Visually Challenging No Matter What The Standpoint: ITA House, Mexico

architecture House ITA Visually Challenging No Matter What The Standpoint: ITA House, Mexico
Taller5 Arquitectos completed the design and development for ITA House, a modern residential project located in La Piedad, Michoacan, Mexico. Visually challenging no matter what the standpoint, the project was imagined as a junction of volumes, closed on one side and “unlocked” on the other. Centered around a modernly-landscaped garden, the residence provides a large degree of openness from every room.

design House ITA Visually Challenging No Matter What The Standpoint: ITA House, Mexico

A special design element stands out: “From the point of access to the house, we see a great character linker element: a lattice steel designed based on a line that evokes endless branches naturally suspended. Raised on this concrete and steel lobby, is the main volume of red marble coated creating the perfect contrast between warm and cold formula repeated in the rest of the finishes chosen.” The interior design is minimalist, with wood and glass playing a major role in the composition.
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Cultural Center in Guadalajara Competition Entry / Adrian Yau, FrislyColopMorales, Jason Easter, Lukasz Wawrzenczyk

Designed by architects Adrian Yau, FrislyColopMorales, Jason Easter, and Lukasz Wawrzenczyk, their proposal for the Cultural Center of Chapultepec aims to merge the concepts of aesthetics and functionality. Ultimately, their concept intends to become the icon of the city through its subtle yet dynamic form and overall composition.  More images and architects’ description after the break.

The building is thoughtfully designed as a singular form with material simplicity. It seeks to create a city focal point that adapts to its surrounding context, and establishes itself as the heart of the local community. Though designed as a singular volume, the building changes in dynamics when viewed at different location. It gives the public glimpses of the activities within the center. 

The northern façade, clad with molten cast glass, allows the public to be visually connected to the slow and calm movement of users through the exhibition halls. The translucent characteristic of the material enhances the ambient qualities of the interior. The dynamic southern façade, along with thoughtfully designed parametric openings, corresponds to the 3 dimensional flow of users connected between each level via the circular staircase. 

The volume is lowered and recessed on the southern end, and as a result opens up the classrooms to the view of the public. The rooftop above the southern lower block is a garden terrace designed to be used as a pre-function space for the auditorium. The south facing terrace allow users to enjoy views onto the city above surrounding roof and tree tops. The carved out volumes of the concrete block at ground level forms 2 dynamic gateways into the building.

The fluidity of the cast concrete surfaces draws the dynamic from the pedestrian walkway into the center. The building sets back at the street corner and creates a covered area for public interaction in front of the buildings’ main entrance. The spatial arrangements inside the building encourage users to explore and experience the diversified activities within the cultural center.

The Cultural Center of Chapultepec is to become a center of poly-functional learning as well as a space where art and culture predominantly co-exist. The ultimate goal of the proposal seeks to provide and educational experience with a cultural twist, nurturing a center for the appreciation and academic  enrichment of culture, design, art and architecture.

Architects: Adrian Yau, FrislyColopMorales, Jason Easter, Lukasz Wawrzenczyk
Location: Chapultepec, Mexico
Client: CoARQ
Area: 3000 sqm
Year: 2013

Cultural Center in Guadalajara Competition Entry / Adrian Yau, FrislyColopMorales, Jason Easter, Lukasz Wawrzenczyk Courtesy of Adrian Yau, FrislyColopMorales, Jason Easter, Lukasz Wawrzenczyk
Cultural Center in Guadalajara Competition Entry / Adrian Yau, FrislyColopMorales, Jason Easter, Lukasz Wawrzenczyk Courtesy of Adrian Yau, FrislyColopMorales, Jason Easter, Lukasz Wawrzenczyk
Cultural Center in Guadalajara Competition Entry / Adrian Yau, FrislyColopMorales, Jason Easter, Lukasz Wawrzenczyk Courtesy of Adrian Yau, FrislyColopMorales, Jason Easter, Lukasz Wawrzenczyk
Cultural Center in Guadalajara Competition Entry / Adrian Yau, FrislyColopMorales, Jason Easter, Lukasz Wawrzenczyk Courtesy of Adrian Yau, FrislyColopMorales, Jason Easter, Lukasz Wawrzenczyk
Cultural Center in Guadalajara Competition Entry / Adrian Yau, FrislyColopMorales, Jason Easter, Lukasz Wawrzenczyk floor plans
Cultural Center in Guadalajara Competition Entry / Adrian Yau, FrislyColopMorales, Jason Easter, Lukasz Wawrzenczyk elevation 01
Cultural Center in Guadalajara Competition Entry / Adrian Yau, FrislyColopMorales, Jason Easter, Lukasz Wawrzenczyk elevation 02
Cultural Center in Guadalajara Competition Entry / Adrian Yau, FrislyColopMorales, Jason Easter, Lukasz Wawrzenczyk elevation 03
Cultural Center in Guadalajara Competition Entry / Adrian Yau, FrislyColopMorales, Jason Easter, Lukasz Wawrzenczyk section diagram
Cultural Center in Guadalajara Competition Entry / Adrian Yau, FrislyColopMorales, Jason Easter, Lukasz Wawrzenczyk program diagram
Cultural Center in Guadalajara Competition Entry / Adrian Yau, FrislyColopMorales, Jason Easter, Lukasz Wawrzenczyk circulation diagram
Cultural Center in Guadalajara Competition Entry / Adrian Yau, FrislyColopMorales, Jason Easter, Lukasz Wawrzenczyk diagrams

Cultural Center in Guadalajara Competition Entry / Adrian Yau, FrislyColopMorales, Jason Easter, Lukasz Wawrzenczyk originally appeared on ArchDaily, the most visited architecture website on 24 May 2013.

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Casa CorMAnca / PAUL CREMOUX studio

Architects: PAUL CREMOUX studio
Location: Ciudad de México, DF, México
Architect In Charge: Paul Cremoux W.
Project Team: Anna Giribets Martin
Proyect Year: 2013
Photographs: Héctor Armando Herrera

Structure: Arq. Ricardo Camacho
Engeneering: Ing. José Antonio Lino Mina, DIA.
Construction: Fermín Espinosa, Alfredo Galván, Factor Eficiencia
Supervision: PAUL CREMOUX studio

2012-2013. On a 12 meters by 13 meters (39ft by 42ft) plot of land, a monolithic volume is transformed in order to attain luminous indoor spaces. Slade stone at the exterior facades is contrasted with the soft beech wood finish, achieving great definition and special discovery.

Built in a small plot of land 176 m2, (1894 SqFt), the construction rises looking south to the vertical vegetation garden wall. It is a 3 stories high assembly where the main terrace is to be found at the second level, follow by a small lecture studio.

This area is intent to transform radically the notion of “open patio garden” since there is not really space to ensure a ground courtyard, the main terrace plays a social definitive roll.

Recyclable content is highly used in all material and passive energy-temperature control strategies are bound into the core design. Three heat exhaustion chimney work as main devices to control hot temperature at bedrooms areas.

Casa CorMAnca / PAUL CREMOUX studio © Héctor Armando Herrera
Casa CorMAnca / PAUL CREMOUX studio © Héctor Armando Herrera
Casa CorMAnca / PAUL CREMOUX studio © Héctor Armando Herrera
Casa CorMAnca / PAUL CREMOUX studio © Héctor Armando Herrera
Casa CorMAnca / PAUL CREMOUX studio © Héctor Armando Herrera
Casa CorMAnca / PAUL CREMOUX studio © Héctor Armando Herrera
Casa CorMAnca / PAUL CREMOUX studio © Héctor Armando Herrera
Casa CorMAnca / PAUL CREMOUX studio © Héctor Armando Herrera
Casa CorMAnca / PAUL CREMOUX studio © Héctor Armando Herrera
Casa CorMAnca / PAUL CREMOUX studio © Héctor Armando Herrera
Casa CorMAnca / PAUL CREMOUX studio © Héctor Armando Herrera
Casa CorMAnca / PAUL CREMOUX studio © Héctor Armando Herrera
Casa CorMAnca / PAUL CREMOUX studio © Héctor Armando Herrera
Casa CorMAnca / PAUL CREMOUX studio Scheme
Casa CorMAnca / PAUL CREMOUX studio Scheme
Casa CorMAnca / PAUL CREMOUX studio Ground Floor
Casa CorMAnca / PAUL CREMOUX studio Second Floor
Casa CorMAnca / PAUL CREMOUX studio Terrace Plan
Casa CorMAnca / PAUL CREMOUX studio Section 1
Casa CorMAnca / PAUL CREMOUX studio Section 2
Casa CorMAnca / PAUL CREMOUX studio Section 3
Casa CorMAnca / PAUL CREMOUX studio Section 4
Casa CorMAnca / PAUL CREMOUX studio Section 5
Casa CorMAnca / PAUL CREMOUX studio Section 6
Casa CorMAnca / PAUL CREMOUX studio Section 7
Casa CorMAnca / PAUL CREMOUX studio View
Casa CorMAnca / PAUL CREMOUX studio View
Casa CorMAnca / PAUL CREMOUX studio View
Casa CorMAnca / PAUL CREMOUX studio View

Casa CorMAnca / PAUL CREMOUX studio originally appeared on ArchDaily, the most visited architecture website on 23 May 2013.

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School for El Coporito / Antonio Peña + Juan Garay + Alexis Ávila

Architects: Antonio Peña, Juan Garay, Alexis Ávila
Location: Estado de México, México
Architect In Charge: Antonio Peña, Juan Garay, Alexis Ávila
Design Team: Javier Haghenbeck, Lucía Alonso, Reneé Gutierrez, Cristina Alessi, Gerardo Guzmán, Antonio Peña, Juan Garay, Alexis Ávila
Area: 360.0 sqm
Year: 2007
Photographs: Rafael Gamo, Zaruhy Sangochian, Courtesy of Antonio Peña

This project came from a governmental program in which some Mexican architecture schools participated. The idea is to bring functional and well planned schools to Mexico’s poorest regions, in this case a community named “El Coporito”. The school, which was completely designed by students with the supervision of architects Fermín Andrade and Juan Carlos Cano, was chosen as the best option in a competition planned by the institution in charge of delivering education.

Upon being chosen, a group of 8 students moved to the community for 2 months to participate in construction.

The idea of this school was to have multipurpose buildings that would allow the whole community to use it in several other ways, rather than just a school. Every material used in construction came from site, such as the stabilized dirt bricks (dirt+concrete).

School for El Coporito / Antonio Peña + Juan Garay + Alexis Ávila © Rafael Gamo
School for El Coporito / Antonio Peña + Juan Garay + Alexis Ávila © Rafael Gamo
School for El Coporito / Antonio Peña + Juan Garay + Alexis Ávila © Zaruhy Sangochian
School for El Coporito / Antonio Peña + Juan Garay + Alexis Ávila © Rafael Gamo
School for El Coporito / Antonio Peña + Juan Garay + Alexis Ávila © Rafael Gamo
School for El Coporito / Antonio Peña + Juan Garay + Alexis Ávila © Rafael Gamo
School for El Coporito / Antonio Peña + Juan Garay + Alexis Ávila © Zaruhy Sangochian
School for El Coporito / Antonio Peña + Juan Garay + Alexis Ávila © Rafael Gamo
School for El Coporito / Antonio Peña + Juan Garay + Alexis Ávila Courtesy of Antonio Peña
School for El Coporito / Antonio Peña + Juan Garay + Alexis Ávila Courtesy of Antonio Peña
School for El Coporito / Antonio Peña + Juan Garay + Alexis Ávila © Rafael Gamo
School for El Coporito / Antonio Peña + Juan Garay + Alexis Ávila © Rafael Gamo
School for El Coporito / Antonio Peña + Juan Garay + Alexis Ávila © Zaruhy Sangochian
School for El Coporito / Antonio Peña + Juan Garay + Alexis Ávila © Zaruhy Sangochian
School for El Coporito / Antonio Peña + Juan Garay + Alexis Ávila © Zaruhy Sangochian
School for El Coporito / Antonio Peña + Juan Garay + Alexis Ávila © Rafael Gamo
School for El Coporito / Antonio Peña + Juan Garay + Alexis Ávila © Rafael Gamo
School for El Coporito / Antonio Peña + Juan Garay + Alexis Ávila © Rafael Gamo
School for El Coporito / Antonio Peña + Juan Garay + Alexis Ávila © Rafael Gamo
School for El Coporito / Antonio Peña + Juan Garay + Alexis Ávila Floor Plan
School for El Coporito / Antonio Peña + Juan Garay + Alexis Ávila Sections
School for El Coporito / Antonio Peña + Juan Garay + Alexis Ávila Sections
School for El Coporito / Antonio Peña + Juan Garay + Alexis Ávila Axon

School for El Coporito / Antonio Peña + Juan Garay + Alexis Ávila originally appeared on ArchDaily, the most visited architecture website on 23 May 2013.

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Cultural Center in Guadalajara Competition Entry / PM²G Architects

Designed by PM²G Architects, in collaboration with Satellite Architectes & Menu Design, their iconic proposal project for a new cultural center in Guadalajara embodies and catalyzes the cultural scene over the Chapultepec Avenue besides forming a new attraction for the city. Their design, which was awarded an honorable mention, includes a series of three alternate solids that are combined with transparent and concave spaces. The rotation of the volumes towards the sky gives the building its dynamic and spectacular force. More images and architects’ description after the break.

Guadalajara is known as the 2nd most populous municipality in Mexico and the well-known vertical architectural route of the Guggenheim Museum in New York is reinterpreted here in the new Chapultepec Cultural Center project. In this case, however, unlike the Frank Lloyd Wright scheme, the route turns to the city and thus provides visitors a 360° view of the city of Guadalajara.

A monumental staircase, “part of the tradition of Mexican pre-Hispanic architecture” evokes the ascension into heaven, allowing to wander the building and at the same time serving as a podium and terrace to display certain works of art; this possibility extends from the inside out, becoming an external tour and concluding with a panoramic terrace, the stair as a magical space to exhibit, contemplate and communicate, a walk in the pleasant climate of Guadalajara.

The exhibition halls, including 300 and 500 m² spaces, are composed by generous spaces with great heights designed to accommodate different types of art. Going from the White Cube hosting classical painting and photography exhibitions where lighting is indirect and natural. Moreover, the Black Box designed as a space for video projection and installations.

The auditorium space has been designed to offer great flexibility to adapt to all kinds of shows, dance and theater as well as conferences, workshops and projections. The retractable seating once extended offers optimum visibility for each of the 200 spectators, and releases the space when retracting (disappear) in the back of the room, thus becoming an ideal place for concerts, and more. The stage is slightly elevated, the backstage space has comfortable dimensions and can be opened to the auditorium in the case of major events that require it; addition to this, a small room to be used by the entire production team completes the device.

The white concrete poetic facade is composed by a series of ruled surfaces perforated in a dotted evolutionary pattern, in some cases, the perforations as windows, others as mirrors and some cases as luminous LED spots. Thus, the facade is crafted to reflect the sky with a gradient from top to bottom, revealing an evolutionary play of light throughout the day. Beyond the monumental staircase, visitors have easy access to each level through a vertical circulation core. The compact core is the backbone of the building and serves to effectively distribute the flow of people and cargo transportation.

The ground floor opens onto the city calling and inviting people to come to the inside; an entrance hall containing a ticket office, cloakroom and control, as well as a library and a small cafe are responsible for receiving public warmly. The access to the underground parking and the loading bay area are located on the minor street that faces the terrain, the last being directly connected to the freight elevator and warehouses for supply purposes.

The structural system of the building is composed of a concrete central core and a network of columns located with and offset of 6mts from the façade and intertwined by a series of cantilever metal beams of varying dimensions according to seismic requirements.

At last, on the top floor the architectural route culminates in a restaurant-terrace space, offering a unique view over the skyline of Guadalajara.

Architects: PM²G Architects
Location: Guadalajara, Mexico
Collaborators: Satellite Architectes & Menu Design
Project Team: Guillermo Lumbreras, Morgane Cauchy, Monique Bastos Nunes Herve, Sebastien Menu, Burkhardt Schiller, and Constantin Döhler
CG Artist: 3D Veron
Program Area: 5,000 sqm
Competition Status: Honorable Mention
Year: 2013

Cultural Center in Guadalajara Competition Entry / PM²G Architects Courtesy of PM²G Architects
Cultural Center in Guadalajara Competition Entry / PM²G Architects Courtesy of PM²G Architects
Cultural Center in Guadalajara Competition Entry / PM²G Architects Courtesy of PM²G Architects
Cultural Center in Guadalajara Competition Entry / PM²G Architects Courtesy of PM²G Architects
Cultural Center in Guadalajara Competition Entry / PM²G Architects site
Cultural Center in Guadalajara Competition Entry / PM²G Architects ground floor plan
Cultural Center in Guadalajara Competition Entry / PM²G Architects auditorium plan
Cultural Center in Guadalajara Competition Entry / PM²G Architects exposition plan
Cultural Center in Guadalajara Competition Entry / PM²G Architects restaurant and terrace plan
Cultural Center in Guadalajara Competition Entry / PM²G Architects section
Cultural Center in Guadalajara Competition Entry / PM²G Architects detailed section
Cultural Center in Guadalajara Competition Entry / PM²G Architects program diagram
Cultural Center in Guadalajara Competition Entry / PM²G Architects site diagram
Cultural Center in Guadalajara Competition Entry / PM²G Architects extrusion of the site volume diagram
Cultural Center in Guadalajara Competition Entry / PM²G Architects creation of public open space diagram
Cultural Center in Guadalajara Competition Entry / PM²G Architects circulation in the monumental staircase diagram
Cultural Center in Guadalajara Competition Entry / PM²G Architects structural principle diagram
Cultural Center in Guadalajara Competition Entry / PM²G Architects continuation of public open space (terraces) diagram
Cultural Center in Guadalajara Competition Entry / PM²G Architects panoramic view diagram
Cultural Center in Guadalajara Competition Entry / PM²G Architects competition panel

Cultural Center in Guadalajara Competition Entry / PM²G Architects originally appeared on ArchDaily, the most visited architecture website on 22 May 2013.

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Aria / T38 studio

Architects: T38 studio
Location: Tijuana, Baja California, México
Project Team: Alfonso Medina, Mauricio Kuri, Oscar González, Pablo Casals-Aguirre, Sara Díaz, Joseph Ruíz Tapia, Alejandro Bustos, Lucía Arroyo, Alina Castañeda, Ana Darice Payan
Area: 700 sqm
Proyect Year: 2011
Photographs: Pablo Casals-Aguirre

Construction: Taller38
Structural Project: Ing. Pedro Fernández
Instalations: Alvaro García

Located in a residential neighborhood composed by large single family houses in the city of Tijuana, we did an exercise of densification. Inserting a multifamily project that contains four units on a site intended for one single family home. The challenge was how to achieve this, without breaking the scale of the context, something that would blend in based on size, but break with the existing typologies of the surrounding sites.

El predio, de forma rectangular con un frente angosto y de mucha profundidad, distribuye 4 unidades de manera lineal, sobre dos estructuras reticulares. El primer nivel, en el cual se encuentra el acceso peatonal y vehicular, necesitaba ser lo mas libre posible por la circulación de los automóviles, por lo cual diseñamos los núcleos de circulación vertical como dos grandes elementos estructurales, a los cuales llegan las vigas de concreto que reciben el peso de todo el edificio.

El primer nivel de cada unidad, la parte pública del programa, una planta libre que contiene sala, comedor y recámara remata en una terraza que vuela sobre el estacionamiento; el segundo nivel, la parte privada del programa, cuenta con la posibilidad de dos o tres habitaciones. El tercer nivel contiene un pequeño cuarto multiusos, con el resto de la quinta fachada quedando libre para una terraza con vista panorámica la ciudad.

Aria / T38 studio © Pablo Casals-Aguirre
Aria / T38 studio © Pablo Casals-Aguirre
Aria / T38 studio © Pablo Casals-Aguirre
Aria / T38 studio © Pablo Casals-Aguirre
Aria / T38 studio © Pablo Casals-Aguirre
Aria / T38 studio © Pablo Casals-Aguirre
Aria / T38 studio © Pablo Casals-Aguirre
Aria / T38 studio © Pablo Casals-Aguirre
Aria / T38 studio © Pablo Casals-Aguirre
Aria / T38 studio © Pablo Casals-Aguirre
Aria / T38 studio © Pablo Casals-Aguirre
Aria / T38 studio © Pablo Casals-Aguirre
Aria / T38 studio © Pablo Casals-Aguirre
Aria / T38 studio © Pablo Casals-Aguirre
Aria / T38 studio Plan 1
Aria / T38 studio Plan 2
Aria / T38 studio Plan 3
Aria / T38 studio Plan 4
Aria / T38 studio Elevation
Aria / T38 studio Section 1
Aria / T38 studio Section 2

Aria / T38 studio originally appeared on ArchDaily, the most visited architecture website on 22 May 2013.

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2013 MAPEO Workshop Hopes to Explore Experimental Mapping Techniques

A new Kickstarter campaign is hoping to raise a goal of $3,500 to fund the second annual MAPEO Borderless Workshop – a workshop that focuses on community mapping and brings diverse people and minds together to think about cities within the US-Mexican border region. By rallying individuals from different disciplines with different backgrounds, MAPEO aims to “learn more about our own cities, evaluate urban challenges and come up with ideas on how to improve our life in cities in a very quick and meaningful exercise.”

The MAPEO Workshop examines the urban conditions and challenges facing Northern Mexican cities of the Chihuahua region during an intense four day period of work that brings together 12 students from different universities as well as professionals and experts in architecture, regional planning and anthropology. The process is characterized by research, conversations with guest experts and the exchange of information and ideas about local water resources and systems, manufacturing industry and economy, mobility and ecology and other topics.

The funds raised by the Kickstarter campaign will help to support the workshop itself, as well as the production of a video to show the world its processes and findings. Last year’s video gives a glimpse into the landscape and lifestyle of the Chihuahua region and highlights the collaboration necessary to understand and confront this area’s complicated and interconnected circumstances.

Click here to view the embedded video.

For more information on the MAPEO Borderless Workshop, visit their site here; to donate to the program, click here.

Reference: Kickstarter, The Borderless Workshop Tumblr

2013 MAPEO Workshop Hopes to Explore Experimental Mapping Techniques originally appeared on ArchDaily, the most visited architecture website on 19 May 2013.

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HDJ58 House / T38 studio + Pablo Casals-Aguirre

Architects: T38 studio + Pablo Casals-Aguirre
Location: Tijuana, Baja California, Mexico
Project Team: Alfonso Medina, Pablo Casals-Aguirre, Lucía Arroyo
Collaborators: Oscar González, Sara Díaz, Ana Darice Payan
Construction: Taller38
Area: 300 sqm
Proyect Year: 2011
Photographs: Pablo Casals-Aguirre, Alfredo Zertuche

Single family house in Tijuana, on a site where we are developing ten other single family infill houses on sites that range from 300 sq m to 450 sq m.

This is house is designed as an experimentation into weight. Juxtaposing the a solid black box, that is covered in volcanic stone native to Mexico on top of a lightweight white box that contains the public part of the house. The black box is the private part, perforated by vertical openings that are not percieved from outside, creating a set of terraces around the whole perimeter. The first floor has openings throughout as to blend the interior and exterior spaces. From the street, you enter through an axis that slices the site in two, having a view towards the city. On the right side there is a studio for the owner who is a psychologist and the main entrance to the house is towards the back of the site. The lower part of the house is an open floor plan that contains the living room, dining room and kitchen.

Casa HDJ58 / T38 studio  + Pablo Casals-Aguirre © Pablo Casals-Aguirre
Casa HDJ58 / T38 studio  + Pablo Casals-Aguirre © Alfredo Zertuche
Casa HDJ58 / T38 studio  + Pablo Casals-Aguirre © Alfredo Zertuche
Casa HDJ58 / T38 studio  + Pablo Casals-Aguirre © Pablo Casals-Aguirre
Casa HDJ58 / T38 studio  + Pablo Casals-Aguirre © Pablo Casals-Aguirre
Casa HDJ58 / T38 studio  + Pablo Casals-Aguirre © Alfredo Zertuche
Casa HDJ58 / T38 studio  + Pablo Casals-Aguirre © Pablo Casals-Aguirre
Casa HDJ58 / T38 studio  + Pablo Casals-Aguirre © Alfredo Zertuche
Casa HDJ58 / T38 studio  + Pablo Casals-Aguirre © Pablo Casals-Aguirre
Casa HDJ58 / T38 studio  + Pablo Casals-Aguirre © Alfredo Zertuche
Casa HDJ58 / T38 studio  + Pablo Casals-Aguirre © Pablo Casals-Aguirre
Casa HDJ58 / T38 studio  + Pablo Casals-Aguirre © Pablo Casals-Aguirre
Casa HDJ58 / T38 studio  + Pablo Casals-Aguirre © Alfredo Zertuche
Casa HDJ58 / T38 studio  + Pablo Casals-Aguirre © Alfredo Zertuche
Casa HDJ58 / T38 studio  + Pablo Casals-Aguirre First Floor
Casa HDJ58 / T38 studio  + Pablo Casals-Aguirre Second Floor
Casa HDJ58 / T38 studio  + Pablo Casals-Aguirre Section 2
Casa HDJ58 / T38 studio  + Pablo Casals-Aguirre Section 1
Casa HDJ58 / T38 studio  + Pablo Casals-Aguirre Isometric View

HDJ58 House / T38 studio + Pablo Casals-Aguirre originally appeared on ArchDaily, the most visited architecture website on 19 May 2013.

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