Cubic Pharmaceutical Building Captures The Popular Vote!

This project won the 2013 Architizer A+ Popular Choice Award in the Higher Education & Research Facilities category. See the full list of winners here. 

The sleek Pharmaceutical Sciences building at the University of British Columbia provides a new state-of-the-art home to an internationally recognized research hub. Designed by Saucier + Perrotte with HCMA, the UBC Pharmaceutical Science Building captured the imagination—and votes—of the public, clinching an Architizer A+ Award in the hotly contested category of higher education and research facilities. Design leader Gilles Saucier says the team conceived of the project as a gateway to the campus that showcases sustainability “in a way that harmonizes with and preserves, rather than compromises, the specific design intentions.”  Read more!

Seeming to erupt from the ground in an exuberant display of machined organicism, the UBC Pharmaceutical Sciences building is heavily indebted to nature for its initial design intent. “The concept stems from the idea of trees whose branch system forms a canopy floating above the ground,” says Saucier. “As this organic network is abstracted, it is given tectonic manifestation, and the architecture takes on a more geometric form.”

Clusters of glass cubes projecting varying distances from the facade produce a striking visual approach to the complex. For the architects, creating many distinct spatial experiences for visitors and users was of paramount importance. “Each space is a highlight in its own right, especially when one experiences the light that filters through the building’s spaces by means of the large atria,” says Saucier. “The goal was for the building to not only be functional, comfortable, and inspiring, but also to reflect the faculty’s world-class pharmaceutical researchers and the university’s status as an internationally recognized institution in scientific endeavors.”

The resulting structure emanates an aura of precise detailing and immaculate craftsmanship, which is all the more impressive because of the tight timeline. Careful coordination and collaboration allowed the building to not only rise on time, but to quickly create an iconic landmark for the university. The technical and systemic expertise of the architects resulted in the building achieving LEED Gold certification for sustainable design. Understandably proud of the lauded result, Gilles Saucier adds: “The building can be an example on the campus for sustainable development while encompassing the bold architectural vision that we had for university.”

Images courtesy Saucier + Perrotte Architectes

Cubic Pharmaceutical Building Captures The Popular Vote!

This project won the 2013 Architizer A+ Popular Choice Award in the Higher Education & Research Facilities category. See the full list of winners here. 

The sleek Pharmaceutical Sciences building at the University of British Columbia provides a new state-of-the-art home to an internationally recognized research hub. Designed by Saucier + Perrotte with HCMA, the UBC Pharmaceutical Science Building captured the imagination—and votes—of the public, clinching an Architizer A+ Award in the hotly contested category of higher education and research facilities. Design leader Gilles Saucier says the team conceived of the project as a gateway to the campus that showcases sustainability “in a way that harmonizes with and preserves, rather than compromises, the specific design intentions.”  Read more!

Seeming to erupt from the ground in an exuberant display of machined organicism, the UBC Pharmaceutical Sciences building is heavily indebted to nature for its initial design intent. “The concept stems from the idea of trees whose branch system forms a canopy floating above the ground,” says Saucier. “As this organic network is abstracted, it is given tectonic manifestation, and the architecture takes on a more geometric form.”

Clusters of glass cubes projecting varying distances from the facade produce a striking visual approach to the complex. For the architects, creating many distinct spatial experiences for visitors and users was of paramount importance. “Each space is a highlight in its own right, especially when one experiences the light that filters through the building’s spaces by means of the large atria,” says Saucier. “The goal was for the building to not only be functional, comfortable, and inspiring, but also to reflect the faculty’s world-class pharmaceutical researchers and the university’s status as an internationally recognized institution in scientific endeavors.”

The resulting structure emanates an aura of precise detailing and immaculate craftsmanship, which is all the more impressive because of the tight timeline. Careful coordination and collaboration allowed the building to not only rise on time, but to quickly create an iconic landmark for the university. The technical and systemic expertise of the architects resulted in the building achieving LEED Gold certification for sustainable design. Understandably proud of the lauded result, Gilles Saucier adds: “The building can be an example on the campus for sustainable development while encompassing the bold architectural vision that we had for university.”

Images courtesy Saucier + Perrotte Architectes

A Very Architizer-Canada Day

Malbaie V Residence by MU architecture, Charlevoix, Canada

Happy Canada Day to our neighbors to the north! To celebrate, we’ve compiled the top ten projects to have come out of the Canadian architectural world in the last few years or so. Both large and small, public and private, the projects pay testament to Canada’s architectural talent and, as you’ll see, to the beauty of the country’s diverse landscape. So go on and click through! We promise, no maple syrup jokes.

Continue.

The Malbaie V Residence in Charlevoix, Canada has to be one of the most picturesque and bloggable projects we’ve seen this year. Designed by MU architecture, the home is comprised of two interlocking volumes–a long box that projects out towards the mouth of the St. Lawrence River which rests atop a smaller, more compact cube that houses the bedrooms. With its green garden, lush material palette (with red cedar sourced from British Columbia), and breathtaking views, it’s the stuff of tourism campaigns.

Guangzhou: Diverse-City

[In December, I helped lead a tour of Architecture students through eastern China. The following posts will be my brief impressions of the cities we visited. Today: Guangzhou.]

[Shamian Island]

Guangzhou, perhaps more than any other city, represents the diversity of urban form present in China’s post-colonial cities. From the well-preserved Old Town, the colonial Shamian Island, to the “hanging gardens” of Guangzhou’s elevated highways (which soften the brutal infrastructure of the city, and provide shade for informal businesses below) and the lifeless modernism of Futian, Guangzhou is nothing if not a collection of diverse urban ideas, a kind of living museum of urbanism.

Guangzhou has been a prominent port for millennia (Wikipedia traces the city’s history back to 206 BC, when it was the Capitol of the Nanyue kingdom), but its modern history starts more or less with the Portuguese’ arrival in the 1500s. Long before other Chinese cities were “opened” for international…

Vancouver Chinese Evangelical Church / Acton Ostry Architects

Architects: Acton Ostry Architects Inc
Location: , British Columbia, Canada
Size: 32,000 square feet
Completion Date: 2008
Photographs: Courtesy of Acton Ostry Architects

Sigue leyendo

Killarney Ice Rink + Lobby / Acton Ostry Architects

© Nic Lehoux

Architects: Acton Ostry Architects Inc
Location: , British Columbia
Size: 40,000 square feet
Completion Date: 2009
Photographs: Nic Lehoux

© Nic Lehoux

The Killarney Ice Rink + Lobby project is a replacement of an existing ice rink and lobby at the Killarney Community Centre in Vancouver that is comprised of a swimming pool facility, an ice rink, a gymnasium, and other activity spaces. The renewal of the Killarney Community Centre complex improved access to the facility in order that it may continue to serve its vital role as a key social hub of the Killarney neighbourhood. The arena was designed to act as a short-track speed skating training venue for the 2010 Winter Games. After the completion of the Games, the international-size ice surface was converted to an NHL-sized rink with seating for 250 spectators for use by the community.

© Nic Lehoux

The form, massing and materials reflect those of the existing facility to create a harmonious, unified expression for the entire community centre complex. The roof slope over the new rink mirrors the slope of the roof of the existing pool facility, thereby creating a focus to the main entry and lobby. Generous canopies are provided at main entries to provide shelter and to serve as transition zones between the interior and exterior.

© Nic Lehoux

The arena is constructed of tilt-up pre-cast concrete accented with masonry veneer and standing seam metal cladding to match materials used at the existing swimming pool building. The lobby is constructed with a combination of structural steel, glulam beams and extensive floor to ceiling glazing. Blue, violet and fuchsia hues of coloured glass vividly animate the crisp, frosty white of the rink interior.

Plan 01

The skater lounge accommodates public functions and social activities when not occupied for rink use. Administration offices take advantage of borrowed natural light and facilitate public interaction with staff via the adjacent lobby. The lobby is designed to accommodate public events, activities and gatherings.

Plan 02

New landscaping is concentrated around the perimeter of the ice rink and lobby. An outdoor terrace, located adjacent to the main entry approach incorporates benches and shade trees and can be used as an outdoor room to support community activities. A large landscape berm and trees located to the west of the ice rink serve to anchor the rink to the land in a manner complementary to the neighbouring swimming pool.

Sustainability Diagram

To achieve LEED Gold certification, a key design strategy was employed to take advantage of the inherent synergies that exist between the exchange of heating and cooling capabilities associated with the refrigeration system of the new ice rink. Excess heat generated from ice slab refrigeration is used to heat the adjacent swimming pool, thereby helping to optimize energy performance by a projected 38 percent, or 490,000 equivalent kilowatt hours per year. In 2009, the project was recognized with an Excellence for Green Building Award from the Globe Foundation and World Green Building Council.

Killarney Ice Rink + Lobby / Acton Ostry Architects © Nic Lehoux Killarney Ice Rink + Lobby / Acton Ostry Architects © Nic Lehoux Killarney Ice Rink + Lobby / Acton Ostry Architects © Nic Lehoux Killarney Ice Rink + Lobby / Acton Ostry Architects © Nic Lehoux Killarney Ice Rink + Lobby / Acton Ostry Architects © Nic Lehoux Killarney Ice Rink + Lobby / Acton Ostry Architects © Nic Lehoux Killarney Ice Rink + Lobby / Acton Ostry Architects © Nic Lehoux Killarney Ice Rink + Lobby / Acton Ostry Architects © Nic Lehoux Killarney Ice Rink + Lobby / Acton Ostry Architects © Nic Lehoux Killarney Ice Rink + Lobby / Acton Ostry Architects © Nic Lehoux Plan 01 Plan 01 Plan 02 Plan 02 Sustainability Diagram Sustainability Diagram


Mechanized Calligraphy

???? Water Calligraphy Device – BJDW Clip from Nicholas Hanna on Vimeo.

For this year’s inaugural Beijing Design Week, artist Nicholas Hanna mounted a portable printing device to a tricycle that leaves behind a trail of dotted characters wherever it goes. Dubbed the “Water Calligraphy Device,” the machine is programmed by a laptop fastened to the handlebars that relays texts from Chinese literature back to the printer which then converts the characters into dots. Pressure valves synchronized to the printer release the droplets of water as the tricycle is propelled forward. Instant calligraphy!  Read More!

Photo: designboom

Traditional Chinese culture finds its ultimate reality in its written language, which is, in turn, bound to the classical practice of calligraphy–the zero point of the history of Chinese art. Calligraphy may have begun with the first written language, around the 28th century B.C., a simple code comprised of a series of lines, broken or continuous, arranged in a manner which abstracted physical experiences. By the 3rd century B.C., a more robust system of writing was realized with the development of pictograms, the first characters, which initiated an artistic form that was to continuously evolve over the next millennium, up until Mao’s standardization policies and the drive toward Han unification of the 20th century.

BIG, Ren (People’s Building)

What does this imprecise historical overture have to do with the printable calligraphy machine in the video above? A lot, considering the fact that characters still play a central role in Chinese culture, whether in art, iconic architecture (BIG, anyone?), or recreation. This is most evident in the relatively common practice of water calligraphy, whereby people, particularly the elderly, slowly yet effortlessly inscribe pavement with evanescent calligraphy strokes. Characters pass in and out of existence in a matter of minutes, but despite this, the etcher faithfully continues his efforts.

Whereas water calligraphy is act of intent, both a form of therapy and physical exercise and an expression of individuality, Hanna’s machine is the opposite, aloof, ungraceful, and, perhaps, irreverent. Yet, while it would be easy to critique Hanna’s creation as an act of Western arrogance (the tourist’s infantilization of the native other), there is charm in the machine’s clumsy aping of this regional practice. As machines grow more and more intelligent, we may see maladroit self-learning mechanized metamorphosize into veritable artists.