Here’s What You Missed This Week: 10/12

What a week! You may have noticed that we launched the Architizer A+ Awards program this past Tuesday to much fanfare, acclaim, and, of course, entries! It’s the biggest thing happen to Architecture (yes, capital A)  this year, and we’re thrilled to be able to break the field out of the echo chamber. To that end, we’ll be collecting entry projects for over 50 categories through January, so be sure to submit your work for a chance at winning an award (plus that nifty Snarchitecture-designed trophy depicted above!).

Announcing the Architizer A+Awards from Architizer on Vimeo.

We also rolled out several themed posts in support of A+ that cover the Plus Awards, which will honor built and unbuilt work that highlights architecture’s engagement with contemporary issues and design challenges. We kicked the series off by digging into categories like Plus Workspaces and Plus Self-Initiated Projects, selecting twenty projects that stand a good chance to taking home a trophy. That, along with our usual creative coverage of architecture and design–see our top ten pet architecture “pawjects” and our look at Starbucks use in storefront branding–and we’d say we had the best week ever.

Click through to see everything you missed.

The Future Of The Office Is Fun: Top 10 Awesome Workspaces

Want A Double Shot Of Design With That Latte? Cool Starbucks Cafés From Around The Globe

St. Louis’ iconic, midcentury flying saucer structure, which now houses a Starbucks. The space was threatened with demolition until the coffee company came to the rescue.

Say what you will about its unadventurous coffee, when it comes to store design Starbucks deserves an A+ – hey, maybe even an A+ Award – making some surprising gambles in recent years. The chain’s latest effort preserves a midcentury modern gas station in a historic St. Louis residential district. After a taco joint occupying the space closed last summer, the flying saucer, as it is known locally, was threatened with demolition before Starbucks came to the rescue (with an equally giant demitasse cup, we hope!).

The blogosphere has faithfully followed Starbucks through its experiments with current design fads, from repurposed shipping containers to the tiny-house movement—which a new Denver Starbucks is channeling with a petite snow-fence-clad box that’s almost as big as a Trenta frap. The company owes much of its success to architect Arthur Rubinfeld, president of global store development (and an A+ Award juror!)

Herewith, a photo tour of the proverbial third places that actually inspire us to pay four bucks for a latte. See the photos!

Starbucks’ pop-up shop in Tokyo, designed by Japanese studio Nendo, reimagines the cafe as a library where visitors can browse literature on caffeinated beverages while sipping their lattes. Photo: Daici Ano via designboom.

Starbucks’ new 500-square-foot LEED-certified store in Denver reimagines the typical coffee kiosk as a sustainable shed. Photo: via FastCoDesign

Looking like a giant shaken matchbox frozen in time, this Japanese Starbucks by Kengo Kuma and Associates has been dazzling pedestrians in Dazaifu since it opened in February. Photo: Masao Nishikawa via Architectural Record

Starbucks’ “Reclamation Drive-Thru” in Tukwila, Washington, opened in December 2011, but it may not stick around long. Designed to be transient, the store is built from four of the company’s own shipping containers. Photo: Tom Ackerman via Starbucks

Nestled among the trees of the sanctuary Ohori Park in Fukuoka City, Japan, this cedar-clad Starbucks is the country’s first LEED-NC retail project. Photo: Yoshiteru Baba via Architectural Record

A 4,500-square-foot Starbucks located in the historic vault of an Amsterdam bank on the Rembrandtplein, jazzed up with the handiwork of three dozen local artists and craftsmen. The ceiling relief alone is composed of 1,876 individually cut pieces of reclaimed Dutch oak. Photo: via FastCoDesign

Kengo Kuma’s Idiosyncratic Starbucks Store Opens

All photos: Kengo Kuma and Associates

The ubiquity of the Starbucks brand has yielded an unsurprising aesthetic monotony among their ever-expanding empire of coffee shops. The anatomy of nearly every Starbucks store can be reduced to the same basic elements, from the mood lighting and tacky factory art to the Michael Buble (or Jacques Brel, vintage post-war Franco ephemera are always a sure bet) records blaring over the tinny speaker system. While the level of customization of drink orders is relatively broad, the custom Starbucks shop is essentially an anomaly. In the case of Kengo Kuma‘s new Starbucks cafe in Fukuoka, Japan, that is a good thing. The new store is both ornate and minimal, traditional and modern, continuing the architect’s exploration in the crafts and carpentry heritage of his native land. Continue.

The Kuma Starbucks is located adjacent to the grounds of the Dazaifu Tenmagu, a Shinto shrine complex of several wooden structures set within a park-like environment of trees, ponds, and courtyards. As we first wrote about the project in December, the store’s design was meant to evoke the shrine’s tranquil atmosphere, with such features as an inner garden planted with plum trees and an interior wooden frame stretching the full-length of the shop meant to reference the ceremonial lumber structures nearby. For the frame, which recalls the architect’s career-long idiosyncratic use of wood, Kuma has created a three-dimensional matrix of angled 6cm square blocks which overlap each other, resembling some viral, organic growth which spreads from the sidewall to the ceiling, neatly siphoned off at the storefront edge. This was the intention, says the architect, who wanted the store to be contextually rooted in the site, as if almost “nested” within it. Kuma has also suggested that the wood blocks were recycable, saying that “You can dismantle the building and reassemble it somewhere else.”

[via Frame Magazine]

Valentino Houses Couture in a 10,000 Square Meter Virtual Museum

If you were among the swarms of people in New York this summer who dared to see the Alexander McQueen retrospective at the Met, you probably spent upwards of four hours crawling your way up one of two lines, taking turns running to the nearest Starbucks bathroom, all to see what was an undeniably stunning archive of McQueen’s couture. Set to a series of emotive soundtracks, against immersive backdrops, and alongside memorable fashion show footage (and even a dancing hologram), the show certainly did all in its power to assuage the frustration of having spent most of the day staring longingly at Central Park hot dog carts.

Well, visionary fashion designer Valentino Garavani wants to bring us the experience of seeing his work in a museum hall, all without having to leave the very spot you’ve planted yourself in now. As Hyperallergic reports, the esteemed designer has arranged his archives in a downloadable virtual museum: 10,000 square meters of virtual space, there for you to access 24 hours a day, 7 days a week, at your own pace.

Upon entering the museum, you are ushered into a dazzling white-walled exhibition hall with glass ceilings, where a scarlet coat from Valentino’s 1965/66 Haute Couture collection is suspended in a massive translucent red glass cube for you to approach or ignore–it’s all up to you! You are then invited to roam through different halls, navigating through the collection at a meditated pace, with thousands of virtual dresses and other cloud-bound artifacts at your very fingertips. Though not quite the same as seeing the works in real life, the innovation in housing an extensive archive of images and information in a virtual museum is commendable, and it excitingly seeds ideas for shaping architecture within the computer screen.

To visit the museum, download it here!

Kengo Kuma for Starbucks Coffee

The starbucks designed by Kengo Kuma will be opening on December 16, 2011 in Fukuoka, Japan. This will be the very first Starbucks Coffee which is on the historical entrance path to a shrine. (Dazaifu Tenman-gu Shrine)

                                                           via Starbucks Japan

隈研吾デザインのスターバックスが太宰府天満宮の参道にオープンするそうです。まだレンダリングしかないのですが、写真を見てみたい。

 

Theory: Chapter 5

Now he is sitting in his hotel room in Beijing and the world seems far away. He flew coach and there is a pain in his neck that won’t go away. The room is small and smells a little mildewy despite being new and relatively upscale. The window is not operable. The air-conditioner purrs. The TV is on constantly. He leaves it on. The bed is the desk. Laptop and papers spread out. He doesn’t move them when he sleeps. He hasn’t changed his clothes. He has one small bag.

Every few hours he takes the elevator down, walks past the lobby fountains, the bar, the tired tourists in their shorts and caps, fanning themselves, young women standing around, pouting, waiting, looking bored, men in dark suits on cell phones. Lots of black leather shoes with metal buckles.

The overweight doorman in his baggy uniform always smiles and asks if he needs a taxi. Jintian buyong (Not today), he says. The doorman, in proper Beijing frankness, then says, Taiduo kafei buhao! He cha zuihao! (Drinking too much coffee is bad for you! It’s better to drink tea!). He gives a thumbs up.

Pangle ye buhao. (Being fat is also bad for you), he says. At this the doorman laughs and shakes his belly. Pangle jiu jiankang! (Being fat is healthy!).

The doorman knows he is going to walk across the stone plaza to the Starbucks. Xingbake, reads the sign in Chinese characters. Literally, “star”-ba-ke. He watches this routine numerous times daily. The doorman notices these things.

He gets a venti mo ka in a paper cup. They know he wants the paper cup with the plastic lid and have stopped trying to give him a ceramic mug. It’s weird, he thinks. The mugs. Must be some rule they had to conform with to enter the China market. You can do business here but you need to reduce your trash. Sometimes he sits in the Starbucks for a few minutes. After a little bit he makes the short walk back across the hot stone plaza.

Jintian he shenma? the fat doorman asks. Mo ka, he replies. The doorman makes a look of disgust and turns away waving his hand, laughing.

He walks back through the air-conditioned lobby. There is polished stone everywhere. There is a fountain and a waterfall. Landscape paintings and statues. Replicas of the First Emperor’s terracotta soldiers flank the entrance to the bar. One of them holds a menu. Happy Hour! 5:00 p.m. At 5:00 p.m. he will probably go to Starbucks again, he thinks. He is still jet-lagged. He will be up all night, go to sleep early in the morning and wake up at noon.

Things are easy in China these days. For a westerner, anyway. He used to travel hard, now he travels light, moving only when he absolutely has to, taking almost nothing, staying in air-conditioned rooms, taking taxis everywhere, being driven places, to banquets, to KTV bars, to ostentatious air-conditioned towers where he sits at glossy boardroom tables bigger than his hotel room.

In a few days he will visit the LDI to update them on the plans he has been working on. They are for a satellite city just east of Beijing. He’s been doing some sketches, mostly. He tried the internet but a lot of sites are blocked. He can’t get to his Facebook page or Twitter. He sketches and will start putting them into CAD. Or, they could do that at the LDI and he could just keep sketching, moving the pieces of this imaginary city around. Right now it is just land. No one has even bothered to go take a look because there is simply nothing there. It’s where the highway begins to die out and you start to see more dumptrucks than cars. Dumptrucks and flatbed carts laden with furniture drawn by pathetic, overtaxed little donkeys. People are moving…somewhere. Perhaps the new concrete apartment towers. Some of them are still just shells, pipes beginning to run along their exteriors.

There are hundreds of these cities going up. He is the lead designer for this one, for part of it anyway. A chance to do something interesting, he thinks. He met at one meeting. He’s doing one of the buildings. One time he saw Zaha Hadid on the plane flying over. She was sitting in First Class with a glass of champagne, reading The Sun.

That’s Zaha Hadid, he thought. Then a very polite yet urgent-seeming flight attendant asked him to kindly continue on to coach section, her hand out, palm facing up, perfect fingers indicating the direction where coach could be found, the rear, yet beyond Business Class. The curtain separating the classes was drawn and he never saw her again. But the word was she is doing something for the new city, too. Was he moving stuff around on his sketches that would impact her site? He didn’t know. There was no information.

So, for now, he is in his hotel room. He wondered where Zaha was staying. Probably some swank penthouse. Was she going to her Starbucks, near her hotel, too? Was she working on her laptop or sketching on her bed. Maybe sketching out some ideas the way he was? Probably not.

He had barely learned how to draw in architecture school. At the office, he still kept a mayline screwed to his desk—even though a lot of the time it was used to keep his laptop from sliding off. In this hotel room he finally feels like he can draw something.


If it seems too good to be true, it probably is

© Dan Collier – Fotolia.com

Everyone knows the old adage and has most likely been stung by its inevitable truth.  What happens, eventually, is that the other shoe unfortunately falls; the truth rears its ugly head and leaves us with egg on our face.

Well, it is no different in the world of architecture, construction, and real estate.  Being deceived is a product of wanting something for less than its real value.  Oftentimes we fall into the deception trap to close an unwanted gap between our budget and what we want actually costs.  Budget and cost either match or they don’t!  Expecting to get something for nothing, while human nature, is foolish. Either today or somewhere down the line, the truth will come out or it may be very hard to accept.

Five years ago, when the real estate and construction boom was out of control, there was always a shortage of really competent help because everyone was so busy.  Prices became artificially high. People who were less and less qualified entered the workforce and were being hired regardless of the obvious. Let’s use Brooks as an example.  I remember Brooks say, “He’s only a plumber.  I’m not him paying $32,000…it’s only plumbing.”  So instead of paying the licensed/insured/bonded plumbing company what they deserved, he had his general contractor friend (first mistake) hire some under qualified guy in order to “save” about 30%.  “That’s gonna pay for my Viking stove,” he boasted at the time.

Fast-forward to Starbucks last week when I found out that Brooks now has to replace all the copper in his house.  It turns out the copper piping wall thickness was inadequate to handle the wear and tear of poorly reamed joints in virtually all the connections.  The original work all passed code but was such a penny safe and pound foolish blunder that the $10k that he saved five years ago is now going to cost him over $50k to remedy.  Tile, cabinets, hardwood floors, plaster, drywall, you name it was all affected by this deal that was too good to be true.  Plumber dude is out of business and nowhere to be found.  Brooks, at least you still have that Viking stove!

Next example, yours truly.  I once found a lot for sale in a great neighborhood with great houses all around.  It was perched up on a hillside, which would enable a magnificent view of the ocean.  “Why isn’t it sold yet?” I wondered.  The FOR SALE sign had a phone number for an out of town owner, but that’s still no reason for the property to just be sitting there.  The price was so reasonable.  “What is the deal?” I thought.  “It’s just too good to be true.”  So I put in an offer in hopes of cashing in on someone else’s charity. Turns out that the soil testing I (thankfully) had done determined that the entire lot was very expansive soil with incredibly deep bedrock.  The cost of a foundation was going to run upwards of four times the cost of a typical foundation.  It only cost me thousands for the testing, but I saved 100’s of thousands in what would have been a very big mistake.  I had just proven that the lot price was, in fact, too good to be true.

Another property that was too good to be true looked something like this.  It was again in a string of beautiful homes all vying for their own share of highly coveted ocean view. It was owned by the property owner to the east and the ocean was to the west.  The property owner had a magnificent view and was not going to lose it as long as he was alive.  He purchased the lot way back when and put a title restriction on the deed.  The restriction required that as long as he lived in the house to the east the height restriction of the house to the west was limited to its existing height.  What looked like a valuable piece of land had severely limited potential.  In fact, unless the property owner died, the lot’s value was far below its seemingly great price.

 


Dismantling the Cubicle

Film stills courtesy of the filmmaker

With 38 days left for our World’s Coolest Offices competition, we have been in a fever for innovative workplaces from around the globe. We were beginning to wonder if gaming tables and centerpiece furniture were fast on their way to becoming office design standards. However, a recent project by filmmaker Zaheed Mawani has brought us back to a grim reality. “Three Walls” is Mawani’s documented investigation of the life and times of the office cubicle. Click to explore the deeper issues behind one of the most banal yet potent architectural elements today.

While working for Herman Miller in the 1960’s, Robert Propst invented the concept of the cubicle as a way to “give knowledge workers a more flexible, fluid environment than the rat-maze box of offices.” The system was in fact designed to encourage interaction amongst workers. However, Propst had already admitted back in 1998 that the cubicle system had often been misused, as “not all organizations are intelligent and progressive.”

“Three Walls” is a close examination of the cubicle and what it has come to represent. In the film, Mawani speaks with individuals in the white-collar work world and gathers insight from architects and furniture designers on this ubiquitous office model and its psychological effects.

Placing his subjects in composed, static frames, the filmmaker takes a lighthearted yet poignant look at an unhealthy office culture and its architectural symbol. The cubicle, as Mawani explains, has colonized a culture of bored, even despairing workers with no job security. The lack of autonomy is physically manifest in the cubicle system, and this symbolic structure points to larger issues, such as the lack of physicality in our work, a damaging relationship with technology, and a general detachment from what we do with most of our adult lives.

While Herman Miller continues to sell cubicles today, the furniture giant has recognized that today’s work world necessitates space for collaborative work, for frequent interactions between two or more individuals. So how should we escape the “tyranny of the cube”? Herman Miller’s executive design director Ben Watson explained one solution: the creation of a mixture of “microenvironments” that should be more appealing as a workstation than one’s home or the nearby Starbucks.

Check out a trailer of the film above, and vocalize your take on the three walls by submitting projects and ideas to our World’s Coolest Offices competition!

[via the New York Times]