MAR – Rio Art Museum / Bernardes + Jacobsen Arquitetura

Architects: Bernardes + Jacobsen Arquitetura
Project Architects: Paulo Jacobsen, Bernardo Jacobsen e Thiago Bernardes
Project Coordination: José Luis Canal e Ricardo Castello Branco
Project Team: Aline Bianca de Almeida, Bruna Fregonezi, Daniel Vannucchi, Edgar Murata, Fernanda Maeda, José Miguel de Sousa Ferreira, Lívia Ribas, Renata Leite, Maria Vittoria Oliveira, Maya Leal de Nobrega, Pedro Henrique Ramos, Priscilla Martins Costa e Veridiana Ruzzante.
Interiors: Bernardes + Jacobsen Arquitetura
Interiors Architect: Eza Viegas
Interiors Team: Isabel Beloniel, Luiza Torres Homem
Project Area: 11240.0 m2
Project Year: 2013
Photographs: Leonardo Finotti

Landscape: Burle Marx e Cia ltda.
Lighting: Franco + Fortes – Lighting Design
Facilities: ADDAGE Engenharia e Planejamento / Install Ltda.
Structure: Cerne- Engenharia e Projetos/ GOP – Gabinete de Organização e Projectos
Acoustics: Roberto Thompson Motta Arquiteto Ltda
Air Conditioning: Clima Engenharia, LTDA.
Windows And Frames: QMD Consuiltoria
Waterproofing: PROASSP Assessoria e Projetos
Firefighting Consultants: ML Proteção Contra Incêndio LTDA
Electronic Systems: Bosco & Associados LTDA
Signs: Jair de Souza
Soundings: Audium Áudio e Acústica
Lighting Protection Systems: Instal Engenharia Ltda.
Sustainability: CTE inteligência 360º
Managements: Engineering
Contractor: Concrejato
Images: Metro ao Cubo
Site Area: 2300 sqm

Our challenge was to unite tree existing buildings with different architectural characteristics to house the  Museu de Arte do Rio, the school “A Escola do Olhar” as well as cultural and leisure spaces. The existing buildings, the palace Palacete Dom João”, the police building and the old central bus station of Rio, connected shall be part of the major urban redevelopment in the historic downtown of Rio de Janeiro. For each construction we analysed different levels of preservation.

The first step was to establish a flow system allowing the Museum and school to work in an integrated and efficient manner. Therefore we proposed the creation of a suspended square on the police building rooftop, which will unite all accesses and host a bar and an area for cultural events and leisure. Consequently, the visitation will be from top to bottom.

It was established that the palace, due to its large ceiling height and structure free plan should hold the exhibition areas of the museum. The police building shall be used for the school, auditoriums, multimedia exhibition areas, administration areas and employee areas of the complex.

The stilts, currently used as an access to the road, will turn into a large foyer for entire complex, and will hold the sculpture exhibition areas. Access will be controlled between the two buildings, characterizing this empty space as internal, open and covered. The marquee of the Road, heritage element listed by the City, will be used for lavatories, store and region of loading, unloading and deposits. The connection and circulation of visitors between the two buildings, in the form of a suspended catwalk will belong to this new building, featuring the most unusual state possible.

For the police building, we propose the suspension of the last floor to balance the height of the two buildings as well as the replacement of the masonry closing façade profiles using translucent glass, making the structural system of indented columns visible and revealing the stilts. Finally as the main mark of the project, we suggested that the suspended square have an abstract and aerial form. A fluid and extremely light structure, simulating water surface waves. A poetic architectural character full of meaning, simple and at the same time modern in regards to the structural calculation.  This element shall be seen near and by far, and from below to who is arriving at the Praça Mauá, from above by those who are at the Morro da Conceição.

MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura © Leonardo Finotti
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura © Leonardo Finotti
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura © Leonardo Finotti
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura © Leonardo Finotti
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura © Leonardo Finotti
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura © Leonardo Finotti
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura © Leonardo Finotti
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Location
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Ground Floor Plan
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Mezzanine Floor Plan
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura First Floor Plan
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Second Floor Plan
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Third Floor Plan
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Fourth Floor Plan
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Fifth Floor Plan
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Sixth Floor Plan
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Section
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Elevation
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Building Diagram
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Roof Diagram
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Fluid Roof Diagram
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Fluid Roof Diagram
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Fluid Roof Diagram
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Schematic Section
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Model
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Model
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Model
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Model

MAR – Rio Art Museum / Bernardes + Jacobsen Arquitetura originally appeared on ArchDaily, the most visited architecture website on 12 Apr 2013.

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MAR – Rio Art Museum / Bernardes + Jacobsen Arquitetura

Architects: Bernardes + Jacobsen Arquitetura
Project Architects: Paulo Jacobsen, Bernardo Jacobsen e Thiago Bernardes
Project Coordination: José Luis Canal e Ricardo Castello Branco
Project Team: Aline Bianca de Almeida, Bruna Fregonezi, Daniel Vannucchi, Edgar Murata, Fernanda Maeda, José Miguel de Sousa Ferreira, Lívia Ribas, Renata Leite, Maria Vittoria Oliveira, Maya Leal de Nobrega, Pedro Henrique Ramos, Priscilla Martins Costa e Veridiana Ruzzante.
Interiors: Bernardes + Jacobsen Arquitetura
Interiors Architect: Eza Viegas
Interiors Team: Isabel Beloniel, Luiza Torres Homem
Project Area: 11240.0 m2
Project Year: 2013
Photographs: Leonardo Finotti

Landscape: Burle Marx e Cia ltda.
Lighting: Franco + Fortes – Lighting Design
Facilities: ADDAGE Engenharia e Planejamento / Install Ltda.
Structure: Cerne- Engenharia e Projetos/ GOP – Gabinete de Organização e Projectos
Acoustics: Roberto Thompson Motta Arquiteto Ltda
Air Conditioning: Clima Engenharia, LTDA.
Windows And Frames: QMD Consuiltoria
Waterproofing: PROASSP Assessoria e Projetos
Firefighting Consultants: ML Proteção Contra Incêndio LTDA
Electronic Systems: Bosco & Associados LTDA
Signs: Jair de Souza
Soundings: Audium Áudio e Acústica
Lighting Protection Systems: Instal Engenharia Ltda.
Sustainability: CTE inteligência 360º
Managements: Engineering
Contractor: Concrejato
Images: Metro ao Cubo
Site Area: 2300 sqm

Our challenge was to unite tree existing buildings with different architectural characteristics to house the  Museu de Arte do Rio, the school “A Escola do Olhar” as well as cultural and leisure spaces. The existing buildings, the palace Palacete Dom João”, the police building and the old central bus station of Rio, connected shall be part of the major urban redevelopment in the historic downtown of Rio de Janeiro. For each construction we analysed different levels of preservation.

The first step was to establish a flow system allowing the Museum and school to work in an integrated and efficient manner. Therefore we proposed the creation of a suspended square on the police building rooftop, which will unite all accesses and host a bar and an area for cultural events and leisure. Consequently, the visitation will be from top to bottom.

It was established that the palace, due to its large ceiling height and structure free plan should hold the exhibition areas of the museum. The police building shall be used for the school, auditoriums, multimedia exhibition areas, administration areas and employee areas of the complex.

The stilts, currently used as an access to the road, will turn into a large foyer for entire complex, and will hold the sculpture exhibition areas. Access will be controlled between the two buildings, characterizing this empty space as internal, open and covered. The marquee of the Road, heritage element listed by the City, will be used for lavatories, store and region of loading, unloading and deposits. The connection and circulation of visitors between the two buildings, in the form of a suspended catwalk will belong to this new building, featuring the most unusual state possible.

For the police building, we propose the suspension of the last floor to balance the height of the two buildings as well as the replacement of the masonry closing façade profiles using translucent glass, making the structural system of indented columns visible and revealing the stilts. Finally as the main mark of the project, we suggested that the suspended square have an abstract and aerial form. A fluid and extremely light structure, simulating water surface waves. A poetic architectural character full of meaning, simple and at the same time modern in regards to the structural calculation.  This element shall be seen near and by far, and from below to who is arriving at the Praça Mauá, from above by those who are at the Morro da Conceição.

MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura © Leonardo Finotti
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura © Leonardo Finotti
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura © Leonardo Finotti
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura © Leonardo Finotti
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura © Leonardo Finotti
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura © Leonardo Finotti
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura © Leonardo Finotti
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Location
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Ground Floor Plan
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Mezzanine Floor Plan
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura First Floor Plan
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Second Floor Plan
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Third Floor Plan
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Fourth Floor Plan
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Fifth Floor Plan
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Sixth Floor Plan
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Section
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Elevation
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Building Diagram
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Roof Diagram
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Fluid Roof Diagram
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Fluid Roof Diagram
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Fluid Roof Diagram
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Schematic Section
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Model
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Model
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Model
MAR – Museu de Arte do Rio / Bernardes + Jacobsen Arquitetura Model

MAR – Rio Art Museum / Bernardes + Jacobsen Arquitetura originally appeared on ArchDaily, the most visited architecture website on 12 Apr 2013.

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Video: Maracanã’s Face Lift, Raising the Roof

Engineer Nelson Fiedler has gone to great heights to revamp Rio de Janeiro’s famous sports venue.

Video: Maracanã's Face Lift, Raising the Roof originally appeared on ArchDaily, the most visited architecture website on 27 Mar 2013.

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Homeless World Cup Legacy Center / Architecture For Humanity

Architects: Architecture For Humanity
Location: Santa Cruz, Rio de Janeiro, Brazil
Associated Architects: Lompreta Nolte Arquitetos and Nanda Eskes Arquitetura
Project Coordinator: Michael Jones
Design Fellow: Daniel Feldman
Year: 2009
Photographs: Courtesy of Architecture For Humanity

Sponsoring Organization: Nike GameChangers
Project Partners: Bola Pra Frente, Organização Civil de Ação Social, Homeless World Cup
Number Of Beneficiaries: 695

The Homeless World Cup Legacy Center in Santa Cruz, Brazil is a prototype facility utilizing football as a tool for empowerment and social change for women and youth. With the Homeless World Cup arriving in Rio de Janeiro, Brazil in fall 2010, Architecture for Humanity, Homeless World Cup, and Nike teamed up with local partners Organização Civil de Ação Social (OCAS), and Instituto Bola Pra Frente (BPF) to establish a Legacy Center that would implement the Homeless World Cup influence beyond the week-long Tournament and Leadership Conference.

The Youth and Women’s Leadership center in Santa Cruz is the new home for Instituto Bola Pra Frente in Santa Cruz modeled after the non-profit’s successful program in Guadalupe, Rio de Janeiro. While the center in Guadalupe focuses services for youth and their families, the new center in Santa Cruz extends specific services to the greater community as well as providing meeting and classroom space available for OCAS and other community organizations. With the broad spectrum of services and users on site, the project layout is based on a gradation of public to private access, including strict access filters to achieve the ideal secure learning environment for the youth at Instituto Bola pra Frente.

Facility Program

The site features a community street football pitch measuring 22m x 16m (donated by Greenfields), the new home for Homeless World Cup Brazil (OCAS) training and tournaments. The pitch acts as a playing and meeting surface and a visual magnet creating a hub for community interaction. Additional building and site space will be identified for retail of enterprise products. Facilities for players and the community include locker rooms, rest rooms, a community gathering space, and access to clean water. In order to reduce operating cost and greater resource impact, the project utilized local materials and methods, natural ventilation, shading, and cooling strategies as well as integrated rainwater collection and UV purification system to provide fresh water to the center and community.

Project Partners

Instituto Bola Pra Frente, an initiative of world champion soccer Jorginho, was inaugurated on June 29, 2000. Situated in an area of 11.570m ², Bola Pra Frente serves children and adolescents in situations of social vulnerability, aged 6 to 17 years. In the search for a just social score, Bola Pra Frente offers the opportunity for social advancement through sports, education, art and culture and professional skills.

Organização Civil de Ação Social (OCAS), or “Civil Organization for Social Action,” aims to bring awareness to social issues through media outlets, including its publication “Hollow,” which is produced by volunteers and sold by people in social risk.

The Homeless World Cup Foundation uses football to encourage and energize people who are homeless to change their own lives. Currently it works with football programs in over 70 nations reaching 40,000 homeless players every year with an ambition to engage one million players with the benefits of football by 2012.

Objectives

• Social: The Youth and Women’s Leadership Center promotes social sustainability through the implementation of a community center focused on youth and women’s empowerment through leadership training, personal skills development, academic advancement, athletic training through involvement in team sports. The emphasis on education and leadership training uses football as the catalyst for change.
• Design: This center is an inventive, flexible, replicable, and scalable solution for international communities lacking resources for women and youth.
• Resources: The center is an exemplary project exhibiting sustainable principles of energy efficiency, resource collection, and locally sourced materials.

Homeless World Cup Legacy Center / Architecture For Humanity Courtesy of Architecture For Humanity
Homeless World Cup Legacy Center / Architecture For Humanity Courtesy of Architecture For Humanity
Homeless World Cup Legacy Center / Architecture For Humanity Courtesy of Architecture For Humanity
Homeless World Cup Legacy Center / Architecture For Humanity Courtesy of Architecture For Humanity
Homeless World Cup Legacy Center / Architecture For Humanity Courtesy of Architecture For Humanity
Homeless World Cup Legacy Center / Architecture For Humanity Courtesy of Architecture For Humanity
Homeless World Cup Legacy Center / Architecture For Humanity Courtesy of Architecture For Humanity
Homeless World Cup Legacy Center / Architecture For Humanity Courtesy of Architecture For Humanity
Homeless World Cup Legacy Center / Architecture For Humanity Courtesy of Architecture For Humanity
Homeless World Cup Legacy Center / Architecture For Humanity Courtesy of Architecture For Humanity
Homeless World Cup Legacy Center / Architecture For Humanity Courtesy of Architecture For Humanity
Homeless World Cup Legacy Center / Architecture For Humanity Courtesy of Architecture For Humanity
Homeless World Cup Legacy Center / Architecture For Humanity Courtesy of Architecture For Humanity
Homeless World Cup Legacy Center / Architecture For Humanity Courtesy of Architecture For Humanity
Homeless World Cup Legacy Center / Architecture For Humanity Courtesy of Architecture For Humanity
Homeless World Cup Legacy Center / Architecture For Humanity Plan
Homeless World Cup Legacy Center / Architecture For Humanity Plan
Homeless World Cup Legacy Center / Architecture For Humanity Plan
Homeless World Cup Legacy Center / Architecture For Humanity Plan
Homeless World Cup Legacy Center / Architecture For Humanity Elevation
Homeless World Cup Legacy Center / Architecture For Humanity Elevation
Homeless World Cup Legacy Center / Architecture For Humanity Section
Homeless World Cup Legacy Center / Architecture For Humanity Section
Homeless World Cup Legacy Center / Architecture For Humanity Details

Homeless World Cup Legacy Center / Architecture For Humanity originally appeared on ArchDaily, the most visited architecture website on 22 Mar 2013.

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British Architects Seek Infrastructure Opportunities in Brazil

Led by UK housing minister Mark Prisk, architects from five high-profile British practices – Haworth Tompkins, Foster & Partners, Amanda Levete Architects, Avanti Architects and de Matos Ryan – have embarked on a week-long visit to Brazil in search of major infrastructure opportunities for the 2014 FIFA World Cup and 2016 Olympic Games. The trip is part of the UKBrasil Season, a six-month series of dynamic and engaging projects designed to showcase the best of British business, culture, science and innovation in Brazil and become the largest post-Olympic legacy project in the world.

Mark Prisk stated: “Brazilian companies in these cities are actively looking for fast-track construction systems, innovative building materials and low carbon solutions to meet current and future demand, not only in preparation for hosting the 2014 FIFA World Cup and 2016 Olympic Games but also to compete in the country’s many major infrastructure projects.

More after the break…

“Brazil is one of the world’s largest and fastest growing economies with a rapidly growing middle class and a large, competitive, domestic market. Its long term economic growth and massive natural resources make Brazil a hugely important strategic partner for UK business.

“The UK became the second-largest foreign investor in Brazil in 2011 and it is clear that our two countries have much to offer each other in terms of sustainable, built environment technologies and services.’

UKTI estimates that the FIFA World Cup in 2014 and Rio Olympics two years later will create more than 12,000 infrastructure projects. In an effort to exploit this opportunity, the team of architects will meet with top officials of the 2016 Olympics Athletes’ Village procurement team; Rio’s State Works Secretariat; and Municipal Housing Secretariat.

As we previously announced, a team led by AECOM won the master planning of the 2016 Olympic Park in Rio de Janeiro (check it out here). During this time of rapid preparation for these two world-events, it is important to consider How (Not) To Host The Olympics.

via Architects’ Journal, BDOnline 

British Architects Seek Infrastructure Opportunities in Brazil originally appeared on ArchDaily, the most visited architecture website on 05 Mar 2013.

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Rio de Janeiro CityVision Competition

The Rio de Janeiro CityVision Competition is the fifth international ideas competition launched by CityVision with the purpose of providing a vision on Rio de Janeiro’s future. We live in a particular period, made so by a broader vision of history itself, for which “the sums don’t add up” and the meaning of “time” has lost its positive and progressive meaning, giving way to a “contemporary time” in which present, past and future (or rather our visions of it) seem to coexist. Reality is now compromised by the crisis and bad taste has prevailed. It has now become necessary to analyze the city and grasp the essence of its disgust. Submissions are due no later than June 11. For more information, please visit here.

Rio de Janeiro CityVision Competition originally appeared on ArchDaily, the most visited architecture website on 28 Feb 2013.

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Featured Project: Young Artist’s House By Felipe Rio Branco

Project:  Young Artist’s House  

Architect:  Felipe Rio Branco 

Location:  Rio de Janeiro, Brazil

Situated within a block of early 20th-century row houses, this sleek dwelling works in harmony with its historic context. The home’s organizational heart is the interior courtyard, which provides light and air in addition to circulation to upper floors. The residence is finished in warm-toned tiles and wood, with steel structural elements coated in white paint. Given its modern charm, this studio seems like an ideal place to let the creative mind wander.

Read more about this project in the Architizer database!

Featured Project: Young Artist’s House By Felipe Rio Branco

Project:  Young Artist’s House  

Architect:  Felipe Rio Branco 

Location:  Rio de Janeiro, Brazil

Situated within a block of early 20th-century row houses, this sleek dwelling works in harmony with its historic context. The home’s organizational heart is the interior courtyard, which provides light and air in addition to circulation to upper floors. The residence is finished in warm-toned tiles and wood, with steel structural elements coated in white paint. Given its modern charm, this studio seems like an ideal place to let the creative mind wander.

Read more about this project in the Architizer database!