The Debate Over Making It Right in the Lower Ninth Ward

Ever since the New Republic published Lydia DePillis’s piece entitled “If you Rebuild it, They Might Not Come” - a criticism of the progress of Brad Pitt’s Make It Right Foundation – numerous blogs and journals have been in a uproar, defending Make It Right’s efforts at rebuilding the vastly devastated Lower Ninth Ward and presenting a much more forgiving perspective on the progress of the neighborhood since the engineering disaster that exacerbated the effects of Hurricane Katrina in 2005. To date, 86 LEED Platinum homes have been designed and constructed by world-renowned architects, including Frank Gehry and Morphosis, at a cost of approximately $24 million.  Make It Right has promised to build up to 150 such homes, but DePillis‘s article points out that amenities in the neighborhood are low and the number of residents returning to the neighborhood is dwindling.  Make It Right has made a commitment and the debate that ensues questions whether it is going far enough in delivering its promise to rebuilding community.

Read on for more on the Make It Right debate…

Since August 2005, New Orleans, and the Lower Ninth Ward in particular, has received a massive amount of attention, first for the devastating effects of hurricane, then for the vastly disorganized emergency services and now for its recovery efforts.  Many foundations have been established in the city to address the needs of residents who have struggled to recuperate the tragic losses after the destruction of homes, communities, and the disruption of everyday life.  Some of these programs have been government sponsored, like FEMA, while others, like Make It Right, are privately funded efforts to address specific circumstances.

The goals of Make It Right are simple, just take a look at this infographic: regenerate the neighborhood of the Lower Ninth Ward, which not only dislocated a substantial population through the loss of homes, but lost any semblance of stability and security.  The emotional trauma cannot be measured in the tangible loss of the neighborhood as a result of faulty levees and severe flooding.  Make It Right, when established in 2007, pledged to build 150 homes that former residents could return to – houses that were designed for their specific needs and that were built to sustain natural disasters.

A tour through the neighborhood today is startling when realizing that this was once a populated portion of New Orleans; if the pictures don’t tell the full story just take a look at this map produced by WhoData.net.  Vast stretches are completely vacant with a few houses scattered throughout.  Along some streets, new homes are being constructed, but for the most part what has retained since the flooding are homes with “death marks” scrawled on them by first responders indicating that they are unsuitable for use.  These have been abandoned and are gradually decaying from lack of maintenance over the course of seven years.  Those that have been destroyed or demolished, a startling number of about 4000, have left hardly a mark on the lots, which are now overgrown with weeds and brush.  In some cases, a foundation is visible, a reminder that this land was once occupied by a developed neighborhood.  The Lower Ninth is tragically under-serviced and suffice it to say – since we have all bore witness to the news coverage, photos and prolonged debate over recovery efforts – New Orleans and specifically this neighborhood, which once had the highest density of African American home-ownership and incidentally the highest poverty rate in the country, got the short end of the stick in that disaster.

In light of how vastly undeveloped this neighborhood has become, DePillis’s criticism and dismay at the slow progress of Make It Right is understandable.  The 86 homes, all of which have gained a LEED Platinum rating according to Make It Right, are grouped in a small portion of the Lower Ninth just above Claiborne Avenue along the Industrial Canal.  This development stands in large contrast to the rest of the neighborhood.  These tree-lined streets are bustling with activity of the residents.  The compactness of these new homes, though still sparse in density in relationship to other neighborhoods throughout New Orleans, has a much more exuberant community feel.  Rather than living beside an abandoned or dilapidated home, these residents have neighbors and lawns that haven’t been tackled by weeds.  They even have a solar powered playground and established community gardens with the help of Make It Right – according to Martin C Pederson of Metropolis Mag in an article entitled “In Defense of Make It RIght”.

Yet, navigating these streets also has its downside – once you leave the enclave of Make It Right, you return to a much more desolate place.  There are few amenities to speak of here.  Run a quick search in Google for grocery stores and you will only find three listed. Walmart, which is a mile and a half out of the bounds of the Lower Ninth Ward, technically outside of New Orleans, is the closest store that can provide all of the residents’ needs but is most easily accessible by car.  Otherwise there are small grocery stores and gas stations along Clairborne Ave, once a commercial corridor, but these too, are sparse.  Amenities have been slow to recuperate here, which is one of the main arguments in DePillis’s piece.  So far, while Make It Right has delivered 86 thoughtfully considered, sustainable and resilient homes, it has been unable to reach out to the elements that revitalize a neighborhood – amenities.  DePillis brings this to light and questions whether or not these high-design homes are a legitimate use of the foundation’s resources, which has raised $45 million since 2007 and has already spent $24 million according to a rebuttal by Make It Right’s Executive Director, Tom Darden.

DePillis poses legitimate questions that address the management of such a vast problem as the redevelopment of a neighborhood struggling with its own high rate of crime and poverty before Hurricane Katrina.  But Pederson makes a poignant response to DePillis’s critical analysis of the foundation: “Make It Right was aspirational from the start. It was never about building the most houses, the most expediently; never about rebuilding an entire neighborhood. FEMA and the Road Home were supposed to handle that. It was about building for returning residents 150 affordable LEED Platinum houses by some of the world’s best architects. It was also about creating a model for sustainable development.”

Pederson makes a fair point that Make It Right is looking to set an example for redevelopment – aiming for high quality in an addition to already established recovery efforts.  The census indicates that the population of the Lower Ninth Ward is growing and even though visually it still appears stark and desolate, people are returning in small numbers.  Other programs that DePillis mentions, such as Barnes and Noble founder Leonard Riggio’s plans to build 200 homes on a similar budget, Providence Community Housing which has built 1,800 homes and apartments and lowernine.org which has put 60 families back in their homes for a fraction of Make It Right’s budget, operate under a different set of guides for reconstruction.

There is pessimism abound about the Lower Ninth’s recovery, after all, New Orleans is always on the verge of natural disasters, battling nature’s intent, yet the city has stayed afloat all these years by its cultural resistance and tradition.  Its culture is a reminder that a place is more than its geography and New Orleans, its natives and its transplants, live by that principle.  The city is growing, not just as people are moving back, but as new people settle in, drawn by its culture.  DePillis’s article certainly hit a nerve with the staunchest defenders of New Orleans, the Lower Ninth Ward and Make It Right.  Just as she writes: when the Urban Land Institute proposed relocating people to concentrated areas of redevelopment as the population returned, residents rebelled against the plan wanting to return to their old homes and rebuild.

So far, Make It Right’s homes have proven to withstand the deadly weather of hurricane season with Hurricane Isaac’s hit last September. But as the number of residents signing up for Make It Right’s campaign is dwindling, the foundation has opened its roster to first responders and teachers.  This may prove to be the jump-start necessary for the neighborhood to introduce the proper amenities for neighborhood redevelopment.  Despite DePillis’s criticism and scrutiny, and the superseding responses to her piece, Make It Right is one program among many that are making valiant efforts to recover neighborhoods and communities after the destructive forces of Hurricane Katrina.  We are still talking about this seven years after the disaster because these efforts take time, they take money and they take commitment.  Make It Right and its many counterparts have at least shown that the Lower Ninth Ward is a neighborhood worth rebuilding, that environmental and social justice is still a priority, and that despite the struggle it is worth the effort.

The Debate Over Making It Right in the Lower Ninth Ward The Float House / Morphosis, Make It RIght © Iwan Baan
The Debate Over Making It Right in the Lower Ninth Ward Lower Ninth Ward, New Orleans © Irina Vinnitskaya
The Debate Over Making It Right in the Lower Ninth Ward Lower Ninth Ward, New Orleans © Irina Vinnitskaya
The Debate Over Making It Right in the Lower Ninth Ward Lower Ninth Ward, New Orleans © Irina Vinnitskaya
The Debate Over Making It Right in the Lower Ninth Ward Lower Ninth Ward, New Orleans © Irina Vinnitskaya
The Debate Over Making It Right in the Lower Ninth Ward Lower Ninth Ward, New Orleans © Irina Vinnitskaya
The Debate Over Making It Right in the Lower Ninth Ward Lower Ninth Ward, New Orleans © Irina Vinnitskaya
The Debate Over Making It Right in the Lower Ninth Ward Lower Ninth Ward, New Orleans © Irina Vinnitskaya
The Debate Over Making It Right in the Lower Ninth Ward Lower Ninth Ward, New Orleans © Irina Vinnitskaya
The Debate Over Making It Right in the Lower Ninth Ward Lower Ninth Ward, New Orleans © Irina Vinnitskaya
The Debate Over Making It Right in the Lower Ninth Ward Lower Ninth Ward, New Orleans © Irina Vinnitskaya
The Debate Over Making It Right in the Lower Ninth Ward Lower Ninth Ward, New Orleans © Irina Vinnitskaya
The Debate Over Making It Right in the Lower Ninth Ward Lower Ninth Ward, New Orleans © Irina Vinnitskaya
The Debate Over Making It Right in the Lower Ninth Ward Lower Ninth Ward, New Orleans © Irina Vinnitskaya
The Debate Over Making It Right in the Lower Ninth Ward © Irina Vinnitskaya

The Debate Over Making It Right in the Lower Ninth Ward originally appeared on ArchDaily, the most visited architecture website on 08 Apr 2013.

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E.J. Ourso College of Business / ikon.5 architects

Architects: ikon.5 architects
Location: Louisiana State University, New Orleans, USA
Year: 2012
Photographs: Brad Feinknopf

Following Hurricane Katrina, the E.J. Ourso College of Business at Louisiana State University re-constituted its mission as the innovative business generator for the Gulf South region of the United States. To advance its mission, the College of Business embarked on the design and construction of a new facility to advance its mission of business innovation. To embody the College’s mission, the design team envisioned the facility as a glass and steel ‘academical village’ for business education. The courtyard plan arrangement and building forms contextually recall the sloped roof pavilions and arcaded courtyards of the nearby historic landmark campus. These traditional architectural forms, however, are constructed of contemporary materials and details to illustrate a forward looking aesthetic that embodies the mission of the school to generate business innovation in the Gulf region and yet are respectful of the traditions of the campus. The pavilions are clad in ceramic coated translucent mirror glass and the transparent rotunda is clad in a bronze solar screen resulting in a composition of forms that are ephemeral apparitions of the original campus, reflecting the strong heritage of the Louisiana State University while looking to the promises of the future.

The facility houses: 24 interactive tiered classrooms, 18 collaborative team rooms, a 300 seat auditorium, a mock trading room and faculty and department offices. Teaching spaces and offices surround the courtyard which is headed by a bronze screen clad rotunda. A multi-story business commons within the rotunda is the centerpiece of the business campus. Business centers, offices and classroom surround the business commons.

The design team researched glass technologies and developed a cream colored ceramic fritted insulating glass unit with mirror glass back panel which creates a moiré pattern over the surface of the pavilions resulting in a three dimensional appearance that is similar in color and modeling to its stucco-clad neighbors, but is completely different in its tailored four sided glazed detailing. The south and west sides of the rotunda are surrounded by a custom bronze screen that utilizes an arch motif. The arch motif recalls the university’s treasured campus arcades. The screen is designed to shield the glass rotunda from harsh solar gain.

E.J. Ourso College of Business / ikon.5 architects © Brad Feinknopf
E.J. Ourso College of Business / ikon.5 architects © Brad Feinknopf
E.J. Ourso College of Business / ikon.5 architects © Brad Feinknopf
E.J. Ourso College of Business / ikon.5 architects © Brad Feinknopf
E.J. Ourso College of Business / ikon.5 architects © Brad Feinknopf
E.J. Ourso College of Business / ikon.5 architects © Brad Feinknopf
E.J. Ourso College of Business / ikon.5 architects © Brad Feinknopf
E.J. Ourso College of Business / ikon.5 architects © Brad Feinknopf
E.J. Ourso College of Business / ikon.5 architects © Brad Feinknopf
E.J. Ourso College of Business / ikon.5 architects © Brad Feinknopf
E.J. Ourso College of Business / ikon.5 architects © Brad Feinknopf
E.J. Ourso College of Business / ikon.5 architects © Brad Feinknopf
E.J. Ourso College of Business / ikon.5 architects © Brad Feinknopf
E.J. Ourso College of Business / ikon.5 architects © Brad Feinknopf
E.J. Ourso College of Business / ikon.5 architects © Brad Feinknopf
E.J. Ourso College of Business / ikon.5 architects © Brad Feinknopf
E.J. Ourso College of Business / ikon.5 architects © Brad Feinknopf
E.J. Ourso College of Business / ikon.5 architects © Brad Feinknopf
E.J. Ourso College of Business / ikon.5 architects © Brad Feinknopf
E.J. Ourso College of Business / ikon.5 architects © Brad Feinknopf
E.J. Ourso College of Business / ikon.5 architects © Brad Feinknopf
E.J. Ourso College of Business / ikon.5 architects © Brad Feinknopf
E.J. Ourso College of Business / ikon.5 architects © Brad Feinknopf
E.J. Ourso College of Business / ikon.5 architects floor plan
E.J. Ourso College of Business / ikon.5 architects section
E.J. Ourso College of Business / ikon.5 architects site plan
E.J. Ourso College of Business / ikon.5 architects sketch

E.J. Ourso College of Business / ikon.5 architects originally appeared on ArchDaily, the most visited architecture website on 16 Nov 2012.

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SEED Announces 6 Winners Of Public Interest Design Award

This week, SEED announced the winners of its 2013 Award for Excellence in Public Interest Design. The SEED Awards, organized by the Social Economic Environmental Design Network and Design Corps, recognize the collaborations needed to create truly sustainable projects and change in the world. Six projects were selected out of sixty-five submitted from 21 countries worldwide. The winners

Noah’s Architecture: The Futuristic Designs That Will Save Us From The Next Sandy

Vincent Callebaut’s Coral Reef Island, a proposal for Haiti. Photo courtesy of Vincent Callebaut

What is it about water that captures our imaginations? Yes, we certainly have been warned about rising sea levels and the 100-year flood’s awkward rechristening as the 3-to-20-year flood. But if stats really got through to us, obesity wouldn’t be a crisis and we would all have retirement savings. When it comes to visionary designs for the future of the built environment, flood scenarios dominate the design briefs–standard-issue earthquakes, tornadoes, and volcanoes just can’t catch a break.

In our collective architectural imagination, the next century looks like a fanciful sci-fi resort in which we jet from floating airports to floating Scottish villages, soak in pools that float (wink-wink) in rivers, and furnish our floating apartment complexes with flat packs we bought in floating IKEAs.

And now that Post-Tropical Cyclone Sandy has filled New York’s subway tunnels with water, it doesn’t seem so farfetched to imagine a fleet of gondolas sending commuters down a river underneath Broadway (which would certainly be an interesting entry in our Architecture + Weather category in the A+ Awards!). So, in preparation for only the most picturesque of disaster scenarios, we bring you some of our favorite futuristic designs for the all-waterfront property of tomorrow. Dive in!

W New Orleans – French Quarter / Nemaworkshop

Architects: Nemaworkshop
Location: New Orleans, Louisiana, United States
Project Year: 2012
Photographs: Michael Kleinberg

Project Area: 79,000 sq ft
Contractor: Case & Associates
Lighting: nemaworkshop

We believe that good designs come from research and exploration, it’s something that develops from within the physical and social contexts of a place. New Orleans is a city brimming with stories. It’s the birthplace of Jazz. It’s where the first cocktail was invented. It’s the stage for novels ranging from A Confederacy of Dunces to Interview with the Vampire. It’s where tarot reading and dark arts thrive. We discovered the city has these fantastic undercurrents wherein stories brew. At the W French Quarter, these mysterious undercurrents which create the social fabric of the city itself are the very basis of our design.

The concept for the W French Quarter has two key tenets which actually share more attributes than one would initially think. Firstly we focused on Jazz – Louis Armstrong, the trumpet, the brass, the mixture of European, African and Caribbean sounds. Secondly are the dark arts – tarot cards, gris-gris, amulets. What binds these is that they are both unscripted and emerge from a mysterious underground. Like the city of New Orleans itself, they have their own internal logic which is intuitive, impulsive and spontaneous.

The floors of the hotel are split into two different types: Jazz or Tarot. In the guestroom there is an image which goes floor-to-ceiling and partially across the ceiling, essentially wrapping the corner of the room. In the tarot rooms the image is of the queen of pentacles and in the jazz it’s a close up of the trumpet. The minibar is a faceted metal object with an illuminated top, a modern take on the idea of a candle-lit alter. Covering the TV is a convex mirror which gives this awesome warped perspective of the room, like you’re looking in to a crystal ball . The full height shutters are a direct reference to the architectural history of New Orleans and offset the clean modern lines of the furniture.

That New Orleans is the birthplace of both the cocktail and Jazz is not surprising as it is a city with diverse cultural currents that mingle and re-inform each other. Sobou captures the idea of mixology as it relates to not only cocktails but also Jazz and the dark arts. Each of the spaces in the restaurant has a distinctive interpretation of the concept of mixology. The entry and front dining space recalls an apothecary which speaks to the origins of the cocktail. From floor-to-ceiling the walls are clad in bottles and the space is divided by apothecary cases and illuminated display cases house a collection of vintage tools, shakers and glasses from the Museum of the American Cocktail.

The main dining space has one way glass installation where glowing bottles multiply into infinity and a pair of large brass light fixtures recalling the end of a brass horn illuminate the space. Visible from all dining spaces is a gently curving brass bar. The honey granite bar top is interrupted at the chef’s table where it becomes an elliptical glowing surface of light. Adjacent the bar is a modern beer garden where in there are self-service enomatic wine machines and beer taps built directly into the tables. Above each table hangs a rectangular brass light fixture inside of which are portraits of women’s eyes. Thus while the exterior of the shades are a direct reference to brass and its role in Jazz, the interior of these pendants suggest a concurrent yet alternative underground movement in the city of New Orleans.

W New Orleans – French Quarter / Nemaworkshop © Michael Kleinberg
W New Orleans – French Quarter / Nemaworkshop © Michael Kleinberg
W New Orleans – French Quarter / Nemaworkshop © Michael Kleinberg
W New Orleans – French Quarter / Nemaworkshop © Michael Kleinberg
W New Orleans – French Quarter / Nemaworkshop © Michael Kleinberg
W New Orleans – French Quarter / Nemaworkshop © Michael Kleinberg
W New Orleans – French Quarter / Nemaworkshop © Michael Kleinberg

W New Orleans – French Quarter / Nemaworkshop originally appeared on ArchDaily, the most visited architecture website on 29 Sep 2012.

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The FLOAT House – Make it Right / Morphosis Architects

© Iwan Baan

Architects: Morphosis Architects
Location: 1638 Tennessee St, New Orleans, LA 70117, USA
Project Year: 2009
Project Area: 88.0 sqm
Photographs: Iwan Baan

The FLOAT House is a new kind of house: a house that can sustain its own water and power needs; a house that can survive the floodwaters generated by a storm the size of Hurricane Katrina; and perhaps most importantly, a house that can be manufactured cheaply enough to function as low-income housing.

Diagrams

Make It: Affordable

A new approach to mass-producing low-cost homes that respond to local culture and climate

© Iwan Baan

The FLOAT House optimizes the efficiency of mass-production, while respecting New Orleans’s unique culture and context. The Ninth Ward’s colorful vernacular houses, which local residents have traditionally modified and personalized over time, reflect the community’s vibrant culture. The FLOAT House grows out of the indigenous typology of the shotgun house, predominant throughout New Orleans and the Lower Ninth Ward. Like a typical shotgun house, the FLOAT House sits atop a raised base. This innovative base, or “chassis,” integrates all mechanical, electrical, plumbing and sustainable systems, and securely floats in case of flooding. Inspired by GM’s skateboard chassis, which is engineered to support several car body types, the FLOAT House’s chassis is designed to support a variety of customizable house configurations.

© Iwan Baan

Developed to meet the needs of families in New Orleans’s Lower Ninth Ward, the FLOAT House is a prototype for prefabricated, affordable housing that can be adapted to the needs of flood zones worldwide. The FLOAT House is assembled on-site from pre-fabricated components:

Diagrams

The modular chassis is pre-fabricated as a single unit of expanded polystyrene foam coated in glass fiber reinforced concrete, with all required wall anchors, electrical, mechanical and plumbing systems pre-installed. The chassis module is shipped whole from factory to site, via standard flat bed trailer.
The piers that anchor the house to the ground and the concrete pads on which the chassis sits are constructed on-site, using local labor and conventional construction techniques.
The panelized walls, windows, interior finishes and kit-of parts roof are prefabricated, to be assembled on-site along with the installation of fixtures and appliances. This efficient approach integrates modern mass-production with traditional site construction to lower costs, guarantee quality, and reduce waste.

Make It: Float

A flood-safe house that securely floats with rising water levels

© Iwan Baan

Global climate change is triggering ever-harsher floods and natural disasters. Nearly 200 million people worldwide live in high risk coastal flooding zones , and in the US alone, over 36 million people currently face the threat of flooding. The FLOAT House prototype proposes a sustainable way of living that adapts to this uncertain reality.

Diagrams

To protect from flooding, the FLOAT House can rise vertically on guide posts, securely floating up to twelve feet as water levels rise. In the event of a flood, the house’s chassis acts as a raft, guided by steel masts, which are anchored to the ground by two concrete pile caps each with six 45-foot deep piles.

Like the vernacular New Orleans shotgun house, the FLOAT House sits on a 4-foot base; rather than permanently raising the house on ten foot or higher stilts, the house only rises in case of severe flooding. This configuration accommodates a traditional front porch, preserving of the community’s vital porch culture and facilitating accessibility for elderly and disabled residents.

© Iwan Baan

While not designed for occupants to remain in the home during a hurricane, the FLOAT House aims to minimize catastrophic damage and preserve the homeowner’s investment in their property. This approach also allows for the early return of occupants in the aftermath of a hurricane or flood.

Make It: Green

A high-performance house that generates and sustains its own water and power needs

On track for a LEED Platinum Rating, the FLOAT House is an innovative model for affordable, net-zero annual energy consumption housing. High-performance systems sustain the home’s power, air, and water needs, and minimize resource consumption:

© Iwan Baan

Solar Power Generation: The roof supports solar panels that generate all of the house’s power, resulting in net-zero annual energy consumption. The chassis incorporates electrical systems to store and convert solar power for daily use, and to give back to the electrical grid during the temperate fall and spring months.
Rainwater Collection: The sloped concave roof collects rainwater, and funnels it to cisterns housed in the chassis, where it is filtered and stored for daily use.
Efficient Systems—including low-flow plumbing fixtures, low-energy appliances, high performance windows, and highly insulated SIPs (Structural Insulated Panel) walls and roof—minimize water and power consumption, and lower the lifecycle cost for the home owner.
High-grade energy efficient kitchen, appliances and fixtures maximize durability and reduce the need for replacement.
Geothermal Heating and Cooling: A geothermal mechanical system heats and cools the air via a ground source heat pump, which naturally conditions the air, minimizing the energy required to cool the house in the harsh summer months and heat it in winter.  

The FLOAT House - Make it Right / Morphosis Architects © Iwan Baan
The FLOAT House - Make it Right / Morphosis Architects © Iwan Baan
The FLOAT House - Make it Right / Morphosis Architects © Iwan Baan
The FLOAT House - Make it Right / Morphosis Architects © Iwan Baan
The FLOAT House - Make it Right / Morphosis Architects © Iwan Baan
The FLOAT House - Make it Right / Morphosis Architects © Iwan Baan
The FLOAT House - Make it Right / Morphosis Architects Diagrams 01
The FLOAT House - Make it Right / Morphosis Architects Diagrams 02
Make it Right House / Morphosis Architects Diagrams 03
The FLOAT House - Make it Right / Morphosis Architects Diagrams 03
The FLOAT House - Make it Right / Morphosis Architects Diagrams 04

The FLOAT House – Make it Right / Morphosis Architects originally appeared on ArchDaily, the most visited architecture website on 02 Aug 2012.

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Gehry Goes Vernacular For Make It Right Foundation

Frank Gehry’s first home for Brad Pitt’s Make It Right Foundation is now complete. The two-family home is located in New Orleans’s Lower Ninth Ward, the neighborhood that sustained some of the worst damage in Hurricane Katrina, and conforms to LEED Platinum Standards–achieved by including a large array of solar panels on the roof, using weathering-resistant materials for the siding, and high-efficiency roofing, among many other eco-products. Continue.

The design of the house, though, does not scream ‘Gehry,’ which is probably fortunate for the future homeowners. It seems that the starchitect magnanimously held himself back: “I wanted to make a house that I would like to live in and one that responded to the history, vernacular and climate of New Orleans. I love the colors that the homeowner chose. I could not have done it better.” While some might call the house ‘normative,’ or even ‘hum-drum,’ it does include some spectacular spaces, and an especially generous consideration of the outdoor ones. Each of the units contains a 500+ square foot covered roof terrace and several other terrace and porch spaces besides. In their project statement, Gehry Partners wrote, “Of the components of local vernacular, the majority of the community expressed a desire for quality outdoor space, especially the garden.” And it certainly seems they accommodated this desire.

The Make It Right Foundation has tapped twenty-one architects to design affordable and sustainable housing for New Orleans, including names such as Shigeru Ban, David Adjaye, Hitoshi Abe, MVRDV, and Morphosis, so there’s much more exciting architecture sure to come.

All Photos: Chad Chenier Photography / Make It Right via Archinect

The Make It Right Foundation has tapped twenty-one architects to design affordable and sustainable housing for New Orleans, including names such as Shigeru Ban, David Adjaye, Hitoshi Abe, MVRDV, and Morphosis, so there’s much more exciting architecture sure to come.

Model images: Gehry Partners via Make It Right Foundation

[via Archinect]

Keller Library / Eskew+Dumez+Ripple

Architect: Eskew+Dumez+Ripple
Location: , Luisiana, USA
Project Year: 2012
Project Area: 10,000 sqf
Photographs: Timothy Hursley

 

© Timothy Hursley

This New Orleans neighborhood library is comprised of two buildings joined together with the intention that they function as a whole. One building is a historically significant bungalow built as a residence in 1917, sited prominently on the corner of South Broad Street and Napoleon Avenue. The other building, built in 1993 specifically to function as a library, was home to the main reading room and stock areas. Both buildings were severely flooded by levee breaks attributed to Hurricane Katrina. The bungalow was salvaged and raised for future flood prevention, but the modern addition was deemed necessary for replacement by the Federal Emergency Management Administration (FEMA).

© Timothy Hursley

The new 10,000 square foot combined library and community center serves the Broadmoor community by providing residents with an innovative 21st century library, community center, gathering space, and valuable educational resource. A visually open connection is maintained between the Historic House and Library Addition in order to create spatial relief as the two buildings touch. This “spine” allows for a clear line of sight to the playground across Broad Street and provides a clear entry sequence into the library. The new addition primarily houses book shelving, computer stations, and other core elements of the library function, while the historic house operates primarily as the community meeting center and home to a small café.

plan

KELLER LIBRARY / Eskew+Dumez+Ripple (7) © Timothy Hursley
KELLER LIBRARY / Eskew+Dumez+Ripple (8) © Timothy Hursley
KELLER LIBRARY / Eskew+Dumez+Ripple (1) © Timothy Hursley
KELLER LIBRARY / Eskew+Dumez+Ripple (2) © Timothy Hursley
KELLER LIBRARY / Eskew+Dumez+Ripple (3) © Timothy Hursley
KELLER LIBRARY / Eskew+Dumez+Ripple (4) © Timothy Hursley
KELLER LIBRARY / Eskew+Dumez+Ripple (5) © Timothy Hursley
KELLER LIBRARY / Eskew+Dumez+Ripple (6) © Timothy Hursley
Plan plan
Diagram diagram
Elevation elevation
Section section