Graffiti Artist Creates 180-Foot Tall Portrait In Honor Of Oscar Niemeyer

Last December, the world mourned the passing of Brazilian architect/legend Oscar Niemeyer, who died at the age of 104. Nearly two months since his death, the famed architect’s legacy has shown no sign of slowing. Marked for its daring use of concrete and curvaceous forms, Niemeyer’s work in Brasilia and around the world was key to the development of a robust kind of modern architecture.

Graffiti artist Eduardo Kobra is taking his own steps to honor the beloved architect. Kobra’s towering mural of Niemeyer plasters the side of a building in Sao Paulo’s financial district. The work features colorful patterns and geometric shapes—some of which cite Niemeyer’s trademark forms—that overlap and collage into an endearing portrait of the master, his hands folded beneath his well-known visage. Kobra is due to complete his 180-foot tribute to Brazil’s greatest architect very soon. Click through to see more pictures of the commemorative portrait.

Graffiti

Graffiti

Graffiti

Graffiti

Photo: Reuters photographer Nacho Doce, via The Atlantic Cities

[via theatlanticcities]

In Niemeyer and Costa Masks, Architects Protest the City of Brasilia

Wearing masks with the faces of Oscar Niemeyer and Lúcio Costa, architects and urban planners swarmed the 50th Annual IAB (Institute of Architects of Brazil) Awards in Rio de Janeiro this week. The architects were protesting a contract the city government of Brasilia struck with a Singaporean firm to create an urban masterplan outlining the next 50 years of Brasilia’s future.

The protesters, who argue that any urban revision of the city ought to be undertaken by Brazilians themselves, chanted in homage to the late Oscar Niemeyer: “Niemeyer, yes! Brasilia by Singapore, no!”

IAB and the Council of Architecture and Urbanism have criticized the government’s choice to use a foreign company, with no ties to Brazil, to alter a federal capital dreamed up and designed by Brazilian urbanists, particularly Lúcio Costa. They also lament that the contract was forged without any public consultation or competition.

The contract with Jurong Consultants, a company associated with the Ministry of Industry and Commerce of Singapore, was signed in October of last year. The project, called Brasília 2060, is valued at about US$ 4.5 million.

News via: Folha de São Paulo and ArchDaily Brasil 

In Niemeyer and Costa Masks, Architects Protest the City of Brasilia originally appeared on ArchDaily, the most visited architecture website on 16 Jan 2013.

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Legislative Chamber of the Federal Distric / Projeto Paulista Arquitetura

Architects: Projeto Paulista Arquitetura
Built Project Coordinator: Luis Mauro Freire
Design Team: Luis Mauro Freire, Maria do Carmo Vilariño, Fábio Mariz Gonçalves, Zeuler Rocha Melo de Almeida Lima, Eurico Ramos Francisco e Lívia Leite França
Project Area: 48,277 sqm
Project Year: 2011
Photographs: Nelson Kon

Collaborators: José Mário de Castro Gonçalves, Luis Oliveira Ramos, Alexsander Laranjeira, Paulo Cuconati, Eliane Sena, Henrique Fina
Footings: Hidrosolo Consultoria e Engenharia de Projetos e Soltec Engenharia
Concrete Structure: Engeserj Engenharia e Simetria Engenharia
Steel Structure: WS Welder Silva de Miranda e Ferenge Estruturas Metálicas
Lightning: Franco e Fortes Lighting design e LABAUT Laboratório de Conforto Ambiental e Eficiência Energética
Weather Control: LABAUT Laboratório de Conforto Ambiental e Eficiência Energética
Acoustics: Alexandre Sresnewsky
Construction: Via Engenharia SA
Site Area: 18,700 sqm

The plot selected for the construction of the new Chamber is located on the Monumental Axis beside Praça do Buriti (Buriti Square), Buriti Palace (the Executive) and the Justice Place (the Judiciary), configuring the districtal level of the Praça dos Três Poderes (tree Powers Square).

This is, therefore, a very specific urban situation, infuse with an omnipresent modernist and symbolic urbanistic and archtectonic logic.

The implantation of the Legislative Chamber of the Federal Distric will follow the creation of two public squares serapated by a diagonal wall. The first of these squares, which opens onto the Monumental Axis, has a civic emphasis, presenting the assembly building in a symbolic light.

The oder square, sunken and preserved, creates a space in which people can meet and interact during their daily activities, sheltered from horizon of the capital’s vast landscape.

The building itself is organized into different volumes representing the separate conjuncts of the programme. The semi-circular volume of the assembly, which stands on the raised entrance patio, dominates the conjunct. The offices and cabinets of the deputies are situated in a long horizontal shank that relates volumetrically with the urban structure of the surroundings and functions as visual support for the chamber’s bulk, to which it is joined by a transparent gallery.

This gallery connects both the public access to the assembly (through the civic square) and the deputy access (by the road that runs behind), while their respective circulation areas, kept separate, are resolved on different floor levels. The commissions, auditoriums and other secondary volumes are located at the level of the pilotis or the lower square, therefore directly relating with the pubic and the functionaries of the Chamber.

Câmara Legislativa do Distrito Federal / Projeto Paulista Arquitetura © Nelson Kon
Câmara Legislativa do Distrito Federal / Projeto Paulista Arquitetura © Nelson Kon
Câmara Legislativa do Distrito Federal / Projeto Paulista Arquitetura © Nelson Kon
Câmara Legislativa do Distrito Federal / Projeto Paulista Arquitetura © Nelson Kon
Câmara Legislativa do Distrito Federal / Projeto Paulista Arquitetura © Nelson Kon
Câmara Legislativa do Distrito Federal / Projeto Paulista Arquitetura © Nelson Kon
Câmara Legislativa do Distrito Federal / Projeto Paulista Arquitetura © Nelson Kon
Câmara Legislativa do Distrito Federal / Projeto Paulista Arquitetura © Nelson Kon
Câmara Legislativa do Distrito Federal / Projeto Paulista Arquitetura © Nelson Kon
Câmara Legislativa do Distrito Federal / Projeto Paulista Arquitetura © Nelson Kon
Câmara Legislativa do Distrito Federal / Projeto Paulista Arquitetura Situation Plan
Câmara Legislativa do Distrito Federal / Projeto Paulista Arquitetura Ground Floor Plan
Câmara Legislativa do Distrito Federal / Projeto Paulista Arquitetura Second Floor Plan
Câmara Legislativa do Distrito Federal / Projeto Paulista Arquitetura Third Floor Plan
Câmara Legislativa do Distrito Federal / Projeto Paulista Arquitetura Typical Floor Plan
Câmara Legislativa do Distrito Federal / Projeto Paulista Arquitetura Section AA
Câmara Legislativa do Distrito Federal / Projeto Paulista Arquitetura Section BB

Legislative Chamber of the Federal Distric / Projeto Paulista Arquitetura originally appeared on ArchDaily, the most visited architecture website on 15 Jan 2013.

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Multipurpose Complex Proposal / FGMF Arquitetos

Intending to create a new architectural reference for the region of Brasilia, the Multipurpose Complex becomes a new destination in the city. Designed by FGMF Arquitetos, the building creates a landmark in the landscape through the uses of retail, office buildings, and modular offices. More images and architects’ description after the break.

The bold design, which values the environment and establishes a new commercial destination, emphasizes the public and private open spaces, which are structural elements of the proposal. Thus, a space is delineated that is attractive and open to the local way, isolated from the noise of the highway, able to attract pedestrians and drivers to know the square embraced by the building. At the same time, a system of gradual permeability around shops and living spaces takes advantage of important pedestrian flow, currently concentrated in the servitude passage that connects the highway to activities in the local street, and maximizes its potential.

Besides the desired permeability and configuration of a central square, the understanding of different uses, coupled with the interpretation of local legislation, determine the geometry of the building. Instead of segregating them in airtight towers, it is precisely overlapping ‘layers’ of different nature that forms the cohesion desired for the complex.

Multipurpose Complex Competition Proposal (1) Courtesy of FGMF Arquitetos
Multipurpose Complex Competition Proposal (2) Courtesy of FGMF Arquitetos
Multipurpose Complex Competition Proposal (3) Courtesy of FGMF Arquitetos
Multipurpose Complex Competition Proposal (4) Courtesy of FGMF Arquitetos

Multipurpose Complex Proposal / FGMF Arquitetos originally appeared on ArchDaily, the most visited architecture website on 29 Dec 2012.

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Brasilia Government Forges Controversial Contract with Singapore

While known as the extraordinary city which Niemeyer built, Brasilia is not without its problems. As a recent BBC article noted, while Niemeyer’s architecture is certainly appreciated by its residents, the city itself (designed for the car) lacks a human-scale, mixed neighborhoods, and the vibrant street life which so defines Rio de Janeiro or São Paulo.  The city is in need of a face-lift, but who should be responsible for Brasilia’s new face?

Well, if the debates and arguments at the XXIV Pan American Congress of Architects (XXIV CPA), which took place this November, are anything to go by, it certainly should not be those who have just been given the job.

Brasilia’s Government has contracted consulting company Jurong, based in Singapore, with designing a new Masterplan known as “Brasilia Plan 2060.” The move, which was taken with no outside participation or input, was criticized (loudly) – not only by Brazilian architects and urban planners, but by the majority of American and European professionals present at the XXIV CPA.

More details on this controversial move, after the break…

In October, after Brasilia’s governor signed the contract with Jurong (valued at about US $2.2 million), Brazil’s Secretary of Strategic Affairs, Newton Lins told the state-run Newspaper that the company was chosen because of its “innovative technique for territorial analysis” and “extensive experience in zoning projects, with an impressive portfolio of 1700 projects around the world.”

According to the contract, Jurong has 20 months to prepare studies and undertake “at least six trips” to Brasilia. Commenting on the planning, Lins said: “The idea is more about economic – rather than urban – growth and development. The most important thing is to attract investment, industry. This is a consulting company familiar with management analysis. People just get scared because it’s something new.”

According to Albert Dubler, president of the UIA (International Union of Architects), this is precisely what makes the project so ‘disturbing’: “It is complete nonsense at odds with current thinking, with the interesting projects that are being made today. [...]The perplexing thing is that, if there are people here could do the project, why go to Singapore?”

Dubler also stressed that community participation is vital in any wide-scale urban planning endeavor such as this: “We can not solve the problems of Brasilia without consulting the public. You need governance. I cannot imagine how this dialogue will happen with Singapore.” Dubler continued: “To have an idea represents 5% of a project. The design,10%. But 85% of any project is to discuss it with people – to convince the public.”

At the Pan-American Congress of Architects, the President of the Institute of Architects of Brazil (IAB), Paulo Henrique Paranhos, and the representative of the government, Geraldo Lima Bentes, entered into a heated debate on the subject. “This is not about architecture, but about the development we want,” commented Bentes. “But there cannot be economic planning without first thinking about or questioning the urban consequences,” countered Paranhos.

Architect João Filgueiras Lima, or Lelé, who was honored at the opening of the Congress, also criticized the partnership: “As a proposal for the planning of the city for the next 50 years, I find it regrettable. There is no one who is clairvoyant [...but] it is a plan that involves a country that has no cultural affinity with us. ”

Dubler agrees, complaining that there is also a symbolic issue with contracting the foreign company: “The creation of Brasília was an exercise of democracy [...] that’s why the Brazilian people must participate. [...] Brazil is a democratic country and Singapore is not, so there is an imbalance.”

Dubler also questions the capacity of the Singaporean company to take on a project of such scale and architectural importance: “Brasilia is a model for architects worldwide. I don’t know any architects for whom Singapore is a model. It’s like calling McDonald’s to help you open a fine food restaurant in France.”

The FPAA (Pan-American Federation of Associations of Architects) has also aligned itself with the UIA and the IAB in denouncing the move, citing the symbolic importance of Brasilia as a UNESCO World Heritage site.

The FPAA has approved a document which will be submitted to UNESCO, asking for intervention in the contract due to the “negative cultural consequences” it will generate. According to the president of the IAB, Sergio Magalhaes: “We cannot let a symbol of Brazilian culture be destroyed or distorted by a company that has no cultural affinity with us. We have the support of the FPAA and the UIA to preserve a heritage that is not only Brazil’s, but humanity’s.”

Story via ArchDaily Brazil

Brasilia Government Forges Controversial Contract with Singapore originally appeared on ArchDaily, the most visited architecture website on 12 Dec 2012.

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Brasilia Government Forges Controversial Contract with Singapore

While known as the extraordinary city which Niemeyer built, Brasilia is not without its problems. As a recent BBC article noted, while Niemeyer’s architecture is certainly appreciated by its residents, the city itself (designed for the car) lacks a human-scale, mixed neighborhoods, and the vibrant street life which so defines Rio de Janeiro or São Paulo.  The city is in need of a face-lift, but who should be responsible for Brasilia’s new face?

Well, if the debates and arguments at the XXIV Pan American Congress of Architects (XXIV CPA), which took place this November, are anything to go by, it certainly should not be those who have just been given the job.

Brasilia’s Government has contracted consulting company Jurong, based in Singapore, with designing a new Masterplan known as “Brasilia Plan 2060.” The move, which was taken with no outside participation or input, was criticized (loudly) – not only by Brazilian architects and urban planners, but by the majority of American and European professionals present at the XXIV CPA.

More details on this controversial move, after the break…

In October, after Brasilia’s governor signed the contract with Jurong (valued at about US $2.2 million), Brazil’s Secretary of Strategic Affairs, Newton Lins told the state-run Newspaper that the company was chosen because of its “innovative technique for territorial analysis” and “extensive experience in zoning projects, with an impressive portfolio of 1700 projects around the world.”

According to the contract, Jurong has 20 months to prepare studies and undertake “at least six trips” to Brasilia. Commenting on the planning, Lins said: “The idea is more about economic – rather than urban – growth and development. The most important thing is to attract investment, industry. This is a consulting company familiar with management analysis. People just get scared because it’s something new.”

According to Albert Dubler, president of the UIA (International Union of Architects), this is precisely what makes the project so ‘disturbing’: “It is complete nonsense at odds with current thinking, with the interesting projects that are being made today. [...]The perplexing thing is that, if there are people here could do the project, why go to Singapore?”

Dubler also stressed that community participation is vital in any wide-scale urban planning endeavor such as this: “We can not solve the problems of Brasilia without consulting the public. You need governance. I cannot imagine how this dialogue will happen with Singapore.” Dubler continued: “To have an idea represents 5% of a project. The design,10%. But 85% of any project is to discuss it with people – to convince the public.”

At the Pan-American Congress of Architects, the President of the Institute of Architects of Brazil (IAB), Paulo Henrique Paranhos, and the representative of the government, Geraldo Lima Bentes, entered into a heated debate on the subject. “This is not about architecture, but about the development we want,” commented Bentes. “But there cannot be economic planning without first thinking about or questioning the urban consequences,” countered Paranhos.

Architect João Filgueiras Lima, or Lelé, who was honored at the opening of the Congress, also criticized the partnership: “As a proposal for the planning of the city for the next 50 years, I find it regrettable. There is no one who is clairvoyant [...but] it is a plan that involves a country that has no cultural affinity with us. ”

Dubler agrees, complaining that there is also a symbolic issue with contracting the foreign company: “The creation of Brasília was an exercise of democracy [...] that’s why the Brazilian people must participate. [...] Brazil is a democratic country and Singapore is not, so there is an imbalance.”

Dubler also questions the capacity of the Singaporean company to take on a project of such scale and architectural importance: “Brasilia is a model for architects worldwide. I don’t know any architects for whom Singapore is a model. It’s like calling McDonald’s to help you open a fine food restaurant in France.”

The FPAA (Pan-American Federation of Associations of Architects) has also aligned itself with the UIA and the IAB in denouncing the move, citing the symbolic importance of Brasilia as a UNESCO World Heritage site.

The FPAA has approved a document which will be submitted to UNESCO, asking for intervention in the contract due to the “negative cultural consequences” it will generate. According to the president of the IAB, Sergio Magalhaes: “We cannot let a symbol of Brazilian culture be destroyed or distorted by a company that has no cultural affinity with us. We have the support of the FPAA and the UIA to preserve a heritage that is not only Brazil’s, but humanity’s.”

Story via ArchDaily Brazil

Brasilia Government Forges Controversial Contract with Singapore originally appeared on ArchDaily, the most visited architecture website on 12 Dec 2012.

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Norman Foster Pays Tribute To Oscar Niemeyer, “Choreographer” Of Space

From left: Norman Foster, Oscar Niemeyer, and Gary Hustwit, whose 2011 film Urbanized featured both architects. As a student in the 1960s, Norman Foster voraciously consumed the work of Oscar Niemeyer, who died yesterday in Rio de Janeiro at the age of 104. Foster studied the Brazilian architect’s drawings and looked to them for inspiration.

A Life In Architecture: Oscar Niemeyer, 1907-2012

Oscar Niemeyer, the last architect of his kind and of an entire architectural period, has died. He passed away yesterday in Rio de Janeiro, just ten days shy of his 105th birthday. Niemeyer had been hospitalized multiple times this year, most recently in October, for various complications, yet each time resurfaced with his doctors’ proclamations