‘Harvest’ Nordic Built Challenge Finalist Proposal / AHA+ and SAAHA

Developed by architects AHA+ and Solbjor Arkitekter, their ‘Harvest’ proposal was announced as one of the four finalists in the international competition Nordic Built Challenge for an extension of Postgirobygget, an existing high-rise building in Oslo. Going beyond BG14 and the refurbishment of Posthuset, their concept aims at becoming a new and innovative way to meet the challenges of tomorrow while ensuring financial and practical viability. More images and architects’ description after the break.

Our proposal provides a strategy that focuses on 3 main issues: How to expand existing building in most sustainable way on a small almost non existing site in a dense urban location; How to reconnect existing building to its surroundings and create new and attractive entrance; How to create a low threshold + active energy system that utilise the local and existing energy resources in the best possible way. By giving the right answers to these issues we create preconditions for optimized C2C strategy and enhance the flexibility of the office space in the building.

In order to balance costs with economic robustness we propose to expand the building on the north side of the BG14. This is the only rational and possible place to expand existing BG14 building. From existing 2000 working places we have created possibility for in total approx. 5000 working spaces and 21.000m2 additional spaces. Our proposal is to build highest wooden building structure in the world. This has some obvious environmental benefits but also strengthens iconic quality of the BG14 and creates new and global marketing possibilities. Wooden addition to existing building enhance It’s functionality, makes it smart and aesthetically appealing, a building in the best of the Nordic design tradition. We constructive studies believe this to be possible within existing technology.

Immediate urban surrounding of the entrance plaza is arguably one of Central Oslo’s most inhospitable seen from a pedestrian point of view. The entrance plaza is flanked by barriers. Fences, tramlines, a motorway and a huge roundabout bar pedestrian access. The street-fronts of the next-door neighbors are forbidding, isolating the BG14 entrance effectively from the teeming Central Station Plazas. Pedestrians are largely forced to use footbridges or underpasses. Our project proposes a NEW and inviting entrance area, that reconnects BG14 building to the neighbouring buildings and provide NEW and attractive mall address and public space.

Posthuset is not a conventional building. No ground areas are available for energy production; neither does the building have a large roof area. Is it possible to design house that is producer of energy? How to harvest and reuse energy that is generated by the use of the building its self and in the interaction between building and the elements? Biggest challenge is always not to produce enough energy but to manage to store it so that it can be used later. Our project proposes solution that makes this possible with “low threshold” technological solutions. By utilizing local resources and adapting to a local climatic condition we create possibility to achieve ambitious environmental and energy goals.

The proposed Active House Concept harvests energy. It feeds on excess heat trapped in the building as well as ambient energy at optimal times by means of storage techniques adapted to local conditions and opportunities. This is done to supply in situ renewable energy when most needed. The technology underpinning the concept is an energy-efficient and renewable energy system based on a unique dynamic thermal energy storage technology and an optimized control system.

The real challenge lies in proposing solutions that radically improve environmental performance while balancing costs with market willingness. We propose new facade solution based on cross laminated timber technology that will help owners to achieve zero emissions over its lifecycle. This choice of material not only on new part of the building but also on the existing facades towards south, east and west will improve reduction in carbon emissions for energy, materials and transportation. Our proposal enhances but also optimises the access of daylight in to the building. Developing further on some of the existing principles we propose solution that allows for variation on the glass surface area depending on orientation of the building. Total amount of glass area proposed in the wooden wall elements is on average around 25% of the facade surface. 

BG14 has a large number of identical floors. With the proposed expansion of the building we optimize the floor plans in terms of area efficiency. We create flexible office space that can either be easily divided between various tenants or utilized by one larger tenant. If floors are used as mainly cell office plans we achieve approx 40 m2 per working place, 11 m2 for landscape office plans and for combination of these two we achieve 15 m2 per working space.

'Harvest' Nordic Built Challenge Finalist Proposal / AHA+ and SAAHA Courtesy of AHA+ and SAAHA
'Harvest' Nordic Built Challenge Finalist Proposal / AHA+ and SAAHA Courtesy of AHA+ and SAAHA
'Harvest' Nordic Built Challenge Finalist Proposal / AHA+ and SAAHA Courtesy of AHA+ and SAAHA
'Harvest' Nordic Built Challenge Finalist Proposal / AHA+ and SAAHA Courtesy of AHA+ and SAAHA
'Harvest' Nordic Built Challenge Finalist Proposal / AHA+ and SAAHA site plan
'Harvest' Nordic Built Challenge Finalist Proposal / AHA+ and SAAHA ground floor plan 01
'Harvest' Nordic Built Challenge Finalist Proposal / AHA+ and SAAHA ground floor plan 02
'Harvest' Nordic Built Challenge Finalist Proposal / AHA+ and SAAHA plan 01
'Harvest' Nordic Built Challenge Finalist Proposal / AHA+ and SAAHA plan 02
'Harvest' Nordic Built Challenge Finalist Proposal / AHA+ and SAAHA plan 03
'Harvest' Nordic Built Challenge Finalist Proposal / AHA+ and SAAHA plan 04
'Harvest' Nordic Built Challenge Finalist Proposal / AHA+ and SAAHA plan 05
'Harvest' Nordic Built Challenge Finalist Proposal / AHA+ and SAAHA plan 06
'Harvest' Nordic Built Challenge Finalist Proposal / AHA+ and SAAHA west and north elevations
'Harvest' Nordic Built Challenge Finalist Proposal / AHA+ and SAAHA east and south elevations
'Harvest' Nordic Built Challenge Finalist Proposal / AHA+ and SAAHA section 01
'Harvest' Nordic Built Challenge Finalist Proposal / AHA+ and SAAHA section 02
'Harvest' Nordic Built Challenge Finalist Proposal / AHA+ and SAAHA section 03
'Harvest' Nordic Built Challenge Finalist Proposal / AHA+ and SAAHA concept diagram 01
'Harvest' Nordic Built Challenge Finalist Proposal / AHA+ and SAAHA concept diagram 02
'Harvest' Nordic Built Challenge Finalist Proposal / AHA+ and SAAHA facade system diagram
'Harvest' Nordic Built Challenge Finalist Proposal / AHA+ and SAAHA flexibility diagram

'Harvest' Nordic Built Challenge Finalist Proposal / AHA+ and SAAHA originally appeared on ArchDaily, the most visited architecture website on 22 May 2013.

send to Twitter | Share on Facebook | What do you think about this?

‘PostZERO’ Nordic Built Challenge Finalist Proposal / Space Group Architects

Recently named as one of the finalists in the Nordic Built Challenge, Space Group Architects, in collaboration with BollingerGrohmann + Florian Kosche AS and AJL Engineers, shared with us their ‘PostZERO’ concept. An extension of an existing high-rise building in Oslo, the project aims to identify good ideas for how buildings can be transformed in a sustainable, innovative and cost-effective manner. More images and architects’ description after the break.

The selected projects will now move on to phase two, where the proposals will be developed together with the client, EntraEiendom AS. The final winner will be selected in September.

Click here to view the embedded video.

'PostZERO' Nordic Built Challenge Finalist Proposal / Space Group Architects originally appeared on ArchDaily, the most visited architecture website on 17 May 2013.

send to Twitter | Share on Facebook | What do you think about this?

Under 40. Young Norwegian Architecture 2013

Who are currently the most noteworthy young architects in Norway, and how are they positioning themselves both at home and abroad?

Now through September 29, 2013, The National Museum of Norway will be hosting a exhibition that seeks to foreshadow future trends in Norwegian architecture by presenting a selection of full-scale installations, models, films, photographs, and illustrations that provide insight into the cutting-edge work of eleven emerging architectural practices.

The work, curated by Anne Marit Lunde, will represent the following firms: Atelier Oslo, CTRL+N, FFB (Fellesskapsprosjektet å Fortette Byen), Hus og Heim Arkitektur, Eriksen Skajaa Arkitekter, Lala Tøyen, MDH Arkitekter, Rodeo Arkitekter, Superunion Arkitekter, SF OSL and Tyin tegnestue Arkitekter.

More information about ‘Under 40. Young Norwegian Architecture 2013’ here.

Under 40. Young Norwegian Architecture 2013 Cassia Co-op Training Center, Sumatra. Tyin Tegnestue Arkitekter © Pasi Aalto
Under 40. Young Norwegian Architecture 2013 Cabin Norderhov, Hønefoss. Atelier Oslo.
Under 40. Young Norwegian Architecture 2013 Suluk Learning Center in Nuuk, Greenland. MDH Arkitekter.
Under 40. Young Norwegian Architecture 2013 Moose Road, California, USA. SF OSL. © Bruce Damonte
Under 40. Young Norwegian Architecture 2013 Tourist stop Djupevik, Hardanger. Huus og Heim Arkitektur. © Huus og Heim Arkitektur
Under 40. Young Norwegian Architecture 2013
Under 40. Young Norwegian Architecture 2013 Meahccetrossa / Matatu, Karasjon. FFB - Fellesskapsprosjektet å Fortette Byen. © FFB / Joar Nango
Under 40. Young Norwegian Architecture 2013
Under 40. Young Norwegian Architecture 2013 Strusshamn. Eriksen Skajaa Arkitekter in collaboration with Bjørbekk og Lindheim Landskapsarkitekter. © Mir Visuals

Under 40. Young Norwegian Architecture 2013 originally appeared on ArchDaily, the most visited architecture website on 03 May 2013.

send to Twitter | Share on Facebook | What do you think about this?

Sørenga 3 / JVA

Architects: JVA
Location: Sørenga, Oslo, Norway
Primary Architects: Einar Jarmund, Håkon Vigsnæs, Alessandra Kosberg, Anders Granli, Kazuhiko Yamada, Claes Cho Heske Ekornås, Jeanette Alvestad
Collaborating Architects: 4B Arkitekter AS, Context AS
Client: Sørenga Utvikling AS
Area: 14,500 sqm
Year: 2012
Photographs: Nils Petter Dale, Knut Bry

The project is part of an 8 block / 900 unit development named Sørenga in the harbor area of Oslo. The Sørenga project is located at its own peninsula, and is part of the large Bjørvika development, that also includes the New Norwegian Opera building.

The site was used for harbor activities which is now relocated. A master plan by LPO Architects calls for 900 units divided into 8 blocks. Four different groups of architects have been chosen to design the individual blocks.

Block 3 is located at the east side of the peninsula. The specific set‐back rules for the development has been utilized to make a terraced and highly sculptured volumetric composition that provides for optimized sun and view conditions for all the apartments. Most of the roof area will be used for terrace purposes. The building is a traditional block structure with a clear outside and inside. The kinder garden is expressed as its own corner volume. Block 3 is about 14.500 m2 which includes 127 apartments, a kinder garden, a small commercial space and parking areas.

The four collaborating architectural teams have agreed upon using a common main material for the facades; a dark bluish brick, with a reflective surface. The courtyard side of block 3 is clad in seawater resistant aluminum panels.

Sørenga 3 / JVA © Nils Petter Dale
Sørenga 3 / JVA © Nils Petter Dale
Sørenga 3 / JVA © Nils Petter Dale
Sørenga 3 / JVA © Knut Bry
Sørenga 3 / JVA © Knut Bry
Sørenga 3 / JVA © Nils Petter Dale
Sørenga 3 / JVA © Knut Bry
Sørenga 3 / JVA © Nils Petter Dale
Sørenga 3 / JVA © Nils Petter Dale
Sørenga 3 / JVA © Knut Bry
Sørenga 3 / JVA © Knut Bry
Sørenga 3 / JVA © Nils Petter Dale
Sørenga 3 / JVA Section
Sørenga 3 / JVA Section
Sørenga 3 / JVA Plan
Sørenga 3 / JVA Plan
Sørenga 3 / JVA Plan
Sørenga 3 / JVA Plan

Sørenga 3 / JVA originally appeared on ArchDaily, the most visited architecture website on 15 Apr 2013.

send to Twitter | Share on Facebook | What do you think about this?

Statoil Regional and International Offices / a-lab

Architects: a-lab
Location: Fornebu, Bærum, Norway
Area: 117,000 sqm
Year: 2012
Photographs: Luis Fonseca, Ivan Brodey, a-lab

Interior Architects: a-lab + Momentum Arkitekter
Landscape Architects: Østengen og Bergo (concept) + Rambøll Norge (detail)
Construction: Skanska + PEAB
Developer: IT Fornebu Property AS
Client: Statoil ASA
Cost: NOK 1.5 billion / EUR 200 mill.

Iconic & Innovative
Statoil is a Norwegian energy producer, the 57th largest company in the world by revenue, with about 30 000 employees in 37 countries. 2500 of these now work in this unique office building, with a spectacular view over adjacent park areas and the fjord of Oslo. The iconic structure seeks to reflect Statoil’s role as an innovative and internationally pioneering petroleum company as well as giving a new identity and pulse to the local environment.

From Airport to Urban Environment
The Fornebu area, a previous site for Oslo’s main airport, is undergoing a radical transformation into an urban area, with commercial and residential buildings and public recreation areas.

A key challenge of the design was to balance size and architectural expression with its surroundings, whilst at the same time introducing new impulses that enliven the park and commercial area. More specifically: how does one design a 65.000 / 117.000 m2 commercial building complex to make it blend with the idyllic shoreline of Fornebu?

Park and Landmark
A large part of the site has been transformed into a publicly accessible park and promenade along the fjord. The new office building stands on the site of the old airport’s multi-storey car park. The structure consists of five office lamellas of identical size, stacked on top of each other. The concept minimizes the environmental footprint of the building and gives a generous amount of space to the park.

Modular Construction
Each lamella is 3 stories high, 140 meters long and 23 meters wide. The modules are oriented differently to optimize internal daylight conditions and views towards the fjord landscape.Inside, the modules create a communal atrium, with an “urban plaza” connecting many of the social functions on the ground floor. The design is rooted in the democratic principle of bestowing all users of the building with excellent working conditions that include stunning views and good light conditions.

Seamless Superstructure
The building design draws on the oil industry’s own construction forms and techniques. The steel superstructure enables the different modules to cantilever up to 30 meters. Escape stairs and services are concentrated in four giant concrete cores, which also stabilize the superstructure. The façade consistes of about 1600  prefabricated elements with integrated windows, insulation and solar-shading, a highly energy efficient solution with no visible fixings in the entire facade.

Propeller-Shaped Glass Roof
The central atrium is covered by a high-tech, “propeller-shaped” glass roof – the first of its kind in Scandinavia. The geometry can be described as a «soap-bubble», finding the smallest surface area to close the volume between the modules. Considering the extra weight from snow, this construction was one of the most complex challenges of the project.

Friction for Innovation
A communication tower in the communal atrium is the centre of the building’s social life; everyone passes through the atrium to and from work. In this way, spontaneous encounters and exchanges are fostered, which are very desirable for an international knowledge-based company such as Statoil.

Flexible Solutions
The office building has a high degree of flexibility to ensure that it can easily be adapted to changing future needs. A specially developed ceiling allows workspaces with separate units as small as 3

Spikerverket / MAD arkitekter

Architects: MAD arkitekter
Location: Oslo, Norway
Landscape Architect: Asplan Viak
Zoning: COWI
Developer: Avantor AS
Year: 2012
Photographs: Jiri Havran

Situation

The project area, known as Spikerverket, was previously a factory that produced nails. It is located in an area called Nydalen in Oslo. The valley of Nydalen has undergone a transformation from an industrial area to a commercial, residential and educational zone with focus on the river Aker that flows through the neighbourhood. Aker River is one of Oslo’s main recreational axes and serves to link Nydalen to the rest of Oslo. When asked to design an urban area to replace the nail factory, MAD set themselves the paradoxical challenge of injecting both urban vivacity and verdant nature into the previously grey belt.

Site strategy

The plan concept is a re-composition of a border. To the west, MAD added a park to an area of traditional housing and gardens. To the east, by aligning the new volumes to existing buildings, a street is formed, parallel to the river Aker. The project expands the seam between the two characteristic sides to the east and west, sewing a strip of new life into a previous industrial landscape. The boundary between nature and town is articulated in the building volume as a snake or a geometrically winding seam. Along the seam, the building function alternates between commercial and residential, with offices towards the street and housing towards the park. In the spaces between the twists of the seam new public areas unfold – urban plazas towards the street and verdant gardens towards the park.

The entire development has a green roof which slopes in response to the gradient of the terrain and gives the desired height towards the contrasting situations of the park and the street. The sloping roof line is continuous between the individual volumes of the snake, resulting in a fluid volumetric composition.

The facades – material concept

The seam or snake is composed of individual volumes, each with a strong visual identity. The residential volumes are clad in overlapping panels of naturally treated wood. The three office buildings are designed with the same material palate – light and matt natural anodized aluminium in combination with dark, reflective glass and lacquered metal. The façades of each of the office buildings have a unique geometrical composition which sets them apart and give them a separate identity. Where the volume is cut away, creating passages between the office and residential building volumes, the conceptually exposed sectional surfaces are given a coloured treatment.

Egmont media house.

The first project to be completed is media conglomerate Egmont’s Oslo HQ. It is located to the south of the development at the entrance to Nydalen giving Egmont maximum exposure and visibility. The building has a Z-formed floor plan, encompassing an entrance plaza towards the street and a garden towards the park.

Façade

The façade is composed of a repeated geometric module. By staggering the placement of the modules on each floor, larger forms coagulate to give an effect that is both repetitive and seemingly random or free. A degree of relief is included in the facades. This stands in opposition to the two-dimensionality that is often encountered in office facades. This relief also increases the articulation of the geometric compositions by creating a separation between the outer layer of light coloured, matt natural anodised aluminium forms and the inner layer of glass and dark, glossy metal.

The sense of identity that the façade affords is not only an exterior effect. As a result of the diagonal lines and varying sizes of the modules, there are four different window forms. These give a playful feel to the large open office landscapes inside as well as providing a varying factor for smaller rooms along the façade.

Heart

Communication is central to Egmont’s activities. To encourage informal communication and chance meetings, all the social and common areas – coffee bars, meeting rooms, showroom – are located around a core, Egmont’s Heart. Here, an atrium opens through the building. From a sculptural and colourful amphitheatre on the ground floor the main stairs criss-crosses the atrium at a different position on each level. This maximises the lines of sight for people taking the stairs and encourages spontaneous communication. To reinforce the building’s identity, the modules present on the façade are repeated around the atrium, this time in frosted glass.

Office space

Due to the sloping roof, interesting spaces arise on the top floors of the building, including double height spaces and mezzanines. Raw, natural materials were preferred and technical installations are exposed where practicable. The architects sought to hide as little as possible from the occupants of the building. For example, the underside of the sloping roof is clad in corrugated, galvanised steel with the ventilation channels exposed. The concrete surface is exposed around the secondary stairs and lifts.

Other space

The building also includes photo-studios, Norway’s largest test cinema and two roof terraces with views over Oslo.

Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter Model
Spikerverket / MAD arkitekter Diagrams
Spikerverket / MAD arkitekter Diagram

Spikerverket / MAD arkitekter originally appeared on ArchDaily, the most visited architecture website on 04 Apr 2013.

send to Twitter | Share on Facebook | What do you think about this?

Spikerverket / MAD arkitekter

Architects: MAD arkitekter
Location: Oslo, Norway
Landscape Architect: Asplan Viak
Zoning: COWI
Developer: Avantor AS
Year: 2012
Photographs: Jiri Havran

Situation

The project area, known as Spikerverket, was previously a factory that produced nails. It is located in an area called Nydalen in Oslo. The valley of Nydalen has undergone a transformation from an industrial area to a commercial, residential and educational zone with focus on the river Aker that flows through the neighbourhood. Aker River is one of Oslo’s main recreational axes and serves to link Nydalen to the rest of Oslo. When asked to design an urban area to replace the nail factory, MAD set themselves the paradoxical challenge of injecting both urban vivacity and verdant nature into the previously grey belt.

Site strategy

The plan concept is a re-composition of a border. To the west, MAD added a park to an area of traditional housing and gardens. To the east, by aligning the new volumes to existing buildings, a street is formed, parallel to the river Aker. The project expands the seam between the two characteristic sides to the east and west, sewing a strip of new life into a previous industrial landscape. The boundary between nature and town is articulated in the building volume as a snake or a geometrically winding seam. Along the seam, the building function alternates between commercial and residential, with offices towards the street and housing towards the park. In the spaces between the twists of the seam new public areas unfold – urban plazas towards the street and verdant gardens towards the park.

The entire development has a green roof which slopes in response to the gradient of the terrain and gives the desired height towards the contrasting situations of the park and the street. The sloping roof line is continuous between the individual volumes of the snake, resulting in a fluid volumetric composition.

The facades – material concept

The seam or snake is composed of individual volumes, each with a strong visual identity. The residential volumes are clad in overlapping panels of naturally treated wood. The three office buildings are designed with the same material palate – light and matt natural anodized aluminium in combination with dark, reflective glass and lacquered metal. The façades of each of the office buildings have a unique geometrical composition which sets them apart and give them a separate identity. Where the volume is cut away, creating passages between the office and residential building volumes, the conceptually exposed sectional surfaces are given a coloured treatment.

Egmont media house.

The first project to be completed is media conglomerate Egmont’s Oslo HQ. It is located to the south of the development at the entrance to Nydalen giving Egmont maximum exposure and visibility. The building has a Z-formed floor plan, encompassing an entrance plaza towards the street and a garden towards the park.

Façade

The façade is composed of a repeated geometric module. By staggering the placement of the modules on each floor, larger forms coagulate to give an effect that is both repetitive and seemingly random or free. A degree of relief is included in the facades. This stands in opposition to the two-dimensionality that is often encountered in office facades. This relief also increases the articulation of the geometric compositions by creating a separation between the outer layer of light coloured, matt natural anodised aluminium forms and the inner layer of glass and dark, glossy metal.

The sense of identity that the façade affords is not only an exterior effect. As a result of the diagonal lines and varying sizes of the modules, there are four different window forms. These give a playful feel to the large open office landscapes inside as well as providing a varying factor for smaller rooms along the façade.

Heart

Communication is central to Egmont’s activities. To encourage informal communication and chance meetings, all the social and common areas – coffee bars, meeting rooms, showroom – are located around a core, Egmont’s Heart. Here, an atrium opens through the building. From a sculptural and colourful amphitheatre on the ground floor the main stairs criss-crosses the atrium at a different position on each level. This maximises the lines of sight for people taking the stairs and encourages spontaneous communication. To reinforce the building’s identity, the modules present on the façade are repeated around the atrium, this time in frosted glass.

Office space

Due to the sloping roof, interesting spaces arise on the top floors of the building, including double height spaces and mezzanines. Raw, natural materials were preferred and technical installations are exposed where practicable. The architects sought to hide as little as possible from the occupants of the building. For example, the underside of the sloping roof is clad in corrugated, galvanised steel with the ventilation channels exposed. The concrete surface is exposed around the secondary stairs and lifts.

Other space

The building also includes photo-studios, Norway’s largest test cinema and two roof terraces with views over Oslo.

Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter Model
Spikerverket / MAD arkitekter Diagrams
Spikerverket / MAD arkitekter Diagram

Spikerverket / MAD arkitekter originally appeared on ArchDaily, the most visited architecture website on 04 Apr 2013.

send to Twitter | Share on Facebook | What do you think about this?

Spikerverket / MAD arkitekter

Architects: MAD arkitekter
Location: Oslo, Norway
Landscape Architect: Asplan Viak
Zoning: COWI
Developer: Avantor AS
Year: 2012
Photographs: Jiri Havran

Situation

The project area, known as Spikerverket, was previously a factory that produced nails. It is located in an area called Nydalen in Oslo. The valley of Nydalen has undergone a transformation from an industrial area to a commercial, residential and educational zone with focus on the river Aker that flows through the neighbourhood. Aker River is one of Oslo’s main recreational axes and serves to link Nydalen to the rest of Oslo. When asked to design an urban area to replace the nail factory, MAD set themselves the paradoxical challenge of injecting both urban vivacity and verdant nature into the previously grey belt.

Site strategy

The plan concept is a re-composition of a border. To the west, MAD added a park to an area of traditional housing and gardens. To the east, by aligning the new volumes to existing buildings, a street is formed, parallel to the river Aker. The project expands the seam between the two characteristic sides to the east and west, sewing a strip of new life into a previous industrial landscape. The boundary between nature and town is articulated in the building volume as a snake or a geometrically winding seam. Along the seam, the building function alternates between commercial and residential, with offices towards the street and housing towards the park. In the spaces between the twists of the seam new public areas unfold – urban plazas towards the street and verdant gardens towards the park.

The entire development has a green roof which slopes in response to the gradient of the terrain and gives the desired height towards the contrasting situations of the park and the street. The sloping roof line is continuous between the individual volumes of the snake, resulting in a fluid volumetric composition.

The facades – material concept

The seam or snake is composed of individual volumes, each with a strong visual identity. The residential volumes are clad in overlapping panels of naturally treated wood. The three office buildings are designed with the same material palate – light and matt natural anodized aluminium in combination with dark, reflective glass and lacquered metal. The façades of each of the office buildings have a unique geometrical composition which sets them apart and give them a separate identity. Where the volume is cut away, creating passages between the office and residential building volumes, the conceptually exposed sectional surfaces are given a coloured treatment.

Egmont media house.

The first project to be completed is media conglomerate Egmont’s Oslo HQ. It is located to the south of the development at the entrance to Nydalen giving Egmont maximum exposure and visibility. The building has a Z-formed floor plan, encompassing an entrance plaza towards the street and a garden towards the park.

Façade

The façade is composed of a repeated geometric module. By staggering the placement of the modules on each floor, larger forms coagulate to give an effect that is both repetitive and seemingly random or free. A degree of relief is included in the facades. This stands in opposition to the two-dimensionality that is often encountered in office facades. This relief also increases the articulation of the geometric compositions by creating a separation between the outer layer of light coloured, matt natural anodised aluminium forms and the inner layer of glass and dark, glossy metal.

The sense of identity that the façade affords is not only an exterior effect. As a result of the diagonal lines and varying sizes of the modules, there are four different window forms. These give a playful feel to the large open office landscapes inside as well as providing a varying factor for smaller rooms along the façade.

Heart

Communication is central to Egmont’s activities. To encourage informal communication and chance meetings, all the social and common areas – coffee bars, meeting rooms, showroom – are located around a core, Egmont’s Heart. Here, an atrium opens through the building. From a sculptural and colourful amphitheatre on the ground floor the main stairs criss-crosses the atrium at a different position on each level. This maximises the lines of sight for people taking the stairs and encourages spontaneous communication. To reinforce the building’s identity, the modules present on the façade are repeated around the atrium, this time in frosted glass.

Office space

Due to the sloping roof, interesting spaces arise on the top floors of the building, including double height spaces and mezzanines. Raw, natural materials were preferred and technical installations are exposed where practicable. The architects sought to hide as little as possible from the occupants of the building. For example, the underside of the sloping roof is clad in corrugated, galvanised steel with the ventilation channels exposed. The concrete surface is exposed around the secondary stairs and lifts.

Other space

The building also includes photo-studios, Norway’s largest test cinema and two roof terraces with views over Oslo.

Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter © Jiri Havran
Spikerverket / MAD arkitekter Model
Spikerverket / MAD arkitekter Diagrams
Spikerverket / MAD arkitekter Diagram

Spikerverket / MAD arkitekter originally appeared on ArchDaily, the most visited architecture website on 04 Apr 2013.

send to Twitter | Share on Facebook | What do you think about this?