The Braggs / BVN Architecture

Architects: BVN Architecture
Location: Adelaide, South Australia
Client: University of Adelaide
Year: 2013
Photographs: John Gollings

The Braggs is the new transdisciplinary research Institute for Photonics and Advanced Sensing (IPAS) at the University of Adelaide. The facility completes the newly developed science and research precinct on the North Terrace campus, housing both research, and undergraduate laboratories, and a 420 seat lecture theatre.

The central philosophy of the building is to enable researchers from different disciplines – physics, chemistry, biology – to come together to enable a transdisciplinary approach to research. The methodology, led by the Institute’s head, Tanya Munro, has required a building that supports and fosters both formal and informal collaboration. As such, the building investigates methods of three dimensional connection of space within the tight security and safety requirements of a leading laboratory environment, through its positioning on campus, its relationship to campus life, and its strategic inclusion of two vibrant internal vertical streets.

The building is critically and centrally positioned on the campus to draw undergraduate students around and through the facility in order to encourage and stimulate interest in the research disciplines beyond the post graduate level.

The entrance is captured in a dramatic 5 storey atrium, encouraging pedestrian flow through, with a café and informal gathering spaces at the base, and access from Maths Lawn and from the street to the north. The atrium is one of the two vertical streets that underpin the new building. All academics, students and post graduate researchers enter the facility through this collaborative space. Meeting rooms and social areas are located around and within the atrium and provide spaces for researchers, academics and students to continue conversations beyond laboratory and office spaces.

The second vertical street is a striking 7 storey high, 50 m long ‘verandah’ which stretches along the building’s southern length, and visually and physically connects the floors. It not only connects the building internally, but connects it back to the campus – through its glazed outreach to the Maths Lawn.

The building envelope is a combination of solid and glass – the solid are a warm red, providing a respectful reference to the red brick environment of the early buildings on campus. It responds to the various orientations, – the north is a combination of glazed and solid panels with large concrete overhangs, the west, solid and glazed panels, with the solid panels forming sunscreens to the harsh angle of the western sun, and the south is fully transparent, providing the picture window to Maths Lawn.

The facade integrates notions of glass and light – the two key mediums of Photonics – through the development of a facetted glass envelope that wraps the building. Each level is facetted at varying angles of acuity to represent the different wavelengths of light as they are refracted to reveal the colours of the light spectrum. The result is a crystalline form that shimmers through its reflection and refraction of light throughout the day. The building symbolically represents its photonics research core, and in turn develops an integrated environment for leading transdisciplinary scientific research.

The Braggs / BVN Architecture © John Gollings
The Braggs / BVN Architecture © John Gollings
The Braggs / BVN Architecture © John Gollings
The Braggs / BVN Architecture © John Gollings
The Braggs / BVN Architecture © John Gollings
The Braggs / BVN Architecture © John Gollings
The Braggs / BVN Architecture © John Gollings
The Braggs / BVN Architecture © John Gollings
The Braggs / BVN Architecture Plan
The Braggs / BVN Architecture Plan
The Braggs / BVN Architecture Plan

The Braggs / BVN Architecture originally appeared on ArchDaily, the most visited architecture website on 23 Apr 2013.

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Taronga Zoo / BVN Architecture

Architects: BVN Architecture
Location: Sydney, Australia
Client: Zoological Parks Board of NSW
Year: 2011
Photographs: John Gollings

BVN were commissioned in 2004 by the Zoological Parks Board of New South Wales to design and document the new upper entrance, carpark and lower entrance for Taronga Park Zoo. The project was one of a series of major projects progressively being planned and implemented in accordance with the masterplan for Taronga Zoo. The masterplan provides a framework for the Zoo’s renovation, refurbishment and redevelopment over a 12 year period.

During a six month schematic design and design development period regular design meetings were held with the Taronga stakeholders including the Director and CEO, Life Sciences, Education and Interpretation Managers, Guest and Commercial Operations Managers, Marketing Managers and Capital Works and Infrastructure, along with Taronga Park Zoo’s Cost Planner to develop a design and detailed cost plan for the project.

BVN consulted at length with the following authorities: Heritage Office of NSW, DIPNR; Mosman Council; Sydney Buses; National Parks and Wildlife Service; Roads and Traffic Authority (RTA); Sydney Harbour Foreshore Authority; and Mosman Residents.

The design of the main upper entry to the Zoo involved provision of additional visitor parking, a new bus and coach bay and dedicated coach parking, a new ‘outer plaza’ pedestrian area, heritage refurbishment of the upper entrance building and tram shed and a new public access ‘inner plaza’ operating as a decomposition zone on entry to the zoo. New buildings include a shop and café, and a ‘facilities building’ housing ticketing sales, information, hire, toilets and offices along with interpretation of the precinct itself and the exhibits immediately adjacent to it.

The proposal seeks to engage with and respond to the extraordinary potential of the site. Design principals put emphasis on:

– The ‘wall’ – the zoo as a garden enclosure
– The sandstone plateau – a passive edge overlooking the zoo
– The significance of the heritage building not just visually but in terms of use
– Giant fig trees
– The historical tradition of the pavilion in a garden

The third phase of the project was recently completed at end of 2011.

Taronga Zoo / BVN Architecture © John Gollings
Taronga Zoo / BVN Architecture © John Gollings
Taronga Zoo / BVN Architecture © John Gollings
Taronga Zoo / BVN Architecture © John Gollings
Taronga Zoo / BVN Architecture © John Gollings
Taronga Zoo / BVN Architecture © John Gollings
Taronga Zoo / BVN Architecture © John Gollings
Taronga Zoo / BVN Architecture © John Gollings
Taronga Zoo / BVN Architecture © John Gollings
Taronga Zoo / BVN Architecture Site Plan
Taronga Zoo / BVN Architecture Section
Taronga Zoo / BVN Architecture Section

Taronga Zoo / BVN Architecture originally appeared on ArchDaily, the most visited architecture website on 20 Apr 2013.

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The Kinghorn Cancer Centre / BVN Architecture

Architects: BVN Architecture
Location: Darlinghurst, Sydney, Australia
Client: Garvan Institute and St Vincent’s and Mater Health
Year: 2012
Photographs: John Gollings

The Kinghorn Cancer Centre unites the Garvan Institute (cancer research) and St Vincents Mater Hospital (cancer treatment and clinical services). The design aspiration of the Kinghorn Cancer Centre is to encourage physical and intellectual interaction between research and clinical staff, and most importantly, between the staff and patients, to provide the opportunity for new ideas and thoughts to be exchanged and formulated.

To facilitate this, the building has been conceived as a set of functional and spatial elements that articulate the work of the scientists and clinicians. From south to north, the functional programme is clearly zoned to facilitate the research activity. The sequence of spaces moves from service core to laboratory, to write-up space, to meeting rooms, to the public atria where all activity is visible to anyone entering the building.

Externally each of the facades discretely address the different functional and cityscape requirements of the building. On the northern façade, vertical elements are set back from the Green Park Hotel to respect its scale with the reflection garden and landscaped roof and to articulate the lift and service cores. To the west, and behind a sunscreen, (depending on whether one is viewing the structure by day or night, and the angle of the sun at the time) the series of facades facing Victoria Street reveal the complexity and work of the Centre.

At the lower levels the awnings and U channel glazing with landscaped trellis beyond, address the retail, medical and commercial programme, filling the clinical areas with light and optimism.

Installed in the atrium is a significant art piece from British land artist, Richard Long. The inclusion of this water work has been designed

to enrich the user experience of Kinghorn and metaphorically connect the healing nature of the space to the organic materials used in the work itself.

The Kinghorn Cancer Centre / BVN Architecture © John Gollings
The Kinghorn Cancer Centre / BVN Architecture © John Gollings
The Kinghorn Cancer Centre / BVN Architecture © John Gollings
The Kinghorn Cancer Centre / BVN Architecture © John Gollings
The Kinghorn Cancer Centre / BVN Architecture © John Gollings
The Kinghorn Cancer Centre / BVN Architecture © John Gollings
The Kinghorn Cancer Centre / BVN Architecture © John Gollings
The Kinghorn Cancer Centre / BVN Architecture Plan
The Kinghorn Cancer Centre / BVN Architecture Plan
The Kinghorn Cancer Centre / BVN Architecture Plan
The Kinghorn Cancer Centre / BVN Architecture Plan
The Kinghorn Cancer Centre / BVN Architecture Plan

The Kinghorn Cancer Centre / BVN Architecture originally appeared on ArchDaily, the most visited architecture website on 16 Apr 2013.

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Brisbane Indesign Installation / BVN Architecture

© Christopher Frederick Jones Photography

In collaboration with Space Furniture, BVN Architecture designed this unique installation for the 2012 Bisbane Indesign. ‘The Project’ was inspired by the theme, Exploring the Common Thread, and resulted in a spectrum of color expressed through cotton yarn poised in a frozen geometric form. Drawn under tension the geometry is justified to fit within the constraints of the existing spatial condition.

Continue after the break for more.

© Christopher Frederick Jones Photography

Twelve different colors were used to create the rainbow spectrum with each point of the geometry holding five lengths of yarn, in total over 16 kilometers used. The form concentrates on the central area of the upper floor room, defining a position of importance for conversation and audience.

Using traditional knitting yarn as the common thread, the team challenged societies inherent understanding of the material’s quality and allowed for a different interpretation of its traditional use.

Soft becomes taut.
Private becomes public.
Singular becomes mass.

© Christopher Frederick Jones Photography

Brisbane Indesign_Christopher Frederick Jones Photography_01 © Christopher Frederick Jones Photography
Brisbane Indesign_Christopher Frederick Jones Photography_02 © Christopher Frederick Jones Photography
Brisbane Indesign_Christopher Frederick Jones Photography_03 © Christopher Frederick Jones Photography
Brisbane Indesign_Christopher Frederick Jones Photography_04 © Christopher Frederick Jones Photography

Brisbane Indesign Installation / BVN Architecture originally appeared on ArchDaily, the most visited architecture website on 28 Jul 2012.

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