Iwan Baan: ‘The Way We Live’ Exhibition

Opening tonight, February 20, at 6:00pm PST at the Perry Rubenstein Gallery in Los Angeles, Iwan Baan‘s ‘The Way We Live’ exhibition features captivating large-scale images of urban, architectural, and home environments that capture Baan’s singular vision. Baan’s artistic practice examines how we live and interact with architecture, focusing on the human element, which brings buildings, intersections, and public gathering places to life. Running until April 13, this is Baan’s first solo exhibition at the gallery. More information after the break.

Baan’s work exists at a critical juncture between architectural photography and sociocultural inquiry at a time when urbanization is a driving force behind human evolution. His images examine the choices we make through construction and building, whether it be sectioning off tracts of impoverished urban sprawl with massive traffic interchanges, reintegrating purposeful gathering areas into large-scale public buildings, or living in housing that stretches the boundaries of how a community functions. Taken as a whole, his artwork examines each subject in depth, capturing a site’s essence through a spectrum of images ranging from sweeping aerial overviews to intimate one-on-one moments.

For The Way We Live, Perry Rubenstein’s East Gallery will feature a selection of large-scale images spanning the last eight years. The exhibition will offer a balanced overview of Baan’s work, represented by images from more than a dozen of his most dynamic projects. Among the artist’s earliest projects, Tokyo #1 (2006) was created to celebrate the opening of Toyo Ito’s groundbreaking Mikimoto Ginza 2 building in Tokyo, Japan. A contemplative figure in traditional dress peers out from one of the slick building’s boulder-shaped corner windows, perfectly capturing the city’s complex interplay of high-technology and ancient tradition. Zaha Hadid’s Guangzhou Opera House exists at the intersection of old and new China, where massive futuristic buildings are still built largely by hand. Baan’s image of opera patrons on the inaugural evening, gazing out from seats hovering against a luminous gold interior, calls into question how these ambitious expressions of China’s growth link back to the world outside

The West Gallery will feature an in-depth presentation centered around Baan’s Golden Lion Award-winning project on the Torre David in Caracas, Venezuela. When a forty-five-story office skyscraper project stalled in 1993 due to lack of funds, locals began moving into the building. Through its slow conversion into a highly organized and successfully self-governed communal living space, the Torre David became a testament to the ingenuity of the neighborhood’s residents. Images such as Torre David #2 (2011), an upward-looking shot of the building’s oculus with homemade window coverings marking different tenants’ living quarters, depict how residents crafted unique personal living spaces out of a partially constructed concrete shell.

For more information on the exhibition, please visit here.

Iwan Baan: 'The Way We Live' Exhibition originally appeared on ArchDaily, the most visited architecture website on 20 Feb 2013.

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Iwan Baan’s Striking Hurricane Sandy Photo Can Be Yours For $20!

Now you can own a piece of photographic history and help Sandy victims—some of whom are still without power—in one swoop. The MoMA Design Store is offering a poster version of Iwan Baan’s famous aerial image of storm-stricken New York for just $20. Proceeds will support the Mayor’s Fund to Advance New York City in its Sandy relief efforts. Not only will you be supporting a good cause; you’ll also have the chance to gaze upon this once-in-a-lifetime shot and contemplate the significance of the lights and darkness (climate change vs. us, Wall Street vs. everyone). Read more.

Iwan Baan's New York magazine cover, post-Sandy.

The intrepid Baan, an Architizer A+ Awards juror, snapped the photo in late October while hanging out of a doorless helicopter hovering over the tip of Lower Manhattan. The image became the cover of the November 12 edition of New York magazine.

Last fall Baan told us the story of how he got the shot. He happened to be trapped in New York, trying (unsuccessfully) to get out to Herzog & de Meuron’s Parrish Art Museum in Southampton, Long Island. And there happened to be a helicopter pilot who, despite the risks, was happy to give Baan a ride over NYC for a wad of cash. Read more here.

Iwan Baan’s Striking Hurricane Sandy Photo Can Be Yours For $20!

Now you can own a piece of photographic history and help Sandy victims—some of whom are still without power—in one swoop. The MoMA Design Store is offering a poster version of Iwan Baan’s famous aerial image of storm-stricken New York for just $20. Proceeds will support the Mayor’s Fund to Advance New York City in its Sandy relief efforts. Not only will you be supporting a good cause; you’ll also have the chance to gaze upon this once-in-a-lifetime shot and contemplate the significance of the lights and darkness (climate change vs. us, Wall Street vs. everyone). Read more.

Iwan Baan's New York magazine cover, post-Sandy.

The intrepid Baan, an Architizer A+ Awards juror, snapped the photo in late October while hanging out of a doorless helicopter hovering over the tip of Lower Manhattan. The image became the cover of the November 12 edition of New York magazine.

Last fall Baan told us the story of how he got the shot. He happened to be trapped in New York, trying (unsuccessfully) to get out to Herzog & de Meuron’s Parrish Art Museum in Southampton, Long Island. And there happened to be a helicopter pilot who, despite the risks, was happy to give Baan a ride over NYC for a wad of cash. Read more here.

‘White Cube, Green Maze: New Art Landscapes’ Exhibition

Opening February 14, and on view until May 4, Yale School of Architecture‘s ‘White Cube, Green Maze: New Art Landscapes’ exhibition will examine emerging trends in museum design through six new art sites that share the common thread of moving beyond the traditional “white cube” gallery space, and that juxtapose the experience of culture, art, architecture, and landscape. Featuring newly commissioned photography of these sites by Iwan Baan, each site represents a unique expression of the ambitions and collaborations of patrons, architects, landscape architects, artists, and curators. For more information, please visit here.

Torre David: Informal Vertical Communities / Urban-Think Tank & Iwan Baan

Torre David, a 45-story skyscraper in Caracas, has remained uncompleted since the Venezuelan economy collapsed in 1994. Today, it is the improvised home to more than 750 families living in an extra-legal and tenuous squat, that some have called a “vertical slum.”

Urban-Think Tank, the authors of Torre David: Informal Vertical Communities, spent a year studying the physical and social organization of this ruin-become home. Richly illustrated with photographs by Iwan Baan, the book documents the residents’ occupation of the tower and how, in the absence of formal infrastructure, they organize themselves to provide for daily needs, with a hair salon, a gym, grocery shops, and more.

The authors of this thought-provoking work investigate informal vertical communities and the architecture that supports them and issue a call for action: to see in informal settlements a potential for innovation and experimentation, with the goal of putting design in service to a more equitable and sustainable future.

CONTENT
026 Preface / Alfredo Brillembourg & Hubert Klumpner
029 Introduction / Andres Lepik
052 Torre: A Graphic Novella / André  Kitagawa with Urban-Think Tank
070 I: Past / Alfredo Brillembourg & Hubert Klumpner
130 II: Present / Alfredo Brillembourg & Hubert Klumpner
334 III: Possibility / Arno Schlueter, Jimeno A. Fonseca, Alfredo Brillembourg & Hubert Klumpner
360 IV: Potential / Alfredo Brillembourg & Hubert Klumpner
360 Afterword / Christian Schmid
389 Appendix

Publisher: Lars Müller Publishers
Dimensions: 16.5 x 24 cm, 6 ½ × 9½ in (Hardcover)
Pages: 416 pages (406 illustrations)
Language: English
ISBN: 978-3-03778-307-8

Torre David: Informal Vertical Communities / Urban-Think Tank & Iwan Baan originally appeared on ArchDaily, the most visited architecture website on 29 Jan 2013.

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Iwan Baan: The Way We Live

Iwan Baan‘s name may ring a bell for all those following Hurricane Sandy’s devastation across New York City and New Jersey’s coast.  The photographer’s iconic photograph made headlines when it was featured on New York magazine’s front page days after the storm, showing lower Manhattan in complete darkness, set against its vibrant counterpart uptown, as the United States’ east coast was recovering from the extensive damage left in Sandy’s wake.  The image not only brings to mind the absolute helplessness that New York City faced during the storm, but also lends a hand in a social commentary that is notably pervasive in Baan’s work.

Starting February 20th, 2013, The Perry Rubenstein Gallery in Los Angeles will feature the Baan’s work in his first, two-month exhibition entitled The Way We Live, honing in on the images that encapsulate the world of architecture, urbanism and human engagement.

More on Iwan Baan: The Way We Live after the break.

The City and the Storm, as the famous image has come to be known, will be the centerpiece of the exhibit which will feature other large-scale images from his portfolio that focus on human interaction within the built environment. Baan’s practice focuses on pinpointing elements of the landscape that people regularly interact with.  It focuses upon the elements of architecture that most architects work laboriously to evoke – moments of transition between built elements, moments that penetrate the built form to reveal human interaction and daily ritual, moments that transcend recognition as they become customary.

Baan’s work signals the reality of architectural practice and elements of design that are often inhibited by daily use.  It reveals the motifs of architecture and structures and reveals the way that people interact with them.  The human element is alive in these photographs as Baan uses his lens to craft moments where architecture is used as intended.

Title: Iwan Baan: The Way We Live
Opening Reception: Wed, 20 Feb 2013 18:00
Concludes: Sat, 13 Apr 2013 18:00
Venue: Perry Rubenstein Gallery
Address: 1215 N. Highland Avenue

Iwan Baan: The Way We Live OMA CCTV:
Iwan Baan: The Way We Live Mikimoto -
Iwan Baan: The Way We Live Los Angeles:
Iwan Baan: The Way We Live Guangzhou -
Iwan Baan: The Way We Live Confinanzas 1964:
Iwan Baan: The Way We Live The City and the Storm, 2012; © Iwan Baan, Images courtesy of Perry Rubenstein Gallery

Iwan Baan: The Way We Live originally appeared on ArchDaily, the most visited architecture website on 17 Jan 2013.

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Iwan Baan vs. Sandy: The Story Behind That Iconic NYC Shot

We got in touch with Iwan Baan to ask him how on earth he got that incredible aerial shot of a Sandy-struck New York City for New York Magazine; he told us what it was like to face the frenzy and fly into the storm itself. Read his incredible story, after the break… 

“I’ve photographed Manhattan from above many times in the past, so when I set out to shoot, I had already in mind my approach. I also thought, the only way to truly show how the island, which was now divided by those with power, and those without, was to find a helicopter, and shoot it from the sky.

I began calling on all of the heli-pilots I could think of in the Manhattan area, but each of them were either without fuel, on recovery efforts, or without power themselves. To my relief, after nearly exhausting all efforts, I managed to get a hold of a pilot who I had met just a week prior, and he said yes, he was able to fly.

The day after Sandy struck, I had reserved a car in Manhattan – just in case. But to my demise, the rental company had already given away my reservation, leaving me without a car, and without a means to getting to the helipad.

After a bit of negotiating, I finally found a rental at JFK. And 4 hours of standstill traffic, closed bridges and a $2,000.00 USD price tag later, I made it to the airport and had the car keys in hand.

Before I could shake off a bit of the frenzy that was going around, my phone rang. It was New York Magazine calling, and all that I could make out through the broken network reception was the word helicopter. With the phone lines being as bad as they were, it was completely impossible to hear what they were saying, but I figured I’d make my way to the heliport no matter what. I had already made my 4-hour trek out of Manhattan, so I could make it there in a breeze.

Renting a car, hunting for gas and inching my way through traffic to get to the heliport was by far the most trying and difficult part of getting this shot! 

Without doors on the heli, it was a freezing cold, hour-long ride to fly into Manhattan. I spent about an hour above the city, where I knew I wanted to capture these two cities – one, a vibrant and pulsating Manhattan that we recognize so vividly, and it’s antonym – a life-less city turned pitch-black and ominous.

Illuminating the bottom left of the photograph is the glowing Goldman Sachs building. Just next is the construction site for the World Trade Centre, which is top-to-bottom, lit with power (despite the rest of lower Manhattan being completely powerless.) I think perhaps, this ‘division of power’ is an allegory for the county’s declining infrastructure, telling us also about who is truly prepared for when sobering events like Sandy strike.”

Story via Iwan Baan

Iwan Baan vs. Sandy: The Story Behind That Iconic NYC Shot originally appeared on ArchDaily, the most visited architecture website on 06 Nov 2012.

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Architizer Exclusive: How Iwan Baan Got That Phenomenal Aerial Shot Of Sandy-Stricken NYC

By Karen Wong Deputy Director of New Museum and Co-Founder of Ideas City Festival Iwan Baan, one of Architizer‘s A+ Award jurors, is always going somewhere. Over the last six years with camera and computer in tow, he has earned the privilege to travel from dense Caracas to abandoned western China to sprawling Los Angeles — all