See the other A+ Award winners here.

Update: WOHA’s ‘Breathing Architecture’ Exhibition

As an update to last year’s post on WOHA‘s ‘Breathing Architecture’ exhibition, their work has seen great success in Frankfurt and Taichung. Now on its last leg, it will travel to Taipei and be on display from March 22-May 10 at the “Mobile Museum – SEED project”. Reminding us of bold visions of the future, in which plants reclaim nature for themselves, the architects realize the permeation of buildings and landscape, and of interiors and exteriors in projects. WOHA’s tropical architecture is permeable, leafy and interspersed with community spaces, which truly capture the essence of how architecture is breathing. For more information, please visit here. More images can be viewed after the break.

Update: WOHA’s ‘Breathing Architecture’ Exhibition Courtesy of WOHA
Update: WOHA’s ‘Breathing Architecture’ Exhibition Courtesy of WOHA
Update: WOHA’s ‘Breathing Architecture’ Exhibition Courtesy of WOHA
Update: WOHA’s ‘Breathing Architecture’ Exhibition Courtesy of WOHA
Update: WOHA’s ‘Breathing Architecture’ Exhibition Courtesy of WOHA
Update: WOHA’s ‘Breathing Architecture’ Exhibition Courtesy of WOHA
Update: WOHA’s ‘Breathing Architecture’ Exhibition Courtesy of WOHA
Update: WOHA’s ‘Breathing Architecture’ Exhibition Courtesy of WOHA
Update: WOHA’s ‘Breathing Architecture’ Exhibition Courtesy of WOHA
Update: WOHA’s ‘Breathing Architecture’ Exhibition Courtesy of WOHA
Update: WOHA’s ‘Breathing Architecture’ Exhibition Courtesy of WOHA
Update: WOHA’s ‘Breathing Architecture’ Exhibition Courtesy of WOHA
Update: WOHA’s ‘Breathing Architecture’ Exhibition Courtesy of WOHA
Update: WOHA’s ‘Breathing Architecture’ Exhibition Courtesy of WOHA

Update: WOHA’s ‘Breathing Architecture’ Exhibition originally appeared on ArchDaily, the most visited architecture website on 21 Mar 2013.

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Ruin Academy / Marco Casagrande

Architects: Marco Casagrande
Location: Taipei, Taiwan
Design Team: Nikita Wu
Jut Foundation Coordinators: Lea Yi-Chen Lin, Yi-Ling Hung
Area: 500 sqm
Year: 2010
Photographs: AdDa, Tsai Ming-Hui

Ruin Academy is an independent cross-over architectural research centre in the Urban Core area of Taipei, Taiwan. The Academy is run in co-operation between the Finland based Casagrande Laboratory and Taiwanese JUT Foundation for Arts & Architecture.

Ruin academy is set to re-think the industrial city and the modern man in a box. It organizes workshops and courses for various Taiwanese and international universities including the National Taiwan University Department of Sociology, Tamkang University Department of Architecture, Aalto University Sustainable Global Technologies Centre and Helsinki University of Arts and Design Department of Environmental Art. The research and design tasks move freely in-between architecture, urban design, environmental art and other disciplines of art and science within the general framework of built human environment.

The Ruin Academy occupies an abandoned 5-story apartment building in central Taipei. All the interior walls of the building and all the windows are removed in order to grow bamboo and vegetables inside the house. The professors and students are sleeping and working in mahogany made ad-hoc dormitories and have a public sauna in the 5th floor. All the building is penetrated with 6 inch holes in order to let “rain inside”. The Academy is viewed as an example or fragment of the Third Generation City, the organic ruin of the industrial city. Without his ruins man is just a common ape.

The Ruin Academy locates in Taipei in an abandoned apartment block turned into a compost of the modern city. Compost as the future top-soil.

The Ruin Academy does not rely or design, but hooks on to the Local Knowledge of the Taipei basin and reacts on this. Design should not replace reality. Local knowledge is pushing through the industrial surface of the modern Taipei like a positive sickness of the industrial city or like a humane sweat of the machine. Ruin Academy is looking forward to sweat. The Ruin Academy is looking at the ruining processes of Taipei that keep the city alive. Taipei is growing the Third Generation City – a real reality way beyond the industrial nonsense.

The Ruin Academy operates with Taipei as the urban case study and with various smaller projects in Taiwan in order to determine the elements of the Third Generation City. Our students/operators are not volunteers; they are called constructor-gardeners. We want to farm a city and treat it with urban acupuncture tuning the city towards the organic. Taipei is a no-man’s land being dominated by the official industrialism and the anarchy of the jungle. Ruin Academy joins the urban farmers. In Grandmothers we trust. The Ruin Academy occupies an abandoned 5-story apartment building in the Central Taipei. The Academy is a constantly changing mixture of a ruin and a construction site.

THIRD GENERATION CITY

The Ruin Academy is focused in the research of the Third Generation City – the ruin of the industrial city. The research is done in collaboration with some Taiwanese and Finnish universities, groups and individuals with the Academy acting as a base camp for a series of workshops and individual works. We are a voluntary refugee camp within the architecture community. Architecture moving freely in-between environmental art, urban design, sociology and other disciplines of art and science. Maybe better call built human environment instead of architecture or urban design. Or just human environment. The 3G city is an organic matrix of nature mixed with human construction. The balance of dominating the no-man’s land is ever changing. Local Knowledge knows this. It is light on the surface but with solid roots. A city sweating humanity and constantly wiping the sweat away. The architectural control is in a process of giving up in order to let nature to step in. So far it is not giving up – it is too lazy. Architectural control will be given up. Modernism is lost and the industrial machine will become organic. This happens in Taipei and this is what we study. Ruin Academy is an organic machine.

ANATOMICS:

Basement- Blown open and filled with top soil. Construction waste for a drainage layer. 5 olive trees.
1st Floor “Archive” – 6 inch segments of the house on white stones. 6 inch holes in the long facade. Mahogany bridge over the basement-hole. Pile of dirt in the far corner with taro. Fire-place. 
2nd Floor “Student Dormitory” – Mahogany sleeping unit for 4 students. Working tables growing bamboo, mahogany. Vegetable garden with passion fruit, Aspenium nidus and chinese cabbage. 6 inch holes through the floor and ceiling. Kitchen and toilet.

3rd Floor “Professor’s Deck” – Mahogany bed on wheels. Bamboo growing through windows. 6 inch holes through the floor and ceiling. Kitchen and toilet.

4th Floor, “Lounge” – Stage. Bamboo growing through windows. 6 inch holes through the floor and ceiling. Toilet. Fire-place.

5th Floor “Sauna”- Public sauna, all mahogany; best sauna in the Pacific. Chill-out room, white stones. Showers with bamboo and taro. 6 inch hole.

Ruin Academy  / Marco Casagrande © AdDa, Tsai Ming-Hui
Ruin Academy  / Marco Casagrande © AdDa, Tsai Ming-Hui
Ruin Academy  / Marco Casagrande © AdDa, Tsai Ming-Hui
Ruin Academy  / Marco Casagrande © AdDa, Tsai Ming-Hui
Ruin Academy  / Marco Casagrande © AdDa, Tsai Ming-Hui
Ruin Academy  / Marco Casagrande © AdDa, Tsai Ming-Hui
Ruin Academy  / Marco Casagrande © AdDa, Tsai Ming-Hui
Ruin Academy  / Marco Casagrande © AdDa, Tsai Ming-Hui
Ruin Academy  / Marco Casagrande © AdDa, Tsai Ming-Hui
Ruin Academy  / Marco Casagrande © AdDa, Tsai Ming-Hui
Ruin Academy  / Marco Casagrande © AdDa, Tsai Ming-Hui
Ruin Academy  / Marco Casagrande © AdDa, Tsai Ming-Hui
Ruin Academy  / Marco Casagrande © AdDa, Tsai Ming-Hui
Ruin Academy  / Marco Casagrande © AdDa, Tsai Ming-Hui
Ruin Academy  / Marco Casagrande © AdDa, Tsai Ming-Hui
Ruin Academy  / Marco Casagrande © AdDa, Tsai Ming-Hui
Ruin Academy  / Marco Casagrande © AdDa, Tsai Ming-Hui
Ruin Academy  / Marco Casagrande © AdDa, Tsai Ming-Hui
Ruin Academy  / Marco Casagrande © AdDa, Tsai Ming-Hui
Ruin Academy  / Marco Casagrande © AdDa, Tsai Ming-Hui
Ruin Academy  / Marco Casagrande Concept Sketch
Ruin Academy  / Marco Casagrande Concept Sketch
Ruin Academy  / Marco Casagrande Concept Sketch
Ruin Academy  / Marco Casagrande Concept Sketch
Ruin Academy  / Marco Casagrande Section
Ruin Academy  / Marco Casagrande 2nd floor Student Dormitory
Ruin Academy  / Marco Casagrande 5th floor Plan (Sauna)
Ruin Academy  / Marco Casagrande 3rd floor Plan (Professors Deck)
Ruin Academy  / Marco Casagrande Section
Ruin Academy  / Marco Casagrande 4th floor Plan (Lounge)
Ruin Academy  / Marco Casagrande 1st floor Plan (Archive)
Ruin Academy  / Marco Casagrande Concept Sketch

Ruin Academy / Marco Casagrande originally appeared on ArchDaily, the most visited architecture website on 19 Mar 2013.

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Tower of Colony Installation / Groundwork

Exhibited at the ‘Next Play: Shifting Ground’ Exhibition in Taipei, the Tower of Colony is the Hong Kong project by Groundwork, which responds to a theme of ‘Displacement’, to transform a one acre site at Huashan, a cultural district at the heart of Taipei City. The architects were interested in how migrants react on a foreign land. By building on the site, they ‘colonized’ one acre of grassland from site, therefore colonizing a fragment of Taipei. Hong Kong, a colony by nature, now has its own colony. Their abstraction of the act of colonization can be observed at two scales: The Tower and The Performance. More images and architects’ description after the break.

The Performance

Directions are from a commentator from The Tower, visitors may use the chalk dispensers that are scattered over the site to demarcate territories with symbols. Participants are given a ‘task’ to ‘work’, their actions and marks will be recorded by a camera mounted on The Tower. Not only acting as headquarter to The Colony, also, the building symbolizes a totem of power and governances. The play, or performance, is the embodiment of four sets of paradoxes: 1/right (Taiwan ownership VS Hong Kong use), 2/space (transparency VS boundary), 3/man (spectator VS performer), 4/media (tangible VS translated). Hong Kong immigrants will be drawing concessions of land, Taiwanese audiences shall witness alienation of their home ground

The Tower

Construction of the tower further facilitates our abstraction of colonialism. Skin of The Tower is prefabricated in Hong Kong and shipped to Taiwan. Towards the end of our ruling, the skin can be shipped back to Hong Kong or other parts of the world for other colonization conquests. The Tower may be replicated thus reinforcing Hong Kong’s “sovereignty”.

Ambience of The Tower was engineered so that it may possess two characters: the skin is introverted during daytime; its neutral color mimic and blend-in with the cloudy sky of Taipei; at night, the skin is illuminating and flamboyant. A projection screen will broadcast The Performance recorded during the day at a fixed time during the evening. The conglomeration of the people around The Tower will therefore be ritualistic and routined.

Architects: Groundwork
Location: No. 27 Linsen North Road, URS27, The Huashan Prairie, Taipei, Taiwan
Architects Team: Manfred Yuen, Stephen Suen, Patrick Wong
Curator from Polytechnic University of Hong Kong Jockey Club Design Institute OF Social Innovation (JCDISI): Director/Curator: Alvin Yip; Graphic and creative: Hinz Park; Publicity and local coordinator: Kinki Ng
Curator of the Event (Taiwan): Chief Curator: David Tseng; Curator: Wei Tseng; Construction: John-son Liao; Coordination: Aria Yang
Organizer/Client: The Urban Regeneration Office, Taipei City, Taiwan; Rainbow Fish Cultural Enterprise, Taiwan
Fabric Contractor (Hong Kong): Sun Hing Curtain and Cavnas Co.LtdBottom of Form
Completion Date: December 2012

Tower of Colony Installation / Groundwork © Joseph Jiau
Tower of Colony Installation / Groundwork © Joseph Jiau
Tower of Colony Installation / Groundwork © Joseph Jiau
Tower of Colony Installation / Groundwork © Joseph Jiau
Tower of Colony Installation / Groundwork © Joseph Jiau
Tower of Colony Installation / Groundwork © Joseph Jiau
Tower of Colony Installation / Groundwork © Joseph Jiau
Tower of Colony Installation / Groundwork © Joseph Jiau
Tower of Colony Installation / Groundwork © Joseph Jiau
Tower of Colony Installation / Groundwork plan, elevation, and section
Tower of Colony Installation / Groundwork elevations
Tower of Colony Installation / Groundwork elevations and diagrams
Tower of Colony Installation / Groundwork diagram 01
Tower of Colony Installation / Groundwork diagram 02

Tower of Colony Installation / Groundwork originally appeared on ArchDaily, the most visited architecture website on 06 Mar 2013.

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Baisha Wan Beach and Visitor Centre / Wang Weijen Architecture

Architects: Wang Weijen Architecture
Location: Taipei, Taiwan
Area: 5657.0 sqm
Year: 2007
Photographs: Courtesy of Wang Weijen Architecture

Working with the contours along the landscape terrain, the design response to the strong wind and sand in winter, as well as the intense sunlight in summer.

Looking carefully into the surrounding contexts and datum levels, the design reuse the structure of an existing building, extended it through slanted slabs into the new additions, connecting the building to the sloped ground and reduces the level differences created by the retaining wall.

Large pieces of tilted roof-slabs against the north wind open up sea views for the building while allows natural greens growing in the south facing slopes, while smaller pieces of roofs carefully open up toward the south moderating natural light into the interior programs inside.

By providing shadings for the naturally ventilated semi-outdoor spaces facing the sea where visitors’ activities take place, the design with undulating rooftop not only integrates with the topography, but also changes the traditional binary relationship between landscape and architecture.

Baisha Wan Beach and Visitor Centre / Wang Weijen Architecture Courtesy of Wang Weijen Architecture
Baisha Wan Beach and Visitor Centre / Wang Weijen Architecture Courtesy of Wang Weijen Architecture
Baisha Wan Beach and Visitor Centre / Wang Weijen Architecture Courtesy of Wang Weijen Architecture
Baisha Wan Beach and Visitor Centre / Wang Weijen Architecture Courtesy of Wang Weijen Architecture
Baisha Wan Beach and Visitor Centre / Wang Weijen Architecture Courtesy of Wang Weijen Architecture
Baisha Wan Beach and Visitor Centre / Wang Weijen Architecture First Floor Plan
Baisha Wan Beach and Visitor Centre / Wang Weijen Architecture Second Floor Plan
Baisha Wan Beach and Visitor Centre / Wang Weijen Architecture Section
Baisha Wan Beach and Visitor Centre / Wang Weijen Architecture Section
Baisha Wan Beach and Visitor Centre / Wang Weijen Architecture Section
Baisha Wan Beach and Visitor Centre / Wang Weijen Architecture Elevation

Baisha Wan Beach and Visitor Centre / Wang Weijen Architecture originally appeared on ArchDaily, the most visited architecture website on 23 Feb 2013.

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