Raul House / Mathias Klotz

Architects: Mathias Klotz
Location: Laguna de Aculeo, Chile
Project Architects: Mathias Klotz (KLOTZ y ASOC), Magdalena Bernstein
Area: 180 sqm
Project Year: 2009
Photographs: Leonardo Finotti, Courtesy of Mathias Klotz

Client: Raul Diaz
Structural Engineer: Patricio Stagno
Site Area: 6,000 sqm

The Raul House is a getaway house for the weekend, located in the hills surrounding the Aculeo Lagoon, 60 kilometeres from Santiago. It’s for family use, developed in one level throughout a continuous space that gives amplitude and flexibility.

The house is located in the side of a hill with a strong slope that allows excellent views 180º from east to west, with views to the lagoon and the Andes Mountains.

It’s rectangular plan includes a covered terrace to the north and east so the family can enjoy the views protected from the sun and rain in any season.

The low budget was a main issue so basic materials and technology were used in its construction. The structure uses concrete piles on its base, and a steel and wood structure for the rest. The interior was made with pinewood, using it on plywood boards and tables.

The exterior of the house is dark so it can blend with the landscape, while the interior is white so the brightness increases.

Casa Raul / Mathias Klotz © Leonardo Finotti
Casa Raul / Mathias Klotz © Leonardo Finotti
Casa Raul / Mathias Klotz © Leonardo Finotti
Casa Raul / Mathias Klotz © Leonardo Finotti
Casa Raul / Mathias Klotz © Leonardo Finotti
Casa Raul / Mathias Klotz © Leonardo Finotti
Casa Raul / Mathias Klotz Courtesy of Mathias Klotz
Casa Raul / Mathias Klotz © Leonardo Finotti
Casa Raul / Mathias Klotz © Leonardo Finotti
Casa Raul / Mathias Klotz © Leonardo Finotti
Casa Raul / Mathias Klotz © Leonardo Finotti
Casa Raul / Mathias Klotz Courtesy of Mathias Klotz
Casa Raul / Mathias Klotz © Leonardo Finotti
Casa Raul / Mathias Klotz Courtesy of Mathias Klotz
Casa Raul / Mathias Klotz Courtesy of Mathias Klotz
Casa Raul / Mathias Klotz Courtesy of Mathias Klotz
Casa Raul / Mathias Klotz © Leonardo Finotti
Casa Raul / Mathias Klotz Plan
Casa Raul / Mathias Klotz Elevation
Casa Raul / Mathias Klotz Elevation
Casa Raul / Mathias Klotz Section
Casa Raul / Mathias Klotz Section & Elevation

Raul House / Mathias Klotz originally appeared on ArchDaily, the most visited architecture website on 20 May 2013.

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House in Maitencillo / Patricio Cortese Opazo

Architects: Patricio Cortese Opazo
Location: Maitencillo, Chile
Area: 250 sqm
Year: 2012
Photographs: Courtesy of Patricio Cortese Opazo

The work is emplaced in a hillside of strong slope and south orientation, in a hill located at the inside of Maitencillo locality. By one side, the site (place) have an spectacular view to the inner Puchuncavi Valley, and by the other side, it has many sunlight problems as a consequence of its orientation.

From this two premises (situations), the house raises as a volume that break away from the hill, creating an intermediate place between this and the work, which finality is to capture de northern sun as a passive thermic control system. This spot (space) against the hill establish a new transversal relation between the site borders, generating new flows and perspectives in the place.

The lower volume raises three recognizable situations. By one flank (broadside) it has a glazed circulation that captures the sun like a greenhouse. By the other, are located all the bedrooms with a privileged view to the inner valley. In its upper , it raises a great oriel (balcony, glazer) that open itself to the emptiness creating a relation between the work and the valley like a distant (faraway) context.

Vivienda Unifamiliar en Maitencillo / Patricio Cortese Opazo Courtesy of Patricio Cortese Opazo
Vivienda Unifamiliar en Maitencillo / Patricio Cortese Opazo Courtesy of Patricio Cortese Opazo
Vivienda Unifamiliar en Maitencillo / Patricio Cortese Opazo Courtesy of Patricio Cortese Opazo
Vivienda Unifamiliar en Maitencillo / Patricio Cortese Opazo Courtesy of Patricio Cortese Opazo
Vivienda Unifamiliar en Maitencillo / Patricio Cortese Opazo Courtesy of Patricio Cortese Opazo
Vivienda Unifamiliar en Maitencillo / Patricio Cortese Opazo Courtesy of Patricio Cortese Opazo
Vivienda Unifamiliar en Maitencillo / Patricio Cortese Opazo Courtesy of Patricio Cortese Opazo
Vivienda Unifamiliar en Maitencillo / Patricio Cortese Opazo Courtesy of Patricio Cortese Opazo
Vivienda Unifamiliar en Maitencillo / Patricio Cortese Opazo Courtesy of Patricio Cortese Opazo
Vivienda Unifamiliar en Maitencillo / Patricio Cortese Opazo Courtesy of Patricio Cortese Opazo
Vivienda Unifamiliar en Maitencillo / Patricio Cortese Opazo Courtesy of Patricio Cortese Opazo
Vivienda Unifamiliar en Maitencillo / Patricio Cortese Opazo Courtesy of Patricio Cortese Opazo
Vivienda Unifamiliar en Maitencillo / Patricio Cortese Opazo Courtesy of Patricio Cortese Opazo
Vivienda Unifamiliar en Maitencillo / Patricio Cortese Opazo Courtesy of Patricio Cortese Opazo
Vivienda Unifamiliar en Maitencillo / Patricio Cortese Opazo Plan
Vivienda Unifamiliar en Maitencillo / Patricio Cortese Opazo Site Plan
Vivienda Unifamiliar en Maitencillo / Patricio Cortese Opazo Section
Vivienda Unifamiliar en Maitencillo / Patricio Cortese Opazo Section
Vivienda Unifamiliar en Maitencillo / Patricio Cortese Opazo North Elevation
Vivienda Unifamiliar en Maitencillo / Patricio Cortese Opazo South Elevation
Vivienda Unifamiliar en Maitencillo / Patricio Cortese Opazo East Elevation
Vivienda Unifamiliar en Maitencillo / Patricio Cortese Opazo Plan

House in Maitencillo / Patricio Cortese Opazo originally appeared on ArchDaily, the most visited architecture website on 18 May 2013.

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Ochoalcubo: Japan + Chile

In Chile, a very special project is being developed.

Eduardo Godoy, a design impresario who started his business in Chile in the 80′s, has always been an advocate for design and architecture in the country. In Chile, more than 40 schools of architecture have flooded the market, but the ever growing number of professionals has had a relatively small impact on Chilean cities. Seeing the almost infinite landscape of cookie cutter housing in the suburbs, Godoy asked himself: why not break this model into smaller pieces, each designed by a particular architect, each an opportunity for a young professional? With this in mind, and to foster the appreciation for architects, Eduardo and his team at Interdesign started a project called “Ochoalcubo” (Eight-Cubed). His original idea was to make 8 projects, with 8 buildings designed each by 8 architects, to create developments where the singularity of each piece was key, in order to demonstrate how the individuality of the architect could result in good architecture.

The project started with 8 houses on the Chilean coast. Four designed by renowned local architects, and four by young, up and coming (at that time) architects, including names that resonate in the international architecture scene, such as Mathias Klotz, Sebastian Irarrazaval, Cecilia Puga and Smiljan Radic. The result was eight houses where the architects had total freedom, including the interior decoration and furniture. The project became a laboratory of architecture, and young architects and students flocked to these houses to learn directly from them. Then ochoalcubo understood its role in an educational aspect. In Chile, not many people have the opportunity to travel, an important part of an architect’s training. So what if Godoy could invite the architects that were advancing the profession, the ones whose work you have to visit at some point of your life, and have their works here in Chile, at the end of the World, for the local architects and, especially, students to visit and learn from.

Click here to view the embedded video.

A second stage for the project was then thought up, one which included a group of international architects, including Rick Joy, Guillaume Jullian, Kazuyo Sejima and Toyo Ito. From this stage, the White O house by Toyo Ito was the only one built so far.

And then something huge happened: an 8.8 earthquake hit Chile, and together with a following tsunami, took many cities to the ground. A year later, a similar earthquake shocked Japan, and the tsunami caused tremendous devastation. Both countries were united by a common catastrophe, where architecture was key for the relief and rebuilding efforts.

Seeing how Japan faced this catastrophe, Eduardo felt that something could be done to reunite both cultures, and asked his friend Toyo Ito to help him reunite a group of 8 outstanding Japanese architects to join him on ochoalcubo, together with 8 Chilean architects to design the next stages of the project.

After an intense trip to Tokyo, Eduardo and Toyo-san were able to convince some of Japan’s (and the world’s) most innovative architects: Kazuyo Sejima, Ryue Nishizawa, Kengo Kuma, Junga Ishigami, Sou Fujimoto, Atelier Bow-Wow, Akihisa Hirata and Onishi + Hyakuda. In Chile, a mix of young and established practices also accepted the invitation: Izquierdo Lehmann, Cristian Undurraga, Guillermo Acuña, Alejandro Aravena, Felipe Assadi, Pezo von Ellrichshausen, HLPS  and Max Nuñez.

The idea was to design 8 + 8 houses in the Chilean coast, under a master plan designed by urbanist Roberto Moris. For this, the Japanese practices have been traveling to Chile, to visit a fantastic site overlooking the Pacific Ocean, close to Los Vilos, where the “8Quebradas” (Eight Cliffs) project will be located.

But the spirit of the project is to open architecture and give access to architects, so ochoalcubo has teamed with several architecture schools. Chilean students have had the chance not only to attend lectures by these Japanese architects, but also to participate in workshops led by them, even generating possibilities for the best students to do internships in Japan with these architects, having a once in a lifetime opportunity to expand their horizons. In this way,Eduardo’s dream of opening architecture and generating opportunities for young architects has come to reality, and paved the way for better architecture in Chile.

Ochoalcubo: Japan + Chile originally appeared on ArchDaily, the most visited architecture website on 15 May 2013.

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Ochoalcubo: Japan + Chile

In Chile, a very special project is being developed.

Eduardo Godoy, a design impresario who started his business in Chile in the 80′s, has always been an advocate for design and architecture in the country. In Chile, more than 40 schools of architecture have flooded the market, but the ever growing number of professionals has had a relatively small impact on Chilean cities. Seeing the almost infinite landscape of cookie cutter housing in the suburbs, Godoy asked himself: why not break this model into smaller pieces, each designed by a particular architect, each an opportunity for a young professional? With this in mind, and to foster the appreciation for architects, Eduardo and his team at Interdesign started a project called “Ochoalcubo” (Eight-Cubed). His original idea was to make 8 projects, with 8 buildings designed each by 8 architects, to create developments where the singularity of each piece was key, in order to demonstrate how the individuality of the architect could result in good architecture.

The project started with 8 houses on the Chilean coast. Four designed by renowned local architects, and four by young, up and coming (at that time) architects, including names that resonate in the international architecture scene, such as Mathias Klotz, Sebastian Irarrazaval, Cecilia Puga and Smiljan Radic. The result was eight houses where the architects had total freedom, including the interior decoration and furniture. The project became a laboratory of architecture, and young architects and students flocked to these houses to learn directly from them. Then ochoalcubo understood its role in an educational aspect. In Chile, not many people have the opportunity to travel, an important part of an architect’s training. So what if Godoy could invite the architects that were advancing the profession, the ones whose work you have to visit at some point of your life, and have their works here in Chile, at the end of the World, for the local architects and, especially, students to visit and learn from.

Click here to view the embedded video.

A second stage for the project was then thought up, one which included a group of international architects, including Rick Joy, Guillaume Jullian, Kazuyo Sejima and Toyo Ito. From this stage, the White O house by Toyo Ito was the only one built so far.

And then something huge happened: an 8.8 earthquake hit Chile, and together with a following tsunami, took many cities to the ground. A year later, a similar earthquake shocked Japan, and the tsunami caused tremendous devastation. Both countries were united by a common catastrophe, where architecture was key for the relief and rebuilding efforts.

Seeing how Japan faced this catastrophe, Eduardo felt that something could be done to reunite both cultures, and asked his friend Toyo Ito to help him reunite a group of 8 outstanding Japanese architects to join him on ochoalcubo, together with 8 Chilean architects to design the next stages of the project.

After an intense trip to Tokyo, Eduardo and Toyo-san were able to convince some of Japan’s (and the world’s) most innovative architects: Kazuyo Sejima, Ryue Nishizawa, Kengo Kuma, Junga Ishigami, Sou Fujimoto, Atelier Bow-Wow, Akihisa Hirata and Onishi + Hyakuda. In Chile, a mix of young and established practices also accepted the invitation: Izquierdo Lehmann, Cristian Undurraga, Guillermo Acuña, Alejandro Aravena, Felipe Assadi, Pezo von Ellrichshausen, HLPS  and Max Nuñez.

The idea was to design 8 + 8 houses in the Chilean coast, under a master plan designed by urbanist Roberto Moris. For this, the Japanese practices have been traveling to Chile, to visit a fantastic site overlooking the Pacific Ocean, close to Los Vilos, where the “8Quebradas” (Eight Cliffs) project will be located.

But the spirit of the project is to open architecture and give access to architects, so ochoalcubo has teamed with several architecture schools. Chilean students have had the chance not only to attend lectures by these Japanese architects, but also to participate in workshops led by them, even generating possibilities for the best students to do internships in Japan with these architects, having a once in a lifetime opportunity to expand their horizons. In this way,Eduardo’s dream of opening architecture and generating opportunities for young architects has come to reality, and paved the way for better architecture in Chile.

Ochoalcubo: Japan + Chile originally appeared on ArchDaily, the most visited architecture website on 15 May 2013.

send to Twitter | Share on Facebook | What do you think about this?

Ochoalcubo: Japan + Chile

In Chile, a very special project is being developed.

Eduardo Godoy, a design impresario who started his business in Chile in the 80′s, has always been an advocate for design and architecture in the country. In Chile, more than 40 schools of architecture have flooded the market, but the ever growing number of professionals has had a relatively small impact on Chilean cities. Seeing the almost infinite landscape of cookie cutter housing in the suburbs, Godoy asked himself: why not break this model into smaller pieces, each designed by a particular architect, each an opportunity for a young professional? With this in mind, and to foster the appreciation for architects, Eduardo and his team at Interdesign started a project called “Ochoalcubo” (Eight-Cubed). His original idea was to make 8 projects, with 8 buildings designed each by 8 architects, to create developments where the singularity of each piece was key, in order to demonstrate how the individuality of the architect could result in good architecture.

The project started with 8 houses on the Chilean coast. Four designed by renowned local architects, and four by young, up and coming (at that time) architects, including names that resonate in the international architecture scene, such as Mathias Klotz, Sebastian Irarrazaval, Cecilia Puga and Smiljan Radic. The result was eight houses where the architects had total freedom, including the interior decoration and furniture. The project became a laboratory of architecture, and young architects and students flocked to these houses to learn directly from them. Then ochoalcubo understood its role in an educational aspect. In Chile, not many people have the opportunity to travel, an important part of an architect’s training. So what if Godoy could invite the architects that were advancing the profession, the ones whose work you have to visit at some point of your life, and have their works here in Chile, at the end of the World, for the local architects and, especially, students to visit and learn from.

Click here to view the embedded video.

A second stage for the project was then thought up, one which included a group of international architects, including Rick Joy, Guillaume Jullian, Kazuyo Sejima and Toyo Ito. From this stage, the White O house by Toyo Ito was the only one built so far.

And then something huge happened: an 8.8 earthquake hit Chile, and together with a following tsunami, took many cities to the ground. A year later, a similar earthquake shocked Japan, and the tsunami caused tremendous devastation. Both countries were united by a common catastrophe, where architecture was key for the relief and rebuilding efforts.

Seeing how Japan faced this catastrophe, Eduardo felt that something could be done to reunite both cultures, and asked his friend Toyo Ito to help him reunite a group of 8 outstanding Japanese architects to join him on ochoalcubo, together with 8 Chilean architects to design the next stages of the project.

After an intense trip to Tokyo, Eduardo and Toyo-san were able to convince some of Japan’s (and the world’s) most innovative architects: Kazuyo Sejima, Ryue Nishizawa, Kengo Kuma, Junga Ishigami, Sou Fujimoto, Atelier Bow-Wow, Akihisa Hirata and Onishi + Hyakuda. In Chile, a mix of young and established practices also accepted the invitation: Izquierdo Lehmann, Cristian Undurraga, Guillermo Acuña, Alejandro Aravena, Felipe Assadi, Pezo von Ellrichshausen, HLPS  and Max Nuñez.

The idea was to design 8 + 8 houses in the Chilean coast, under a master plan designed by urbanist Roberto Moris. For this, the Japanese practices have been traveling to Chile, to visit a fantastic site overlooking the Pacific Ocean, close to Los Vilos, where the “8Quebradas” (Eight Cliffs) project will be located.

But the spirit of the project is to open architecture and give access to architects, so ochoalcubo has teamed with several architecture schools. Chilean students have had the chance not only to attend lectures by these Japanese architects, but also to participate in workshops led by them, even generating possibilities for the best students to do internships in Japan with these architects, having a once in a lifetime opportunity to expand their horizons. In this way,Eduardo’s dream of opening architecture and generating opportunities for young architects has come to reality, and paved the way for better architecture in Chile.

Ochoalcubo: Japan + Chile originally appeared on ArchDaily, the most visited architecture website on 15 May 2013.

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Colico Workshop / Cavagnaro Rojo Arquitectos

Architects: Cavagnaro Rojo Arquitectos
Location: Colico, IX Región, Chile
Architects In Charge: Carlos Cavagnaro, Daniel Rojo
Area: 45 sqm
Year: 2010
Photographs: Courtesy of Cavagnaro Rojo Arquitectos

Construction: Don Chalva
Structures: Cavagnaro-Rojo
Materiality: Pine wood
Budget: 9 UF per sqm

The assignment consists of developing a workshop for an artist, along with a bedroom and a bathroom.

As the budget was very limited and the distance to the site made a regular monitoring difficult during construction, we proposed a very simple volume, with local materials and easy construction, that takes advantage of the resources and building traditions of the place.

The lot, with a considerable slope, raises two necessary orientations to consider: one can see the lake to the south, and the mountains to the east.

Thus, the volume opens towards both views, particularly to the south, as the workshop requires a more uniform light.

Taller Colico / Cavagnaro Rojo Arquitectos Courtesy of Cavagnaro Rojo Arquitectos
Taller Colico / Cavagnaro Rojo Arquitectos Courtesy of Cavagnaro Rojo Arquitectos
Taller Colico / Cavagnaro Rojo Arquitectos Courtesy of Cavagnaro Rojo Arquitectos
Taller Colico / Cavagnaro Rojo Arquitectos Courtesy of Cavagnaro Rojo Arquitectos
Taller Colico / Cavagnaro Rojo Arquitectos Courtesy of Cavagnaro Rojo Arquitectos
Taller Colico / Cavagnaro Rojo Arquitectos Courtesy of Cavagnaro Rojo Arquitectos
Taller Colico / Cavagnaro Rojo Arquitectos Plan / Section
Taller Colico / Cavagnaro Rojo Arquitectos Sections / Elevations

Colico Workshop / Cavagnaro Rojo Arquitectos originally appeared on ArchDaily, the most visited architecture website on 14 May 2013.

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San Sebastián School / Tidy Arquitectos

Architects: Tidy Arquitectos
Location: Melipilla, Chile
Architects In Charge: Ian Tidy, Albert Tidy, Cecilia Aldunate
Area: 3,593 sqm
Year: 2007
Photographs: Marcelo Cáceres

Structures:  Claudio Hinojosa
Technical Inspection:  COZ
Plumbing:  Kenneth Page
Electrical:  Ana María Carrasco
Construction:  Roessan
Materiality:  Reinforced coated concrete, steel lattices

San Sebastian School in Melipilla is a private institution with fiscal support founded in 1997, and consists of pre-school, primary and secondary.

Currently, its facilities do not represent the level of academic excellence that the institution holds according to indicators from the Ministry of Education. Adding to the precariousness of its infrastructure, there is the problem of the dispersion of venues, as the sports facilities, pre-school, primary, and secondary are physically separated.

The project for the new school facilities is located in an area of 7881 square meters in the east end of the city, which will unify all levels from pre-kinder to secondary school in a building of 3593.65 square meters distributed on two levels. The school will be located in an area consisting of two lots, which will be allocated to classrooms, library, cafeteria, workshops, administrative area, courtyards and parking lot.

The sports area and locker rooms will be located on the adjacent lot. The program complements the school’s needs, but is not subject to municipal approval.

The school is laid out on a regular corridor 7,17 meters wide that extends in a zigzag on the ground. All north and east orientations are protected by circulations at both heights, while the south and east views provide direct light to the classrooms.

The structure is based on reinforced concrete load-bearing walls and slabs, coated and painted. The north and west enclosure is based on a vertical steel lattice that protects the semi-exterior enclosures from direct sunlight. The views from the classrooms are framed by windows that display the central valley landscape. The apparent irregularity of the windows is achieved by alternating three different sizes of windows, that display a playful expression that identifies with the character of the school.

Colegio San Sebastián / Tidy Arquitectos © Marcelo Cáceres
Colegio San Sebastián / Tidy Arquitectos © Marcelo Cáceres
Colegio San Sebastián / Tidy Arquitectos © Marcelo Cáceres
Colegio San Sebastián / Tidy Arquitectos © Marcelo Cáceres
Colegio San Sebastián / Tidy Arquitectos © Marcelo Cáceres
Colegio San Sebastián / Tidy Arquitectos © Marcelo Cáceres
Colegio San Sebastián / Tidy Arquitectos © Marcelo Cáceres
Colegio San Sebastián / Tidy Arquitectos © Marcelo Cáceres
Colegio San Sebastián / Tidy Arquitectos © Marcelo Cáceres
Colegio San Sebastián / Tidy Arquitectos © Marcelo Cáceres
Colegio San Sebastián / Tidy Arquitectos © Marcelo Cáceres
Colegio San Sebastián / Tidy Arquitectos © Marcelo Cáceres
Colegio San Sebastián / Tidy Arquitectos © Marcelo Cáceres
Colegio San Sebastián / Tidy Arquitectos © Marcelo Cáceres
Colegio San Sebastián / Tidy Arquitectos © Marcelo Cáceres
Colegio San Sebastián / Tidy Arquitectos © Marcelo Cáceres
Colegio San Sebastián / Tidy Arquitectos © Marcelo Cáceres
Colegio San Sebastián / Tidy Arquitectos Floor Plan Level 1
Colegio San Sebastián / Tidy Arquitectos Floor Plan Level 2
Colegio San Sebastián / Tidy Arquitectos Roof Plan
Colegio San Sebastián / Tidy Arquitectos Isometric view
Colegio San Sebastián / Tidy Arquitectos Elevations
Colegio San Sebastián / Tidy Arquitectos Sections
Colegio San Sebastián / Tidy Arquitectos Concept

San Sebastián School / Tidy Arquitectos originally appeared on ArchDaily, the most visited architecture website on 14 May 2013.

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Los Riscos House / Rodrigo Eterovic

Architects: Rodrigo Eterovic
Location: Puerto Varas, X Región de Los Lagos, Chile
Contractor: Rodrigo Eterovic, José Vargas
Structural Engineer: Drago Eterovic Martic
Area: 220 sqm
Year: 2011
Photographs: Courtesy of Rodrigo Eterovic

The assignment was to design a secondary house of rest, with future projections of transforming itself in a permanent home. Located on the edge of Lake Llanquihue, facing the imposing Osorno volcano and on a gentle slope of land, this house is designed with simple lines, where one of the requirements was to maintain respect for the local architecture, both in its material and its morphology and function. This is how the simple construction of the inverted roof originated, similar to the dairy barns in the X region of Chile.

The interior design was conceived based on a central axis, which joins the common areas of the house with the sector of bedrooms. In this hall, the importance was given both to its dimensions as well as its luminosity, creating a natural light shaft in the slope of the roof. Orientation and thermal insulation were important themes in order to maintain the desired warmth, as well as the overall brightness of the house, making the most of the daylight hours.

Another relevant requirement was the need for exterior roofing due to the long rainy seasons. The house is framed by a large terrace flying over concrete beams in view, which face the north, the lake and the volcano; and on the south side, in the same volume of the “barn”, the parking area and access.

The interior finish generates a very warm atmosphere, thanks to the prevailing native wood (Ulmo floor, Mañío interior trim), and the structure in sight (Canelo, Mañío). Similarly, the spatiality of the common room integrates the kitchen, living room, and the dining room within a large deck with exposed beams, which appreciates the total height of the volume.

The result was a house designed honestly with its environment, with a very warm, simple interior atmosphere, adapting perfectly with its environment and climate.

Casa Los Riscos / Rodrigo Eterovic Courtesy of Rodrigo Eterovic
Casa Los Riscos / Rodrigo Eterovic Courtesy of Rodrigo Eterovic
Casa Los Riscos / Rodrigo Eterovic Courtesy of Rodrigo Eterovic
Casa Los Riscos / Rodrigo Eterovic Courtesy of Rodrigo Eterovic
Casa Los Riscos / Rodrigo Eterovic Courtesy of Rodrigo Eterovic
Casa Los Riscos / Rodrigo Eterovic Courtesy of Rodrigo Eterovic
Casa Los Riscos / Rodrigo Eterovic Courtesy of Rodrigo Eterovic
Casa Los Riscos / Rodrigo Eterovic Courtesy of Rodrigo Eterovic
Casa Los Riscos / Rodrigo Eterovic Courtesy of Rodrigo Eterovic
Casa Los Riscos / Rodrigo Eterovic Courtesy of Rodrigo Eterovic
Casa Los Riscos / Rodrigo Eterovic Courtesy of Rodrigo Eterovic
Casa Los Riscos / Rodrigo Eterovic Courtesy of Rodrigo Eterovic
Casa Los Riscos / Rodrigo Eterovic Courtesy of Rodrigo Eterovic
Casa Los Riscos / Rodrigo Eterovic Plan
Casa Los Riscos / Rodrigo Eterovic Section
Casa Los Riscos / Rodrigo Eterovic Section
Casa Los Riscos / Rodrigo Eterovic Elevation
Casa Los Riscos / Rodrigo Eterovic Section
Casa Los Riscos / Rodrigo Eterovic Section
Casa Los Riscos / Rodrigo Eterovic Section
Casa Los Riscos / Rodrigo Eterovic Section
Casa Los Riscos / Rodrigo Eterovic Elevation
Casa Los Riscos / Rodrigo Eterovic Elevation
Casa Los Riscos / Rodrigo Eterovic Elevation

Los Riscos House / Rodrigo Eterovic originally appeared on ArchDaily, the most visited architecture website on 14 May 2013.

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